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Fine Art Print : BRITISH COLONIALISM. This is how the Englishman colonizes

BRITISH COLONIALISM. This is how the Englishman colonizes



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BRITISH COLONIALISM. This is how the Englishman colonizes

BRITISH COLONIALISM.
This is how the Englishman colonizes. Cartoon by Thomas Theodor Heine in the German satirical publication Simplicissimus, 1904

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12323546

1904 Africa African Black British Empire Convert Great Britain Heine Missionary Native Politics Press Protestant Satire Simplicissimus Theodore Whisky


21"x14" (+3" Border) Fine Art Print

Step into history with our captivating Fine Art Print from Media Storehouse, featuring the thought-provoking cartoon "BRITISH COLONIALISM. This is how the Englishman colonizes" by Thomas Theodor Heine. Published in the German satirical magazine Simplicissimus in 1904, this image offers a unique perspective on the colonial era, inviting reflection and conversation. Add this intriguing piece to your home or office to spark curiosity and inspire dialogue. Order your Fine Art Print today from Media Storehouse and bring a piece of historical art into your space.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 27.5cm (21" x 10.8")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Related Images

> Arts > Artists > H > Thomas Theodor Heine

> Arts > Pop art > Satire > Satirical artwork

> Europe > Germany > Politics

> Popular Themes > Politics

> Granger Art on Demand > Miscellaneous


EDITORS COMMENTS
Caption: "British Colonialism Unveiled: A Satirical Take on the Englishman's Approach to Colonization". This thought-provoking print captures a powerful cartoon by Thomas Theodor Heine, published in the renowned German satirical magazine Simplicissimus in 1904. Titled 'BRITISH COLONIALISM. This is how the Englishman colonizes, ' this artwork offers a critical commentary on the practices of British colonial rule during the turn of the century. Heine's clever depiction portrays an African native being confronted by an English missionary, symbolizing Britain's efforts to convert and civilize indigenous populations under their empire. The cartoon highlights both political and religious aspects of colonization, with references to Protestantism and missionary work. The artist employs satire to expose what he perceives as hypocrisy within British colonial policies. By juxtaposing elements such as whisky bottles alongside images of conversion attempts, Heine suggests that there may be ulterior motives behind Britain's supposed mission to bring progress and enlightenment to Africa. Through this visual critique, Heine challenges viewers to question the true intentions and consequences of British imperialism. His illustration serves as a reminder that history should not be viewed through rose-tinted glasses but rather examined critically for a deeper understanding of its complexities. As we reflect upon this historical artifact today, it prompts us to contemplate how past actions shape our present perceptions and encourages dialogue about post-colonial legacies worldwide.

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