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Fine Art Print : Cartoon, The Protection Giant
Fine Art Prints from Mary Evans Picture Library
Cartoon, The Protection Giant
Cartoon, The Protection Giant -- Fee, Fi, Fo, Fum! I smell the Blood of an Englishman; Be he Alive, or be he Dead, I ll grind his Bones to make my Bread. Lord Derby as Conservative Prime Minister and Benjamin Disraeli as Chancellor of the Exchequer are satirically depicted as supporters of Protectionism, thanks to their lack of clear support for Free Trade after the repeal of the Corn Laws. As a result of their ambiguous attitude, the Anti-Corn-Law League had been revived in Manchester, represented by the small man on the right.
1852
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Media ID 23275814
© Mary Evans Picture Library
1850s 1852 Ambiguous Benjamin Bread Chancellor Comment Conservative Corn Derby Disraeli Exchequer Free Giant Headed Heads Laws Minister Monster Parliament Prime Protection Protectionism Repeal Satire Satirical Support Supporters Symbolic Tory
20"x16" (+3" Border) Fine Art Print
Experience the whimsy and wit of Mary Evans Picture Library's Cartoon, The Protection Giant, from our Media Storehouse range of Fine Art Prints. This iconic illustration, featuring the infamous giant from the classic English fairy tale, "Jack and the Beanstalk," is sure to add a touch of charm and nostalgia to any space. With intricate detail and vivid colors, this fine art print is a must-have for collectors, art enthusiasts, and anyone who appreciates the timeless appeal of traditional storytelling. Bring the magic of this beloved cartoon into your home or office and let the adventure begin!
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 36.4cm x 50.8cm (14.3" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This satirical cartoon, titled "The Protection Giant" or "Fee, Fi, Fo, Fum! I smell the Blood of an Englishman; Be he Alive, or be he Dead, I'll grind his Bones to make my Bread," was published in 1852 during the 1850s in Victorian Britain. The cartoon satirically depicts the political climate surrounding the ambiguous stance of Conservative Prime Minister, Lord Derby (left), and Chancellor of the Exchequer, Benjamin Disraeli (right), towards Free Trade after the repeal of the Corn Laws. The Protection Giant, a big, fat monster with the heads of Lord Derby and Disraeli, symbolizes their support for Protectionism. The giant's club represents the protectionist policies they were advocating for, which threatened to grind the economy to a halt. The small man on the right, representing the Anti-Corn-Law League, is shown trying to revive the league in Manchester in response to the protectionist policies. The cartoon's title is a reference to the classic children's story "Jack and the Beanstalk," where the giant cries out, "Fee, Fi, Fo, Fum! I smell the Blood of an Englishman; Be he alive, or be he dead, I'll grind his bones to make my bread." This line highlights the destructive and ravenous nature of the Protectionist policies, which threatened to consume the economy. The cartoon's commentary on the political climate of the time is both symbolic and humorous, using satire to highlight the potential consequences of protectionist policies. The cartoon serves as a reminder of the ongoing debates and tensions surrounding economic policies during the 19th century in Britain.
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