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Fine Art Print : My Second Sermon, 1864, (1947). Creator: John Everett Millais
Fine Art Prints from Heritage Images
My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service. The location was probably All Saints Church at Kingston-on-Thames, Surrey. A companion piece, painted a year or so earlier, shows her sitting upright and looking somewhat daunted during her first sermon. Painting in the Guildhall Art Gallery, London. From " English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]
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Media ID 19777482
© The Print Collector/Heritage Images
Adam Adam Fox Artistic Style Asleep Bored Boredom Britain In Pictures Church Service Cloak Collins John Everett John Everett Millais John Everett Millais Ra John Millais Millais Muff Pews Pre Raphaelite Pre Raphaelite Brotherhood Seating Sermon Sir John Everett Millais Sir John Millais Sleep Sleeping Social History Tired William Collins William Collins And Sons William Collins Sons Effie Euphemia Hassock
20"x16" (+3" Border) Fine Art Print
Experience the enchanting world of John Everett Millais's "My Second Sermon, 1864" (1947), now available as a Fine Art Print from Media Storehouse. This captivating work of art, sourced from Heritage Images, depicts Millais's daughter Effie, aged about five, peacefully sleeping during a church service in Winchelsea. The intricate details and rich colors of this classic painting come alive in our high-quality Fine Art Prints, making it an exquisite addition to any home or office space. Bring the beauty and history of this masterpiece into your life and elevate your decor with the timeless charm of Millais's "My Second Sermon.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.6cm (16" x 19.9")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "My Second Sermon, 1864" captures a tender moment in the life of Effie Millais, daughter of renowned artist John Everett Millais. Painted in 1947, this portrait depicts young Effie peacefully asleep during a church service. The location is believed to be All Saints Church at Kingston-on-Thames, Surrey. Effie's slumbering form is beautifully captured by her father's artistic skill. Dressed in Victorian-era clothing and seated on a pew with a hassock beneath her feet, she appears tired but content. Her delicate features and serene expression highlight the innocence of childhood. This painting serves as a companion piece to an earlier work that portrays Effie looking somewhat apprehensive during her first sermon experience. Together, these paintings offer glimpses into the religious upbringing and social history of Britain during the 19th century. John Everett Millais was part of the Pre-Raphaelite Brotherhood artistic school and his attention to detail shines through in this oil painting. The colors are rich and vibrant, showcasing his mastery of technique. Displayed at the Guildhall Art Gallery in London, "My Second Sermon" invites viewers to reflect on themes such as faith, family dynamics, and the passage of time. It stands as a testament not only to Millais' talent but also to his love for his daughter Effie and their shared experiences within their community.
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