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Francesco Primaticcio Collection

Francesco Primaticcio was an Italian painter, sculptor, and architect who played a significant role in the development of French Mannerism during the 16th century

Background imageFrancesco Primaticcio Collection: Francesco Primaticcio from the Abate Primaticcio or the Bologna picturesque and architect, 1752

Francesco Primaticcio from the Abate Primaticcio or the Bologna picturesque and architect, 1752. Private Collection

Background imageFrancesco Primaticcio Collection: Ulysses and Polyphemus, 1701-1780. Creator: John Baptist Jackson

Ulysses and Polyphemus, 1701-1780. Creator: John Baptist Jackson
Ulysses and Polyphemus, 1701-1780

Background imageFrancesco Primaticcio Collection: Fortitude (Study for the 'Cabinet du roi' [King's Study]), 1541/45. Creator: Francesco Primaticcio

Fortitude (Study for the "Cabinet du roi" [King's Study]), 1541/45. Creator: Francesco Primaticcio
Fortitude (Study for the "Cabinet du roi" [King's Study]), 1541/45

Background imageFrancesco Primaticcio Collection: Jupiter and Callisto, 1560/70. Creators: Domenico Vito, Francesco Primaticcio

Jupiter and Callisto, 1560/70. Creators: Domenico Vito, Francesco Primaticcio
Jupiter and Callisto, 1560/70

Background imageFrancesco Primaticcio Collection: Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown

Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown
Seated Male Nude with Outstretched Left Arm, n.d

Background imageFrancesco Primaticcio Collection: The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere

The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere
The Banquet of Alexander, 1540-50

Background imageFrancesco Primaticcio Collection: Classical Female Figure (Diana or Venus) with Two Infants, ca. 1539-42

Classical Female Figure (Diana or Venus) with Two Infants, ca. 1539-42

Background imageFrancesco Primaticcio Collection: Juno (from The Muses and the Three Great Goddesses), 1540-56. 1540-56. Creator: Anon

Juno (from The Muses and the Three Great Goddesses), 1540-56. 1540-56. Creator: Anon
Juno (from The Muses and the Three Great Goddesses), 1540-56

Background imageFrancesco Primaticcio Collection: Thalia, ca. 1540-45. ca. 1540-45. Creator: Anon

Thalia, ca. 1540-45. ca. 1540-45. Creator: Anon
Thalia, ca. 1540-45

Background imageFrancesco Primaticcio Collection: Melpomene, ca. 1540-45. ca. 1540-45. Creator: Anon

Melpomene, ca. 1540-45. ca. 1540-45. Creator: Anon
Melpomene, ca. 1540-45

Background imageFrancesco Primaticcio Collection: Calliope, ca. 1540-45. ca. 1540-45. Creator: Anon

Calliope, ca. 1540-45. ca. 1540-45. Creator: Anon
Calliope, ca. 1540-45

Background imageFrancesco Primaticcio Collection: Polyhymnia, ca. 1540-45. ca. 1540-45. Creator: Anon

Polyhymnia, ca. 1540-45. ca. 1540-45. Creator: Anon
Polyhymnia, ca. 1540-45

Background imageFrancesco Primaticcio Collection: Francesco Primaticcio, portrait (engraving)

Francesco Primaticcio, portrait (engraving)
5238557 Francesco Primaticcio, portrait (engraving) by French School, (19th century); Private Collection; (add.info.: Francesco Primaticcio)

Background imageFrancesco Primaticcio Collection: The Trojans hauling the wooden horse into Troy, 1545. Creator: Giulio Bonasone

The Trojans hauling the wooden horse into Troy, 1545. Creator: Giulio Bonasone
The Trojans hauling the wooden horse into Troy, 1545

Background imageFrancesco Primaticcio Collection: The Banquet of Alexander the Great, 1544 / 46. Creator: Domenico del Barbiere

