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Photographic Print : L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) (lithograph)
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L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) (lithograph)
ICA4905974 L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25196158
© Caricadoc / Bridgeman Images
Call Cambodia Cambodian Encounter Hospitality International Relations Asian Asian Belgians Belgium Belgian Benelux Countries Caricadoc
10"x8" (25x20cm) Photo Print
Bring a piece of historical art into your home with the Media Storehouse range of Photographic Prints. This captivating lithograph, titled "L Assiette au Beurre, number 274, Satirique en couleurs, 1906_6_30: Belgium, Animals, Cambodia - Leopold II (1835-1909), Leygues Georges (1857-1933), Sisowath Preah Bat (1840-1927)" by Bridgeman Images, is a satirical work depicting King Leopold II of Belgium, Georges Leygues, and King Sisowath of Cambodia surrounded by various animals. This vibrant and intriguing image, originally published in 1906, is a must-have for art enthusiasts, history buffs, and collectors. Order your high-quality Photographic Print today and add a touch of timeless elegance to your decor.
Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This lithograph from 1906, titled "L Assiette au Beurre, number 274, Satirique en couleurs" is a remarkable piece of political satire. Created by the talented artist Leal de Camara (1877-1948), this print captures a momentous encounter between three influential figures: King Leopold II of Belgium (1835-1909), Georges Leygues (1857-1933), and Sisowath Preah Bat (1840-1927) of Cambodia. The image portrays an intriguing blend of Belgian and Cambodian culture. The central figure, King Leopold II, is depicted wearing his crown in traditional Belgian attire. Standing beside him is Georges Leygues, a French politician known for his involvement in international relations during the early 20th century. On the right side of the composition stands Sisowath Preah Bat, who was then serving as the ruler of Cambodia. Dressed in traditional Cambodian garments and adorned with intricate jewelry, he exudes elegance and regality. The scene seems to capture a momentary pause during an elaborate dance performance that showcases both Belgian and Cambodian traditions. This meeting symbolizes not only diplomatic relations but also cultural exchange between these two nations. Through this lithograph's clever caricature style and attention to detail, it offers a glimpse into the complex dynamics between Europe and Asia during that time period. It serves as both historical documentation and artistic expression—a testament to how art can encapsulate politics and societal interactions within its frames.
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