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Adam holding an Apple, seated, in a Medallion, c. 1547-1553 (black chalk

Adam holding an Apple, seated, in a Medallion, c. 1547-1553 (black chalk


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Adam holding an Apple, seated, in a Medallion, c. 1547-1553 (black chalk

1197617 Adam holding an Apple, seated, in a Medallion, c.1547-1553 (black chalk, pen and brown ink, brown wash heightened with white) by Bedoli, Girolamo Mazzola (c.1500-69); 32.6x11.2 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Media ID 22872020

© Christie's Images / Bridgeman Images

1540s 1547 1550s 1553 Adam Adam And Eve Apple Apples Athletic Black Chalk Body Type Brown Ink Brown Wash Chalk Contemplate Contemplating Contemplation Heightened Heightening Holy Bible Human Build In Ink Ink Drawing Italian Art Italian Artist Mannerism Mannerist Medallion Mid 16th Century Mid Sixteenth Century Muscular Negative Concept One Man Only Pensive Skin Temptation Tempting Thought Using Hands Wash White Color Girolamo Mazzola Bedoli Thinking


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> Arts > Art Movements > Mannerism

> Arts > Artists > C > Walter Crane

> Fine Art Finder > Artists > Girolamo Mazzola Bedoli

> Fine Art Finder > Artists > Walter Crane

> Popular Themes > Athletics


EDITORS COMMENTS
This black chalk print, titled "Adam holding an Apple, seated, in a Medallion" transports viewers back to the mid-16th century. Created by Italian artist Girolamo Mazzola Bedoli around 1547-1553, this artwork showcases his mastery of intricate detail and profound storytelling. In this biblical scene, we see Adam depicted in deep contemplation. Seated with a pensive posture, he holds an apple in his hands - a symbol of temptation and the fall from grace according to the Old Testament. The artist's use of brown ink and white heightening adds depth and dimension to Adam's muscular physique. The composition is framed within a medallion shape, emphasizing its significance as a religious narrative. Bedoli's mannerist style shines through with delicate lines and precise shading techniques that bring life to every stroke. As we observe this piece further, it becomes evident that it captures not only Adam's physical form but also his inner thoughts. His expression suggests intense introspection as he contemplates the consequences of his actions. This exquisite print serves as a testament to Italian art during the Renaissance period while reminding us of timeless themes such as human nature, temptation, and contemplation found within biblical narratives. It invites us to reflect on our own choices and their potential repercussions.

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