The Banquet of Alexander the Great, 1544 / 46. Creator: Domenico del Barbiere
The Banquet of Alexander the Great, 1544/46

Background imageFrancesco Primaticcio Collection: The Trojans pulling the wooden horse into the city, 1545. Creator: Giulio Bonasone

The Trojans pulling the wooden horse into the city, 1545. Creator: Giulio Bonasone
The Trojans pulling the wooden horse into the city, 1545

Background imageFrancesco Primaticcio Collection: Cadmus Founding Thebes, ca. 1543-44. Creator: Master of the Story of Cadmus

Cadmus Founding Thebes, ca. 1543-44. Creator: Master of the Story of Cadmus
Cadmus Founding Thebes, ca. 1543-44

Background imageFrancesco Primaticcio Collection: Apelles Painting Alexander and Campaspe. Creator: Master IQV

Apelles Painting Alexander and Campaspe. Creator: Master IQV
Apelles Painting Alexander and Campaspe

Background imageFrancesco Primaticcio Collection: Women spinning, weaving and sewing, 1540-50. Creator: Master FG

Women spinning, weaving and sewing, 1540-50. Creator: Master FG
Women spinning, weaving and sewing, 1540-50

Background imageFrancesco Primaticcio Collection: Alexander welcoming Thalestris and the Amazons, mid-16th century. Creator: Master FG

Alexander welcoming Thalestris and the Amazons, mid-16th century. Creator: Master FG
Alexander welcoming Thalestris and the Amazons, mid-16th century

Background imageFrancesco Primaticcio Collection: Vulcans Forge. Creator: Master FG

Vulcans Forge. Creator: Master FG
Vulcans Forge

Background imageFrancesco Primaticcio Collection: The Wounded Paris Carried from the Field of Battle. Creator: Master FG

The Wounded Paris Carried from the Field of Battle. Creator: Master FG
The Wounded Paris Carried from the Field of Battle

Background imageFrancesco Primaticcio Collection: Mars Seated Amid Trophies, 1540-56. Creator: Leon Davent

Mars Seated Amid Trophies, 1540-56. Creator: Leon Davent
Mars Seated Amid Trophies, 1540-56

Background imageFrancesco Primaticcio Collection: Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco P

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imageFrancesco Primaticcio Collection: Three Muses and a putto above with a lyre, from a series of eight compositions after Fran

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imageFrancesco Primaticcio Collection: Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after France

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imageFrancesco Primaticcio Collection: Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco P

Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imageFrancesco Primaticcio Collection: Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions af

Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39)

Background imageFrancesco Primaticcio Collection: Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight comp

Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39)

Background imageFrancesco Primaticcio Collection: Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight com

Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39)

Background imageFrancesco Primaticcio Collection: The Mystic Marriage of St. Catherine, ca. 1555-56. Creator: Giorgio Ghisi

The Mystic Marriage of St. Catherine, ca. 1555-56. Creator: Giorgio Ghisi
The Mystic Marriage of St. Catherine, ca. 1555-56. After Francesco Primaticcio

Background imageFrancesco Primaticcio Collection: Search through the Luggage of Josephs Brother, ca. 1545. Creator: Unknown

Search through the Luggage of Josephs Brother, ca. 1545. Creator: Unknown
Search through the Luggage of Josephs Brother, ca. 1545. After Francesco Primaticcio

Background imageFrancesco Primaticcio Collection: Jupiter and Callisto, 1537-40. Creator: Pierre Milan

Jupiter and Callisto, 1537-40. Creator: Pierre Milan
Jupiter and Callisto, 1537-40

Background imageFrancesco Primaticcio Collection: Concourse of the Gods on Mount Olympus, 1565. Creator: Cornelis Cort

Concourse of the Gods on Mount Olympus, 1565. Creator: Cornelis Cort
Concourse of the Gods on Mount Olympus, 1565

