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Fine Art Print : Comes to the First Sister, 1866 (woodcut)

Comes to the First Sister, 1866 (woodcut)



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Comes to the First Sister, 1866 (woodcut)

3726003 Comes to the First Sister, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.3x8 cm; Private Collection; (add.info.: Designed by Sir Edward Burne-Jones for The Tale of Cupid & Psyche and cut in woodblock by William Morris (1834-96) in 1866.); By courtesy of Julian Hartnoll; English, out of copyright

Media ID 23621254

© courtesy of Julian Hartnoll / Bridgeman Images

Cupid And Psyche Females Monochrome Plead Quest Siblings Sisters Trial Pre Raphaelite


20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of Victorian art with our exquisite offering from Media Storehouse's Fine Art Prints collection. This stunning woodcut, titled "Comes to the First Sister," is inspired by the masterful work of Edward Coley Burne-Jones, created in 1866. The intricate details and rich colors of this beautiful piece, originally after a design by Burne-Jones, are sure to bring a touch of elegance and sophistication to any space. Own a piece of art history with our high-quality, museum-grade prints, and let the timeless beauty of this iconic work transport you to another era.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Edward Coley (after) Burne-Jones

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Mythological art

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > M > William Morris

> Arts > Artists > R > Roman Roman

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Greece > Posters


EDITORS COMMENTS
This print titled "Comes to the First Sister, 1866" transports us back in time to a mythical world of love, trials, and sisterhood. The woodcut artwork was designed by Sir Edward Burne-Jones for "The Tale of Cupid & Psyche" a timeless story that continues to captivate audiences today. In this scene, we witness two female figures standing tall as they meet during a crucial moment in their quest. The first sister pleads her case with heartfelt emotion while the second sister listens attentively. Their classical attire and graceful postures evoke a sense of ancient Greek or Roman mythology. The monochrome aesthetic adds an air of mystery and intrigue to the image, allowing our imagination to fill in the missing colors. This Pre-Raphaelite masterpiece showcases not only the artistic talents of Burne-Jones but also his collaboration with renowned woodblock artist William Morris. As we gaze upon this remarkable print, we are reminded of the power of sibling bonds and the lengths one would go through for love. It serves as a visual reminder that even in mythological tales from centuries ago, themes such as loyalty, sacrifice, and determination remain universal. Courtesy of Julian Hartnoll's collection and Bridgeman Images' expertise in preserving fine art prints like this one; we can now appreciate this exquisite piece within our own homes or galleries alike.

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