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Fine Art Print : 1862 British prehistoric marine reptiles
Fine Art Prints from Science Photo Library
1862 British prehistoric marine reptiles
Lithograph with contemporary colouring, continental version of the wallchart produced by Benjamin Waterhouse Hawkins for the Department of Science and Art 1862. It is entitled " Enaliosauria, or marine lizards that lived during the secondary epoch of the Earths history". Numbered 1 & 2 Plesiosaurs, 3 Teleosaurus (early gharial-like crocodilian), 4 Ichthyosaur, 5 Pentracrinites, 6 Ammonites, 7 Gryphaea. The ichthyosaurs and plesiosaurs owe their recontructions largely to the discoveries of Mary Anning in Lyme Regis and descriptions of William Conybeare. Notable here is the earlier incorrect form of the ichthyosaur, with no dorsal fin and a straight rather than bilobed tail fluke. These features only became apparent when specimens preserving skin impressions were found in Germany
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6318085
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
Ammonite Conybeare Crinoid Crystal Palace Dinosaur Fossil Ichthyosaur Lyme Regis Marine Reptile Mary Anning Mososaur Plesiosaur Reconstruction Restoration Sydenham Gryphaea Pentacrinites Teleosaurus
20"x16" (+3" Border) Fine Art Print
Step back in time with our exquisite Fine Art Print from Media Storehouse, featuring the captivating illustration of 1862 British prehistoric marine reptiles by Paul D. Stewart from Science Photo Library. This stunning lithograph, inspired by the original wallchart created by Benjamin Waterhouse Hawkins for the Department of Science and Art, showcases the rich history of marine life with contemporary colouring. Bring the wonder of the past into your home or office with this beautiful and intricately detailed work of art.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 36.6cm (20" x 14.4")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable piece of 19th-century scientific artistry. Created by Benjamin Waterhouse Hawkins for the Department of Science and Art in 1862, this lithograph with contemporary coloring is titled "Enaliosauria, or marine lizards that lived during the secondary epoch of the Earth's history". Numbered meticulously from one to seven, it presents an array of prehistoric marine reptiles. The first two numbers highlight Plesiosaurs, while number three depicts Teleosaurus, an early crocodilian resembling today's gharials. Number four captures the essence of an Ichthyosaur, a fascinating ancient sea creature. Pentacrinites and Ammonites take their place at numbers five and six respectively, showcasing intricate details preserved in fossilized form. Finally, number seven features Gryphaea. Notably significant are the contributions made by Mary Anning's discoveries in Lyme Regis and William Conybeare's descriptions which aided in reconstructing these magnificent creatures accurately. However, this particular illustration reveals an earlier incorrect depiction of the ichthyosaur without a dorsal fin and sporting a straight tail fluke instead of its true bilobed form—a revelation only made possible through subsequent findings in Germany where specimens preserving skin impressions were discovered. Paul D. Stewart expertly captures this restoration artwork from Crystal Palace at Sydenham with utmost precision and detail through his lens. This print serves as both a testament to historical scientific endeavors and as a stunning visual representation of our planet's rich prehistoric past.
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