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Framed Print : Bournville: two of the Village Shops, by WA Harvey, c1900 (1901-1902)

Bournville: two of the Village Shops, by WA Harvey, c1900 (1901-1902)



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Bournville: two of the Village Shops, by WA Harvey, c1900 (1901-1902)

Bournville: two of the Village Shops, by WA Harvey, c1900 (1901-1902). Bournville Village, Birmingham, was designed by William Alexander Harvey (1874-1951). Bournville was built by Cadburys to house their workforce. From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

Heritage Images features heritage image collections

Media ID 14962679

© The Print Collector

Birmingham Cadburys Harvey Model Village Quaker West Midlands William Alexander Bournville


A2 Premium Frame with A3 Poster

Step into the past with our exquisite framed print of Bournville: two of the Village Shops, captured by renowned photographer WA Harvey around the turn of the 20th century. This captivating image showcases the quaint charm of Bournville Village, Birmingham, as designed by William Alexander Harvey. Each detail, from the quaint shops to the horse-drawn carts, is beautifully preserved in this timeless piece. Add a touch of history and character to your home decor with our high-quality framed print, a perfect conversation starter and a reminder of the rich heritage of Bournville.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Architecture > Country > England

> Architecture > Related Images

> Architecture > Religious

> Architecture > Villages

> Arts > Artists > A > William Alexander

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > Birmingham > Area > Bournville


EDITORS COMMENTS
This print captures the essence of Bournville Village, Birmingham, in the early 20th century. Taken by WA Harvey around 1900, this image showcases two of the village shops that were an integral part of this model community. Designed by William Alexander Harvey himself, Bournville was built by Cadburys to provide housing for their workforce. The architectural beauty of these village shops is evident in this monochrome depiction. The design reflects a blend of English countryside charm with elements of religious influence, as Christianity played a significant role in shaping the ethos of Bournville. The location exudes a sense of tranquility and simplicity that perfectly complements its purpose as both a residential and industrial hub. Birmingham's West Midlands region provided an ideal backdrop for such a picturesque setting. This print not only captures the physical structures but also symbolizes British industry and trade during that era. It is important to note that Bournville Village holds historical significance beyond its association with Cadburys. As a Quaker-founded settlement, it represents an innovative approach to urban planning based on principles like social welfare and community development. This print from The Studio Volume 24 offers us a glimpse into the past—a time when architecture blended seamlessly with nature while fostering strong communal ties within an evolving society.

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