Background imageFrancesco Primaticcio Collection: Hercules dressed as a woman, 1540-45. Creator: Antonio Fantuzzi

Hercules dressed as a woman, 1540-45. Creator: Antonio Fantuzzi
Hercules dressed as a woman, 1540-45

Background imageFrancesco Primaticcio Collection: Muses at the Foot of Mount Parnassus, 1540-45. Creator: Antonio Fantuzzi

Muses at the Foot of Mount Parnassus, 1540-45. Creator: Antonio Fantuzzi
Muses at the Foot of Mount Parnassus, 1540-45

Background imageFrancesco Primaticcio Collection: Cadmus Tilling the Field Where He Sowed the Dragons Teeth, 1540-45

Cadmus Tilling the Field Where He Sowed the Dragons Teeth, 1540-45

Background imageFrancesco Primaticcio Collection: Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi

Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi
Jupiter and Antiope, 1540-45

Background imageFrancesco Primaticcio Collection: A Sibyl, 1540-45. Creator: Antonio Fantuzzi

A Sibyl, 1540-45. Creator: Antonio Fantuzzi
A Sibyl, 1540-45

Background imageFrancesco Primaticcio Collection: Woman Full Face, Her Head Slightly to the Left, ca. 1543. Creator: Antonio Fantuzzi

Woman Full Face, Her Head Slightly to the Left, ca. 1543. Creator: Antonio Fantuzzi
Woman Full Face, Her Head Slightly to the Left, ca. 1543

Background imageFrancesco Primaticcio Collection: Woman Turned to the Right, 1540-45. Creator: Antonio Fantuzzi

Woman Turned to the Right, 1540-45. Creator: Antonio Fantuzzi
Woman Turned to the Right, 1540-45

Background imageFrancesco Primaticcio Collection: Melpomene, from the Mattei sarcophagus, Rome, 1540-45. Creator: Antonio Fantuzzi

Melpomene, from the Mattei sarcophagus, Rome, 1540-45. Creator: Antonio Fantuzzi
Melpomene, from the Mattei sarcophagus, Rome, 1540-45

Background imageFrancesco Primaticcio Collection: The Daughters of Minyas, 1545. Creator: Antonio Fantuzzi

The Daughters of Minyas, 1545. Creator: Antonio Fantuzzi
The Daughters of Minyas, 1545



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Francesco Primaticcio was an Italian painter, sculptor, and architect who played a significant role in the development of French Mannerism during the 16th century. His works showcased his exceptional talent and artistic versatility. One of his notable creations is "The Banquet of Alexander, " painted between 1540-50 by Domenico del Barbiere. This masterpiece depicts a lavish feast attended by Alexander the Great and his courtiers, showcasing Primaticcio's ability to capture grandeur and opulence. In another artwork titled "Classical Female Figure with Two Infants, " created around 1539-42, Primaticcio portrays either Diana or Venus accompanied by two infants. The delicate brushwork and graceful composition highlight his skill in portraying classical mythology. Primaticcio also contributed to "The Muses and the Three Great Goddesses" series with his depiction of Juno. Created between 1540-56 by an anonymous artist, this piece showcases Primaticcio's ability to bring mythological figures to life through intricate details and vibrant colors. Two other muses from this series are Thalia and Melpomene, both created around 1540-45 by anonymous artists but influenced heavily by Primaticcio's style. These artworks demonstrate his mastery in capturing different emotions through facial expressions and body language. Calliope is another muse depicted in one of Primaticcio's works from the same series. Created around 1540-45, it showcases her holding a quill pen as a symbol of inspiration for poets and writers—a testament to Primaticcio's attention to symbolic elements within his compositions. Primaticcio also ventured into depicting historical events like "People Fleeing a Burning City. " Created anonymously during the 16th century, this painting captures chaos amidst destruction while highlighting Primaticcio's ability to convey dramatic scenes convincingly. His expertise extended beyond paintings; he also excelled in sculpture.