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Fine Art Print : Alchemical symbolism, 1652

Alchemical symbolism, 1652



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Alchemical symbolism, 1652

Alchemical symbolism, 1652. A toad and serpent representing two basic types of element; fixed and earthy (toad) and the volatile (serpent). The flying eagle represents sublimation. From Theatrum Chemicum Britannicum by Elias Ashmole. (London, 1652)

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Media ID 14864542

© Oxford Science Archive / Heritage-Images

Alchemy Ashmole Chemistry Eagle Element Elias Elias Ashmole Oxford Science Archive Serpent Symbol Toad Fixed Sublimation Volatile


20"x16" (+3" Border) Fine Art Print

Discover the mystical world of alchemy with our exquisite Fine Art Print of 'Alchemical symbolism, 1652' by Elias Ashmole from Heritage Images. This captivating artwork depicts the intriguing alchemical symbols of a toad and serpent, representing the fixed and earthy elements, and the volatile, respectively. The flying eagle symbolizes the process of sublimation in alchemy. Add an enchanting touch to your home or office decor with this beautiful and thought-provoking print, a timeless piece that transcends the boundaries of science and art.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Amphibians > Toads > Nearctic Toads > Black Toad

> Animals > Birds > Accipitriformes > Accipitridae > Black Eagle

> Animals > Mammals > Muridae > Toad Mouse

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > Oxford


EDITORS COMMENTS
This print, titled "Alchemical Symbolism, 1652" takes us back to the intriguing world of alchemy in 17th century England. Created by Elias Ashmole and featured in his renowned work Theatrum Chemicum Britannicum, this engraving showcases the intricate symbolism associated with this mystical science. In the center of the image, we are drawn to a fascinating juxtaposition between a toad and a serpent. Representing two fundamental types of elements, they embody contrasting qualities: the fixed and earthy nature of the toad versus the volatile essence embodied by the serpent. This duality reflects alchemy's quest for transformation and balance within substances. Hovering above them is an elegant flying eagle, symbolizing sublimation - a process through which substances transition from solid directly into gas form. This majestic bird represents ascension and spiritual elevation sought after by alchemists during their experiments. The monochrome aesthetic adds depth and mystery to this composition while emphasizing its historical significance. As we delve into this print from Oxford Science Archive's collection, we are transported back in time to witness how alchemists perceived elements as living entities with distinct characteristics. Elias Ashmole's contribution to British alchemical studies cannot be overstated; his meticulous research captured in Theatrum Chemicum Britannicum continues to inspire scholars today. Through this evocative print, we gain insight into both Ashmole's dedication as a scholar and his artistic sensibilities that

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