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Framed Print : New Edition of Macbeth. Bonk-Oh s! Ghost, 1837 (litho)

New Edition of Macbeth. Bonk-Oh s! Ghost, 1837 (litho)



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New Edition of Macbeth. Bonk-Oh s! Ghost, 1837 (litho)

614762 New Edition of Macbeth. Bonk-Oh s! Ghost, 1837 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: Printed and published by H.R. Robinson, New York, 1837. The Panic of 1837 was a financial crisis or market correction in the United States built on a speculative fever.); eCourtesy, American Antiquarian Society; American, out of copyright

Media ID 23235230

© Courtesy, American Antiquarian Society / Bridgeman Images

1837 Banking Columbia Crisis Economics Economy Edition Finance Financial Ghost Macbeth Panic Personification Reference Shakespeare William 1564 1616 Shakespearean


A2 Premium Frame with A3 Poster

Bring the haunting tale of Macbeth to life with our exquisite Framed Prints featuring Bridgeman Images' Bonk-Oh s! Ghost, 1837 lithograph from the New Edition of Macbeth. This captivating artwork, hailing from the American School of the 19th century, is now available in our Media Storehouse collection. The ethereal image of the ghost, captured by the lithographic process, adds an enchanting touch to any room. Elevate your home decor with this fine art piece that tells a story as timeless as Macbeth himself.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > American School

> Fine Art Finder > Artists > English School

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Artists > S > William Shakespeare

> Arts > Pop art > Satire > Satirical artwork

> North America > United States of America > Massachusetts > Related Images

> North America > United States of America > Massachusetts > Worcester

> North America > United States of America > New York > Related Images

> Popular Themes > Politics


EDITORS COMMENTS
This lithograph, titled "New Edition of Macbeth. Bonk-Oh s! Ghost, 1837" takes us back to the tumultuous era of the Panic of 1837 in the United States. Created by an anonymous American School artist from the 19th century and printed by H. R. Robinson in New York, this artwork offers a satirical commentary on both Shakespeare's Macbeth and the financial crisis that gripped the nation. In this scene, we see a group of men and women gathered around a table, engrossed in conversation about commerce and economics. Seated at the head of the table is a woman representing Columbia, personifying America itself. However, her attention is drawn towards a ghostly figure emerging from behind her chair - perhaps symbolizing the looming specter of economic collapse. The image cleverly combines elements from Shakespeare's play with references to contemporary politics and finance. It serves as a biting critique on government policies and banking practices that contributed to the panic gripping society at that time. Through its intricate details and sharp wit, this lithograph not only captures historical events but also highlights how art can be used as a tool for social commentary. As we gaze upon this print today, it reminds us of our own interconnectedness between literature, politics, economy, and culture – timeless themes that continue to shape our world today.

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