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Negative Concept Collection

"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity

Background imageNegative Concept Collection: The Battle of Trafalgar, (oil on canvas)

The Battle of Trafalgar, (oil on canvas)
824219 The Battle of Trafalgar, (oil on canvas) by English School, (19th century); 340.5x218.5 cm; Private Collection; (add.info.: The Battle of Trafalgar. English School, 19th Century)

Background imageNegative Concept Collection: Kittens Playing on Desk, (oil on canvas)

Kittens Playing on Desk, (oil on canvas)
1197583 Kittens Playing on Desk, (oil on canvas) by Neuville, Alfred Brunel de (1852-1941); 55.8x66. cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageNegative Concept Collection: The Jewel Box, (pencil and watercolour on paper)

The Jewel Box, (pencil and watercolour on paper)
823500 The Jewel Box, (pencil and watercolour on paper) by Simonetti, Ettore (19th century); 75.5x53.3 cm; Private Collection; (add.info.: The Jewel Box. Ettore Simonetti (1857-1909)

Background imageNegative Concept Collection: Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond

Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond
1765053 Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond, late 1650s (oil on canvas) by English School

Background imageNegative Concept Collection: The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c

The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c
1196881 The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c.1760-1770 (w/c on paper) by Indian School, (18th century)

Background imageNegative Concept Collection: A Woman Reading at a Window, 1933 (oil on canvas)

A Woman Reading at a Window, 1933 (oil on canvas)
824141 A Woman Reading at a Window, 1933 (oil on canvas) by Panitzsch, Robert (1879-1949); 50.8x61 cm; Private Collection; (add.info.: A Woman Reading at a Window. Robert Panitzsch (1879-1949)

Background imageNegative Concept Collection: A Mediterranean Beauty, (oil on canvas)

A Mediterranean Beauty, (oil on canvas)
1197464 A Mediterranean Beauty, (oil on canvas) by Bls, Eugen von (1843-1931); 57.8x44.7 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageNegative Concept Collection: Oliver Cromwell, 1867 (oil on canvas)

Oliver Cromwell, 1867 (oil on canvas)
985100 Oliver Cromwell, 1867 (oil on canvas) by Leutze, Emanuel Gottlieb (1816-68); 145.1x107 cm; Private Collection; (add.info.: Oliver Cromwell. Emanuel Gottlieb Leutze (1816-1868). Oil on canvas

Background imageNegative Concept Collection: Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)

Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)
1199561 Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas) by Beavis, Richard (1824-96); 115.5x178 cm; Private Collection; Photo eChristies Images; English

Background imageNegative Concept Collection: Bucking Bronco, 1903 (oil on canvas laid down on masonite)

Bucking Bronco, 1903 (oil on canvas laid down on masonite)
823227 Bucking Bronco, 1903 (oil on canvas laid down on masonite) by Wyeth, Newell Convers (1882-1945); 70.4x49.5 cm; Private Collection; (add.info.: Bucking Bronco. Newell Convers Wyeth (1882-1945)

Background imageNegative Concept Collection: The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847

The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847
1765061 The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847, With Stonehenge Beyond, 1847 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H

Background imageNegative Concept Collection: The New Gloves, 1909 (oil on canvas)

The New Gloves, 1909 (oil on canvas)
658191 The New Gloves, 1909 (oil on canvas) by Schuster, Karl Maria (1871-1953); 99.6x75.8 cm; Private Collection; (add.info.: The New Gloves. Karl Maria Schuster (1871-1953). Oil on canvas

Background imageNegative Concept Collection: Fighting Goats, c.1920 (cut paper laid down on tissue)

Fighting Goats, c.1920 (cut paper laid down on tissue)
1767558 Fighting Goats, c.1920 (cut paper laid down on tissue) by Diederich, Wilhelm Hunt (1884-1953); 36.8x27.9 cm; Private Collection; Photo © Christie's Images.

Background imageNegative Concept Collection: Indian with Drum, (oil on canvas)

Indian with Drum, (oil on canvas)
985105 Indian with Drum, (oil on canvas) by Sharp, Joseph Henry (1859-1953); 40.7x51 cm; Private Collection; (add.info.: Indian with Drum. Joseph Henry Sharp (1859-1953). Oil on canvas

Background imageNegative Concept Collection: French Maiden, (oil on canvas)

French Maiden, (oil on canvas)
985329 French Maiden, (oil on canvas) by Shinn, Everett (1876-1953); 38.5x48.3 cm; Private Collection; (add.info.: French Maiden. Everett Shinn (1876-1953). Oil on canvas

Background imageNegative Concept Collection: The Russian Emigres, c. 1900 (oil on canvas)

The Russian Emigres, c. 1900 (oil on canvas)
1197487 The Russian Emigres, c. 1900 (oil on canvas) by Levy-Dhurmer, Lucien (1865-1953); 92.7x73.8 cm; Private Collection; Photo © Christie's Images.

