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Framed Print : Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving)

Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving)



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Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving)

3035670 Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Albinia, Countess of Buckinghamshire (d. 1816); Sarah Archer (nee West), Lady Archer (1741 - 1801); the alleged theft of the Faro Bank led to the punishment of Lady Buckinghamshire and Lady Archer for gambling; ); The Stapleton Collection; English, out of copyright

Media ID 23428590

© The Stapleton Collection / Bridgeman Images

Card Game Dissolute Earrings Eggs Extravagance Faro Feathers Frivolity Frivolous Gambler Gaming Gentry Gown Hanoverian Humiliation Immoral Jeering Luxury Moral Ostentatious Ostrich Plume Pillory Platform Sentence Social Satire Throwing Vice


21.5"x17.5" (55x44cm) Premium Frame

Bring timeless elegance to your home with our exquisite Framed Prints from Media Storehouse. This captivating piece showcases the enchanting "Exaltation of Faros Daughters," a hand-coloured engraving published in 1796 by Bridgeman Images from Fine Art Finder. Depicting the renowned work of James Gillray, this masterpiece features the Countess of Buckinghamshire (Albinia) in an intricately detailed and vibrant design. Elevate your interior décor and add a touch of history to your space with our carefully crafted Framed Prints.

Framed and mounted 17x12 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 21.5x17.5 inches (546x444mm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 41.8cm x 41.8cm (16.5" x 16.5")

Estimated Product Size is 44.4cm x 54.6cm (17.5" x 21.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Animals > Birds > Ostriches > Related Images

> Arts > Artists > A > James Archer

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > Buckinghamshire > Related Images

> Historic > Historical fashion trends > Georgian era fashion trends


EDITORS COMMENTS
Exaltation of Faros Daughters, pub. 1796 (hand coloured engraving) captures a scandalous moment in Georgian society, immortalized by the satirical genius of James Gillray. In this print, we witness the downfall of two prominent women: Albinia, Countess of Buckinghamshire and Sarah Archer, Lady Archer. The alleged theft at the infamous Faro Bank serves as their undoing, leading to their public humiliation and punishment for indulging in gambling. Standing side by side on a platform adorned with ostentatious feathers and an extravagant headdress, they are surrounded by a jeering mob armed with rotten vegetables. Gillray's social satire spares no detail as he depicts these dissolute females in all their frivolity and vice. Their luxurious gowns and fashionable accessories only serve to highlight their moral laxity. The ostrich plume adorning Lady Buckinghamshire's turban symbolizes her extravagant lifestyle while Lady Archer's earrings reflect her love for fashion. This caricature not only throws light on the immoral practices within aristocratic circles but also serves as a cautionary tale against excessive gambling and extravagance. Through his masterful artistry, Gillray exposes the vices that lurk beneath the surface of high society. As we gaze upon this historical portrait frozen in time, we are reminded that even those who seem untouchable can fall from grace when consumed by greed and folly.

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