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Oinochoe of red figures for the Antesteria's party (ceramic)
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Oinochoe of red figures for the Antesteria's party (ceramic)
UIG5415873 Oinochoe of red figures for the Antesteria's party (ceramic); (add.info.: It depicts Dionysos, divinity of the wine, drunk and sustained by a satire. Attica, around 430 BC. National Museum, Atens, Greece); PHAS/UIG
Media ID 38182432
© PHAS/UIG / Bridgeman Images
5th Century Bc Alcoholic Alcoholism Ancient Greeks Archeologic Archeological Archeology Artisanal Bacchante Bacchus Bacchus Dionysus Baccus Ceramics Craft Craft Industry Craftsmanship Diety Dionysian Dionysis Dionyssis Dionysus Dionysus (greek Deity) Dionysus Bacchus Divinities Eternal Father Fantastic Animal Fantastic Animals Fantastic Creature Fantastic Creatures Fifth Century Bc Godess Handicrafts Heavenly Father Infant Dionysus Mythical Animal Mythical Beast Mythical Creature Mythical Creatures Mytholoy Potter Potteries Satyr Satyrs Unpopulated Vth Century Bc Without People
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EDITORS COMMENTS
This stunning print captures an Oinochoe of red figures depicting the Antesteria's party in ancient Greece. The ceramic artwork, dating back to around 430 BC, showcases Dionysos, the god of wine, in a drunken state being supported by a satire. This piece from the National Museum in Athens is a true testament to the artistry and craftsmanship of antiquity.
The vibrant colors and intricate details on this oinochoe bring to life the mythological figure of Dionysos and his Bacchic revelry. The scene is filled with symbolism and meaning, reflecting the importance of wine and celebration in Greek culture.
As we gaze upon this artifact from centuries past, we are transported to a time when gods walked among mortals and divine beings were worshipped with fervor. The image of Dionysos surrounded by satyrs serves as a reminder of humanity's eternal fascination with mythology and religion.
This print not only captures a moment frozen in time but also invites us to ponder our own relationship with alcoholism and excess. It is a powerful reminder that even gods can fall prey to their vices, making it all the more relevant in today's society.
In conclusion, this Oinochoe of red figures is not just an archaeological treasure but also a window into the soul of ancient Greece – its beliefs, its rituals, and its everlasting legacy.
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