Background imageNegative Concept Collection: Green Park, London, 1908 (pastel on board)

Green Park, London, 1908 (pastel on board)
650733 Green Park, London, 1908 (pastel on board) by Shinn, Everett (1876-1953); 35.6x45.7 cm; Private Collection; (add.info.: Green Park, London. Everett Shinn (1876-1953). Pastel on board

Background imageNegative Concept Collection: Death of Freedom; Tod der Freiheit, 1929 (oil on canvas)

Death of Freedom; Tod der Freiheit, 1929 (oil on canvas)
653502 Death of Freedom; Tod der Freiheit, 1929 (oil on canvas) by Filla, Emil (1882-1953); 89x116 cm; Private Collection; (add.info.: Death of Freedom; Tod der Freiheit. Emil Filla (1882-1953)

Background imageNegative Concept Collection: End of the Harvest, (oil on canvas)

End of the Harvest, (oil on canvas)
650785 End of the Harvest, (oil on canvas) by Brown, Fred C. (fl. 19th century); 22.8x30.5 cm; Private Collection; (add.info.: End of the Harvest. Fred C. Brown. Oil on board)

Background imageNegative Concept Collection: A gilt and polychrome painted wood model of the third coffin of King Tutankhamen

A gilt and polychrome painted wood model of the third coffin of King Tutankhamen, c.1930 (painted wood)
1764798 A gilt and polychrome painted wood model of the third coffin of King Tutankhamen, c.1930 (painted wood); 189 high cm; Private Collection; (add.info)

Background imageNegative Concept Collection: The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938

The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board)
823342 The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board) by Shinn, Everett (1876-1953); 43.5x38.2 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: Pageant of Folly and Repentance, 1907 (oil on canvas)

Pageant of Folly and Repentance, 1907 (oil on canvas)
989433 Pageant of Folly and Repentance, 1907 (oil on canvas) by Bennett, Frank Moss (1874-1953); 81.9x52.7 cm; Private Collection; (add.info.: Pageant of Folly and Repentance)

Background imageNegative Concept Collection: Nude Boy Standing; Stehender Knabenakt, (oil on canvas)

Nude Boy Standing; Stehender Knabenakt, (oil on canvas)
652939 Nude Boy Standing; Stehender Knabenakt, (oil on canvas) by Rohlfs, Christian (1849-1938); 80x53.3 cm; Private Collection; (add.info.: Nude Boy Standing; Stehender Knabenakt)

Background imageNegative Concept Collection: Buffalo and Lion Before the Fight, (oil on canvas)

Buffalo and Lion Before the Fight, (oil on canvas)
1197063 Buffalo and Lion Before the Fight, (oil on canvas) by Kuhnert, Wilhelm (1865-1926); 78.8x129.5 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageNegative Concept Collection: Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper)

Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper)
989123 Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper) by Schiele, Egon (1890-1918); 48x32 cm; Private Collection; (add.info.: Lying Young Girl)

Background imageNegative Concept Collection: A Scene from the Trojan Wars (oil on canvas)

A Scene from the Trojan Wars (oil on canvas)
990285 A Scene from the Trojan Wars (oil on canvas) by Calliano, Rafaelle (1785-1824); 75x135.6 cm; Private Collection; (add.info.: A Scene from the Trojan Wars)

Background imageNegative Concept Collection: The Odalisque, 1913 (oil on canvas)

The Odalisque, 1913 (oil on canvas)
651262 The Odalisque, 1913 (oil on canvas) by Tanoux, Henri Adrien (1865-1923); 59.3x77.6 cm; Private Collection; (add.info.: The Odalisque. Adrien Henri Tanoux (1865-1923). Oil on canvas

Background imageNegative Concept Collection: The Farewell, 1842 (oil on board)

The Farewell, 1842 (oil on board)
658764 The Farewell, 1842 (oil on board) by Becker, Jakob (1810-40); 92x73 cm; Private Collection; (add.info.: The Farewell. Jakob Becker (1810-1872). Oil on board. Signed and dated 1842

Background imageNegative Concept Collection: Female nude with Death as a skeleton, 1897 (etching)

Female nude with Death as a skeleton, 1897 (etching)
990955 Female nude with Death as a skeleton, 1897 (etching) by Rassenfosse, Armand (1862-1934); 28x21.5 cm; Private Collection; (add.info.: Female nude with Death as a skeleton)

Background imageNegative Concept Collection: Cafe Parisien (Bal Tabarin), (oil on canvas)

Cafe Parisien (Bal Tabarin), (oil on canvas)
1196569 Cafe Parisien (Bal Tabarin), (oil on canvas) by Pissarro, Ludovic-Rodolphe (1878-1952); 46.2x55.2 cm; Private Collection; Photo © Christie's Images

Background imageNegative Concept Collection: View of Limerick, c. 1750 (watercolour plans)

View of Limerick, c. 1750 (watercolour plans)
986014 View of Limerick, c.1750 (watercolour plans) by Hobson, Samuel (18th century) (after); Private Collection; (add.info.: View of Limerick; Vue de Limerick)

Background imageNegative Concept Collection: The Looking Glass, (oil on canvas)

