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Ship dish on low foot, Recto, c. 1872-1907 (earthenware, glazed)
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Ship dish on low foot, Recto, c. 1872-1907 (earthenware, glazed)
7305834 Ship dish on low foot, Recto, c.1872-1907 (earthenware, glazed) by Morgan, William De (1839-1917); 21x21 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: William Frend De Morgan (1839 - 1917)
Charles Passenger (active c. 1888 - 1898)); © Ashmolean Museum
Media ID 28383030
© Ashmolean Museum / Bridgeman Images
Arts And Crafts Movement Ceramics Cermaic Craft Industry Decorative Arts Dish Dishes Fantastic Animal Fantastic Creature Fantastic Creatures Fishes Handicrafts Marinescape Monstruous Morgan William De 1839 1917 Mythical Animal Mythical Beast Mythical Creature Mythical Creatures Plates Potter Potteries Reptiles Sail Boat Sail Boats Sailboat Sailboats Sailing Boat Sailing Ship Sea Painting Seashore Tableware William De Morgan Without People 1900 1909 Years 00 00s 1900 1910 Years 00 00s Britisch Britisch Items Means Of Conveyance Monster Serpent Snakes Thing Without Anyone
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EDITORS COMMENTS
This print showcases a ship dish on a low foot, created between the years 1872 and 1907. Crafted from earthenware and glazed to perfection, this piece of art measures 21x21 cm and is currently housed in the prestigious Ashmolean Museum at the University of Oxford in the UK. The mastermind behind this remarkable creation is none other than William Frend De Morgan (1839-1917), an esteemed artist known for his exceptional ceramic works. Collaborating with Charles Passenger, who was active during the late 19th century, De Morgan brings to life a mesmerizing scene that transports viewers into a world of maritime wonder. Intricate details adorn this ship dish, capturing both the beauty and power of the sea. The vibrant colors used by De Morgan evoke a sense of awe as they depict monstrous yet fantastical creatures that seem to emerge from beneath the waves. These mythical animals add an element of mystery and enchantment to an already extraordinary piece. As we gaze upon this artwork, we are reminded not only of its artistic brilliance but also its historical significance. It serves as a testament to the creativity and craftsmanship prevalent during the late 19th century, showcasing how artists like De Morgan pushed boundaries and transformed ceramics into true works of art. Ellie Atkins has expertly captured every nuance in her photo print, allowing us to appreciate this masterpiece even if we cannot witness it firsthand at Ashmolean Museum.
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