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Framed Print : Duke Frederick Banishing Rosalind from his Court, (oil on panel)
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Duke Frederick Banishing Rosalind from his Court, (oil on panel)
828441 Duke Frederick Banishing Rosalind from his Court, (oil on panel) by Pickersgill, Frederick Richard (1820-1900); 92x71.5 cm; Private Collection; (add.info.: Duke Frederick Banishing Rosalind from his Court. Frederick Richard Pickersgill (1820-1900). Oil on panel. 92 x 71.5cm. Illustration to As You Like It, Act 1, scene 3.); Photo eChristies Images; English, out of copyright
Media ID 22740378
© Christie's Images / Bridgeman Images
Appealing As You Like It Banishing Bended Knee Body Armour Communicate Communicating Document Duke Duke Frederick English Art English Artist Facial Hair Famous Person Fiction Fictional Author Historical Figure Historical Personality Holding Hands Looking Up Mail Merciless Mid 19th Century Mid Nineteenth Century Mustache Named Playwright Olden Time Outer Garment Pleading Post Postal Service Protective Clothing Punish Punishing Rosalind Shakespeare William 1564 1616 Small Group Small Group Of People Suit Of Armor Suit Of Armour Talking Three People Titled Person Touching Using Hands Victorian Art Apparel Artist British British Artist Ethnic Origin Fictional Character Frederick Richard Pickersgill Pickersgill Punishment Young Woman
13.5"x11.5" (34x29cm) Premium Frame
Bring the timeless beauty of Shakespeare's "As You Like It" to your home with Media Storehouse's Framed Prints featuring "Duke Frederick Banishing Rosalind from his Court" by Frederick Richard Pickersgill. This exquisite oil on panel painting, captured by Bridgeman Images from Fine Art Finder, showcases Duke Frederick's moment of exile, a pivotal scene from the beloved play. Add this masterpiece to your collection and let the drama unfold in your personal space.
Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")
Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Duke Frederick Banishing Rosalind from his Court
EDITORS COMMENTS
is a captivating oil painting by British artist Frederick Richard Pickersgill. The artwork, measuring 92x71.5 cm, depicts a scene from Shakespeare's play "As You Like It" specifically Act 1, scene 3. In this dramatic composition, we witness the moment when Duke Frederick banishes Rosalind from his court. The mid-19th-century setting and Victorian attire add to the historical charm of the piece. The small group of people surrounding them creates an intimate atmosphere as they observe the unfolding events. Rosalind, portrayed as a strong and defiant woman, kneels before Duke Frederick in an act of pleading while maintaining eye contact with him. Her posture suggests both vulnerability and determination as she holds her hands together in supplication. Duke Frederick stands tall and imposing in his suit of armor, representing authority and power. His stern expression reveals his resolve to punish Rosalind for reasons unknown. The painting beautifully captures the emotional tension between these two central characters through its use of color and meticulous attention to detail. It serves as a reminder of Shakespeare's timeless themes exploring human nature, love, loyalty, and betrayal. This print transports us back to a pivotal moment in literary history while showcasing Pickersgill's skillful portrayal of complex emotions within historical context.
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