The Looking Glass, (oil on canvas)
823109 The Looking Glass, (oil on canvas) by Blenner, Carle J. (1884-1952); 61x50.5 cm; Private Collection; (add.info.: The Looking Glass. Carle John Blenner (1864-1952). Oil on canvas

Background imageNegative Concept Collection: The Boudoir, 1896 (oil on canvas)

The Boudoir, 1896 (oil on canvas)
650811 The Boudoir, 1896 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 72.4x48.8 cm; Private Collection; (add.info.: The Boudoir. Kenneth Hayes Miller (1876-1952). Oil on canvas, 1896

Background imageNegative Concept Collection: The Old Miner, 1925 (oil on canvas)

The Old Miner, 1925 (oil on canvas)
823239 The Old Miner, 1925 (oil on canvas) by Dunn, Harvey T. (1884-1952); 77x101 cm; Private Collection; (add.info.: The Old Miner. Harvey T. Dunn (1884-1952). Oil on canvas. Painted in 1925

Background imageNegative Concept Collection: On the Terrace (oil on canvas)

On the Terrace (oil on canvas)
1767509 On the Terrace (oil on canvas) by Buehr, Karl Albert (1866-1952) ; 71.1x91.4 cm; Private Collection; (add.info.: On the Terrace. Karl Albert Buehr (1866-1952). Oil on canvas

Background imageNegative Concept Collection: The Death of Hyacinth, 1920 (oil on canvas)

The Death of Hyacinth, 1920 (oil on canvas)
1769782 The Death of Hyacinth, 1920 (oil on canvas) by Morley, Harry (1881-1943); 95.4x109.3 cm; Private Collection; (add.info.: The Death of Hyacinth. Harry Morley (1881-1943). Oil on canvas

Background imageNegative Concept Collection: Aggressus Ressurgo, 1918 (colour etching)

Aggressus Ressurgo, 1918 (colour etching)
1195042 Aggressus Ressurgo, 1918 (colour etching) by Barbier, Georges (1882-1932); 42x34.2 cm; Private Collection; Photo © Christies Images

Background imageNegative Concept Collection: The Young Rustem Slaying the White Elephant, c. 1545 (gouache with gold paint on paper)

The Young Rustem Slaying the White Elephant, c. 1545 (gouache with gold paint on paper)
1196797 The Young Rustem Slaying the White Elephant, c.1545 (gouache with gold paint on paper) by Iranian school (16th century); 21x11 cm; Private Collection; Photo © Christies Images

Background imageNegative Concept Collection: The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)

The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
1196715 The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint) by Howitt, Samuel (1756-1822) (after); 46x58.5 cm; Private Collection; Photo © Christies Images

Background imageNegative Concept Collection: Clash of the Titans; Kampf der Titanen, c. 1913-1915 (oil on canvas)

Clash of the Titans; Kampf der Titanen, c. 1913-1915 (oil on canvas)
656203 Clash of the Titans; Kampf der Titanen, c.1913-1915 (oil on canvas) by Moser, Koloman (1868-1918); 130x240 cm; Private Collection; (add.info.: Clash of the Titans; Kampf der Titanen)

Background imageNegative Concept Collection: Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash)

Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash)
827546 Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 21x26.5

Background imageNegative Concept Collection: A Decorative Roundel with Odysseus Fighting the Beggar, and with Sphynxs (oil on canvas)

A Decorative Roundel with Odysseus Fighting the Beggar, and with Sphynxs (oil on canvas)
659353 A Decorative Roundel with Odysseus Fighting the Beggar, and with Sphynxs (oil on canvas) by Wit, Jacob de (1695-1754) (school of)

Background imageNegative Concept Collection: Chivalry, 1885 (oil on canvas)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Background imageNegative Concept Collection: Battle scene between archers and cavalry, with castle and ships, c

Battle scene between archers and cavalry, with castle and ships, c. 1495-1500 (gouache and gold paint on vellum)
986282 Battle scene between archers and cavalry, with castle and ships, c.1495-1500 (gouache and gold paint on vellum) by French School

Background imageNegative Concept Collection: A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)

A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)
990228 A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel) by Vrancx, Sebastian (1573-1647); 50.2x81 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: Hercules and the Giants, c. 1475-80 (engraving)

Hercules and the Giants, c. 1475-80 (engraving)
659470 Hercules and the Giants, c.1475-80 (engraving) by Pollaiuolo, Antonio (1432/3-98) (school of); 36.7x54.7 cm; Private Collection; Photo © Christies Images

Background imageNegative Concept Collection: Goshawk, (watercolour heightened with bodycolour)

Goshawk, (watercolour heightened with bodycolour)
651876 Goshawk, (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 17.1x24.1 cm; Private Collection; (add.info.: Goshawk. Archibald Thorburn (1860-1935)

Background imageNegative Concept Collection: Two Warriors; Zwei Kampfende, 1910 (oil on canvas)

Two Warriors; Zwei Kampfende, 1910 (oil on canvas)
826265 Two Warriors; Zwei Kampfende, 1910 (oil on canvas) by Macke, August (1887-1914); 63x36.7 cm; Private Collection; (add.info.: Two Warriors; Zwei Kampfende. August Macke (1887-1914)



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"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.