Framed Print > Arts > Art Movements > Medieval Art
Framed Print : Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown
Framed Photos from Heritage Images
Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown
Medieval weaving, embroidery, enamel and painted sculpture, (1898). Fig 1: Statue of St. Simon in the choir of Cologne Cathedral. Fig 2: Pattern on the robe of another statue ibid. Fig 3: Embroidered fonder of French origin. 14th century. Fig 4: Embroidered stuff (in the original, silver is employed instead of gold), 15th century. Fig 5: Embroidered stuff, 14th century. Figs 6-9: Borders and patterns of carpets from the wall-paintings in the upper church S. Francesco at Assisi. 14th century. Fig 10: Pattern of a carpet from a tempera-painting of Niccolo Alunno (1466) in the pinacotheca at Perugia. Fig 11: Sicilian weaving from St. Marys church at Danzig, 13th century. Fig 12: Border of a carpet on the painting of Hugo van der Goes in the Palazzo degli Uffizi at Florence, 15th century. Fig 13: Border of a carpet on a picture of [by?] Mantegna in S. Zeno at Verona, late 15th century. Fig 14: Border from an embroidered chasuble, 14th century (German work). Figs 15 and 16: Patterns of stuffs from the 14th century, of French origin. Fig 17: Gilt copper-engraving from the cross-relics-table in the catholic parish-church at Mettlach. Figs 18-20: Enamelled decorations on the shrine of the Three Kings in Cologne Cathedral, early 13th century. Fig 21: Enamelled border in the Musee de Cluny, early 13th century. Plate 42 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19777988
© The Print Collector/Heritage Images
B T Batsford Bassetaille Batsford Bt Batsford Chromolithograph Cologne Cathedral Dolmetsch Drapery E Hochdanz Embroidered Enamel Enamelled Geometric Geometrical H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz St Simon Stylised Symmetrical Symmetry Thirteenth Century
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Step back in time with our exquisite range of Framed Prints from Media Storehouse. Feast your eyes on the intricate beauty of Medieval artistry, showcasing the finest examples of weaving, embroidery, enamel, and painted sculpture from the late 19th century. Delve into the rich history of European craftsmanship with Fig 1: The Statue of St. Simon in the choir of Cologne Cathedral, and Fig 2: The intricate pattern on the robe of another statue. These stunning works of art, created by unknown artisans in 1898, are now available to adorn your walls and transport you to a bygone era. Bring history into your home with our Framed Prints, the perfect addition to any decor.
Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.
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Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")
Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning collection of medieval weaving, embroidery, enamel, and painted sculpture. The unknown creator has captured the intricate details and craftsmanship of various art forms from different centuries. In Fig 1, we see a statue of St. Simon in the choir of Cologne Cathedral. The lifelike depiction is awe-inspiring, highlighting the skillful sculpting techniques employed during that time. Moving on to Fig 2, we observe a beautiful pattern adorning the robe of another statue in the same cathedral. Figures 3 and 4 present us with exquisite examples of embroidered works. Fig 3 features an embroidered fonder from France dating back to the 14th century, while Fig 4 displays an embroidered stuff utilizing silver instead of gold during the 15th century. The print also includes images (Figs 6-9) showcasing borders and patterns found on carpets within S. Francesco at Assisi's upper church during the fourteenth century. These designs offer insights into carpet-making techniques prevalent at that time. Furthermore, Figs 10 through to Fig13 exhibit various patterns found on carpets or depicted in paintings by renowned artists such as Niccolo Alunno and Hugo van der Goes. Lastly, Figs17-21 highlight magnificent examples of enamelled decorations from different locations like Mettlach and Musee de Cluny during both early thirteenth-century periods. Overall, this print provides a captivating glimpse into medieval artistry across multiple mediums - weaving, embroidery, enamelwork - offering viewers a chance to appreciate their historical significance and beauty.
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