Fine Art Print : The old fox nailed up at last
Fine Art Prints from Mary Evans Picture Library
The old fox nailed up at last
The old fox nailed up at last. Illustration shows former Confederate general Fitzhugh Lee standing next to the fox hide labeled The Old Virginia Fox, Mahone that he has nailed to a door; behind the door is a saddle labeled The Treason-Stained Saddle. Date 1885 November 11. The old fox nailed up at last. Illustration shows former Confederate general Fitzhugh Lee standing next to the fox hide labeled The Old Virginia Fox, Mahone that he has nailed to a door; behind the door is a saddle labeled The Treason-Stained Saddle. Date 1885 November 11
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7337464
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10607708
20"x16" (+3" Border) Fine Art Print
Discover the timeless charm of our Media Storehouse Fine Art Prints collection, featuring this captivating illustration of "The Old Fox Nailed Up at Last" by Fitzhugh Lee from Mary Evans Prints Online. This classic image showcases a former Confederate general standing proudly next to a fox hide labeled "The Old Virginia Fox," symbolizing victory and cunning. Add a touch of history and elegance to your home or office decor with this exquisite, high-quality print. Order now and bring this iconic piece of art into your world.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 37.5cm x 50.8cm (14.8" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Old Fox Nailed Up at Last - General Fitzhugh Lee's Reckoning
EDITORS COMMENTS
In this satirical illustration from Puck magazine, published on November 11, 1885, former Confederate General Fitzhugh Lee stands triumphantly before a door adorned with a nailed-up fox hide labeled "The Old Virginia Fox, Mahone." The image is a reference to the end of Lee's military career and his controversial past. Lee, a prominent Confederate general during the American Civil War, had surrendered with Robert E. Lee at Appomattox Court House in 1865. However, unlike many of his Confederate counterparts, Lee continued to hold political and social influence in the post-war era, serving as a Virginia state senator and even delivering the eulogy at Robert E. Lee's funeral in 1870. Despite his continued prominence, Lee's association with the Confederacy and the treasonous actions of the Confederate States during the Civil War made him a target for satire and ridicule. In this illustration, Puck magazine portrays Lee as a cunning fox, symbolizing his sly and deceitful behavior during the war. The saddle labeled "The Treason-Stained Saddle" behind the door further emphasizes Lee's disgraceful past. The illustration's title, "The Old Fox Nailed Up at Last," suggests that Lee's reckoning has finally come, and he is being held accountable for his actions during the Civil War. The image serves as a reminder of the complex and contentious historical legacy of the Confederacy and its leaders in the post-war era. This illustration is a powerful example of the role of satire and cartoons in shaping public opinion and historical memory. It highlights the ongoing debates and tensions surrounding the interpretation of the Civil War and its aftermath in American society.
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