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Fine Art Print : L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) (lithograph)
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L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) (lithograph)
ICA4905974 L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25196158
© Caricadoc / Bridgeman Images
Call Cambodia Cambodian Encounter Hospitality International Relations Asian Asian Belgians Belgium Belgian Benelux Countries Caricadoc
20"x16" (+3" Border) Fine Art Print
Discover the captivating detail and vibrant colors of this Lithograph, L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30, featuring a satirical image of King Leopold II of Belgium, Georges Leygues, and King Sisowath Preah Bat of Cambodia surrounded by various animals. This fine art print, from the Media Storehouse collection brought to you by Bridgeman Images and Fine Art Finder, showcases the masterful artistry of Georges Lemaire, also known as Bridgeman. Add a touch of history and whimsy to your home decor with this stunning and intriguing piece.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This lithograph from 1906, titled "L Assiette au Beurre, number 274, Satirique en couleurs" is a remarkable piece of political satire. Created by the talented artist Leal de Camara (1877-1948), this print captures a momentous encounter between three influential figures: King Leopold II of Belgium (1835-1909), Georges Leygues (1857-1933), and Sisowath Preah Bat (1840-1927) of Cambodia. The image portrays an intriguing blend of Belgian and Cambodian culture. The central figure, King Leopold II, is depicted wearing his crown in traditional Belgian attire. Standing beside him is Georges Leygues, a French politician known for his involvement in international relations during the early 20th century. On the right side of the composition stands Sisowath Preah Bat, who was then serving as the ruler of Cambodia. Dressed in traditional Cambodian garments and adorned with intricate jewelry, he exudes elegance and regality. The scene seems to capture a momentary pause during an elaborate dance performance that showcases both Belgian and Cambodian traditions. This meeting symbolizes not only diplomatic relations but also cultural exchange between these two nations. Through this lithograph's clever caricature style and attention to detail, it offers a glimpse into the complex dynamics between Europe and Asia during that time period. It serves as both historical documentation and artistic expression—a testament to how art can encapsulate politics and societal interactions within its frames.
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