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Framed Print : Bat Catching, pub. 1803 (hand coloured engraving)

Bat Catching, pub. 1803 (hand coloured engraving)



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Bat Catching, pub. 1803 (hand coloured engraving)

3025916 Bat Catching, pub. 1803 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Prime Minister Henry Addington (1757-1844) trying to recruit Opposition members to strengthen his government; assisted by Lord Hawkesbury (1770-1828); head of George Tierney (1761-1830); Richard Brinsley Sheridan (1757 - 1844); Charles Grey (1764 - 1845); Robert Jenkinson (1771 - 1828); ); The Stapleton Collection; English, out of copyright

Media ID 22628066

© The Stapleton Collection / Bridgeman Images

Anthropomorphic Bats Blind Capturing Granary Lantern Luring Nocturnal Nocturne Political Satire Prime Minister Prime Ministers Recruit Recruiting Recruitment Tempting Tory Trapping Whig


21.5"x17.5" (55x44cm) Premium Frame

Add a touch of historical charm to your home or office with our Framed Print from Media Storehouse, featuring the captivating hand-colored engraving "Bat Catching," published in 1803 by James Gillray. This intriguing print, which showcases Prime Minister Henry Addington in a humorous and unusual setting, is a stunning addition to any collection of fine art. With its rich colors and intricate details, this 18th-century masterpiece is sure to be a conversation starter and a source of delight for years to come. Order your Framed Print today and bring a piece of history into your space.

Framed and mounted 17x12 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 21.5x17.5 inches (546x444mm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 41.8cm x 41.8cm (16.5" x 16.5")

Estimated Product Size is 54.6cm x 44.4cm (21.5" x 17.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Iberian School

> Fine Art Finder > Artists > James Gillray

> Arts > Artists > C > James Charles

> Arts > Artists > G > Charles Gold

> Arts > Artists > G > James Gillray

> Arts > Artists > R > James Roberts

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Politics > Charles Grey

> Europe > United Kingdom > England > London > Politics > Henry Addington

> Europe > United Kingdom > England > London > Politics > Robert Jenkinson

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
This hand-coloured engraving titled "Bat Catching, pub. 1803" by James Gillray is a captivating piece of political satire from the early 19th century. The image depicts Prime Minister Henry Addington desperately attempting to recruit members from the Opposition in order to strengthen his government. Assisted by Lord Hawkesbury, Addington can be seen holding a net while trying to lure prominent figures such as George Tierney, Richard Brinsley Sheridan, Charles Grey, and Robert Jenkinson into his trap. The scene is set at night with lanterns illuminating the nocturnal activity. The artist cleverly portrays these politicians as anthropomorphic bats, symbolizing their elusive nature and cunning tactics in politics. They are shown being tempted by a sack of gold held out by Addington but remain blindfolded and blinded by the light emitted from the lanterns. Gillray's caricature highlights both the absurdity and desperation that often accompanies political recruitment. The composition captures the tension between rival parties during this period of British history. This print offers an intriguing glimpse into the world of political maneuvering and power struggles during Addington's time as Prime Minister. Through its satirical lens, it invites viewers to reflect on timeless themes such as ambition, manipulation, and loyalty within the realm of politics.

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