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Fine Art Print : LEOPARDI, Giacomo (1798-1837). Italian writer
Fine Art Prints from Mary Evans Picture Library
LEOPARDI, Giacomo (1798-1837). Italian writer
" LEOPARDI, Giacomo (1798-1837). Italian writer. Drawing according the funerary mask on the frontispiece of his " Opere" (Florence)."
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8274445
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10682725
Carnage Decease Florence Frontis Piece Funerary Giacomo Mask Romantic Romanticism Slaughter Leopardi Masculine Opere Persons
20"x16" (+3" Border) Fine Art Print
Experience the timeless beauty and depth of Giacomo Leopardi's literary genius with our exquisite Fine Art Prints from Media Storehouse. This captivating image, Rights Managed from Mary Evans Prints Online, showcases a drawing of the Italian writer based on the funerary mask featured on the frontispiece of his "Opere." Each print is meticulously crafted to bring the intricacies and nuances of this historical figure to life, making it a stunning addition to any home or office space. Immerse yourself in the rich history and culture of Leopardi's Italy, and elevate your decor with this beautiful work of art.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 49.9cm (16" x 19.6")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This evocative drawing depicts Giacomo Leopardi (1798-1837), the renowned Italian writer and poet, as immortalized in the funerary mask on the frontispiece of his collected works, "Opere" (Florence). Leopardi, a leading figure of Italian Romanticism, is known for his introspective and melancholic poetry that often reflected on the human condition, mortality, and the transience of life. The mask, with its solemn expression and closed eyes, serves as a poignant reminder of the author's decease. The masculine figure, with his disheveled hair and serious countenance, exudes an air of intellectual depth and contemplative wisdom. The image of Leopardi's mask, set against a plain background, draws the viewer's attention to the intricacies of the mask's design, with its delicate features and subtle details. The drawing, with its meticulous shading and fine lines, captures the essence of the mask's intricacy and the somber mood it conveys. The image of Leopardi's mask, with its association with death and mortality, also evokes the themes of carnage and slaughter that permeated the Romantic period. The mask serves as a reminder of the fragility of life and the inevitability of death, themes that were explored in the works of many Romantic writers and artists. This drawing, with its intricate details and evocative subject matter, is a testament to the enduring legacy of Giacomo Leopardi and the impact of his work on Italian literature and Romanticism as a whole. The mask, with its solemn expression and closed eyes, serves as a poignant reminder of the author's mortality and the transience of life, making it a fitting representation of the introspective and melancholic themes that defined Leopardi's work.
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