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Poster Print : BRITISH COLONIALISM. This is how the Englishman colonizes

BRITISH COLONIALISM. This is how the Englishman colonizes



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BRITISH COLONIALISM. This is how the Englishman colonizes

BRITISH COLONIALISM.
This is how the Englishman colonizes. Cartoon by Thomas Theodor Heine in the German satirical publication Simplicissimus, 1904

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12323546

1904 Africa African Black British Empire Convert Great Britain Heine Missionary Native Politics Press Protestant Satire Simplicissimus Theodore Whisky


A1 (84.1 x 59.4cm) Poster Print

Bring history to life with Media Storehouse's exclusive range of poster prints. This captivating image, "BRITISH COLONIALISM. This is how the Englishman colonizes" by 140_1686899 from Granger Art on Demand, is a thought-provoking cartoon by Thomas Theodor Heine from the German satirical publication Simplicissimus in 1904. This powerful piece offers a unique perspective on British colonialism, making it an intriguing addition to any wall. Enhance your space with a piece of historical art that sparks conversation and adds character. Order your poster print today and let the story unfold.

Premium quality poster prints are printed on luxurious glossy or matte 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 84.6cm x 43.6cm (33.3" x 17.2")

Estimated Product Size is 84.6cm x 59.6cm (33.3" x 23.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Granger Art on Demand > Miscellaneous

> Africa > Related Images

> Arts > Artists > H > Thomas Theodor Heine

> Arts > Pop art > Satire > Satirical artwork

> Europe > Germany > Politics

> Popular Themes > Politics


EDITORS COMMENTS
Caption: "British Colonialism Unveiled: A Satirical Take on the Englishman's Approach to Colonization". This thought-provoking print captures a powerful cartoon by Thomas Theodor Heine, published in the renowned German satirical magazine Simplicissimus in 1904. Titled 'BRITISH COLONIALISM. This is how the Englishman colonizes, ' this artwork offers a critical commentary on the practices of British colonial rule during the turn of the century. Heine's clever depiction portrays an African native being confronted by an English missionary, symbolizing Britain's efforts to convert and civilize indigenous populations under their empire. The cartoon highlights both political and religious aspects of colonization, with references to Protestantism and missionary work. The artist employs satire to expose what he perceives as hypocrisy within British colonial policies. By juxtaposing elements such as whisky bottles alongside images of conversion attempts, Heine suggests that there may be ulterior motives behind Britain's supposed mission to bring progress and enlightenment to Africa. Through this visual critique, Heine challenges viewers to question the true intentions and consequences of British imperialism. His illustration serves as a reminder that history should not be viewed through rose-tinted glasses but rather examined critically for a deeper understanding of its complexities. As we reflect upon this historical artifact today, it prompts us to contemplate how past actions shape our present perceptions and encourages dialogue about post-colonial legacies worldwide.

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