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Fine Art Print : Bystander front cover - Marchioness of Queensberry
Fine Art Prints from Mary Evans Picture Library
Bystander front cover - Marchioness of Queensberry
Cathleen Mann (1896-1959), Artist; second wife of Francis A. Kelhead, 11th Marquess of Queensbury; daughter of Harrington Mann. Pictured on the front cover of The Bystander magazine in a colour photograph by Raphael. Date: 1930
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Media ID 7184077
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10513224
Aristocracy Aristocrat Bystander Cathleen Francis Harrington Mann Marchioness Marquess Queensberry Raphael
20"x16" (+3" Border) Fine Art Print
Experience the elegance and sophistication of the past with our exquisite selection of Fine Art Prints from Media Storehouse. This stunning image, titled "Bystander: Marchioness of Queensberry" by Cathleen Mann, showcases the grace and beauty of the Marchioness of Queensbury, Mary Mann, second wife of Francis A. Kelhead, 11th Marquess of Queensbury. Originally sourced from Mary Evans Prints Online, this captivating piece of art is now available to adorn your walls and add a touch of timeless charm to any room. Each print is meticulously produced using high-quality materials, ensuring vibrant colors and sharp details that bring the art to life. Elevate your home decor and indulge in the beauty of this exquisite Fine Art Print from Media Storehouse.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 36.3cm x 50.8cm (14.3" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This cover image from the March 1930 issue of The Bystander magazine features the elegant and enigmatic Cathleen Mann, the Marchioness of Queensberry. The daughter of Harrington Mann, an esteemed British artist, Cathleen married Francis A. Kelhead, the 11th Marquess of Queensbury, in 1926. This colour photograph, expertly captured by the renowned Raphael, showcases the allure and sophistication of the aristocracy during the Roaring Twenties and early 1930s. The Marchioness of Queensberry is depicted in an exquisite gown, her expressive eyes captivating the viewer's attention. The background is simple, allowing the focus to remain on her striking features and the subtle elegance of her attire. The use of colour adds a vibrant and modern touch to the portrait, making it a standout among the black-and-white images that dominated the era. The Bystander was a popular society magazine of the time, known for its high-quality portraits and insightful articles on the lives of the rich and famous. This cover image, with its stunning composition and beautiful subject, perfectly encapsulates the glamour and intrigue of the 1930s aristocracy. The image is a testament to the power of photography to capture a moment in time and preserve it for future generations to appreciate. Cathleen Mann's marriage to the Marquess of Queensberry marked a significant moment in her life, as she became a member of one of the most prominent aristocratic families in Britain. Her image on the cover of The Bystander serves as a reminder of the enduring allure of the aristocracy and the role that magazines played in shaping public perception during the 1930s.
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