Heinrich Dolmetsch Collection

German Renaissance ceiling and wall painting, wood mosaic and embroidery, (1898). Creator: Unknown
German Renaissance ceiling and wall painting, wood mosaic and embroidery, (1898). Fig 1: Wall-painting from the bath-rooms in the Fugger-house at Augsburg

Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown
Ancient Greek ornamental architecture and sculpture, (1898). Fig. I. Doric capital from Paestum (with painted ornaments). Fig 2

Ancient Greek pottery, (1898). Creator: Unknown
Ancient Greek pottery, (1898). Figs 1-9: Forms of Greek vases. Fig 1: Amphora, vessel for oil, wine etc. Fig 2: Hydria, vessel for carrying water. Fig 3: Urn, a cinerary vessel

Painted plasterwork, Germany, 18th century, (1898). Creator: Unknown
Painted plasterwork, Germany, 18th century, (1898). Figs 1-3: Portions of Carved Panelling in the Ducal Castle of Bruchsal [Schloss Bruchsal]. Figs 4-5: Portions of Plaster Ceiling in the same room

Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown
Medieval enamel and illuminated manuscripts, (1898). Fig: 1: Initial from a German manuscript (Rhenish school), 11th-12th century, in the Library at Paris

Byzantine weaving and embroidery, (1898). Creator: Unknown
Byzantine weaving and embroidery, (1898). Fig 1: Embroidered purple robe in the cathedral-treasure at Bamberg. Fig 2: Figured silk-stuff on the tunic of Henry II. in the National-Museum at Munich

Indian marble inlay, (1898). Creator: Unknown
Indian marble inlay, (1898). Figs 1 to 9: Marble marquetry from the mausoleums of the Shah Jehan and the Begum Mumtaz-i-Mahal...It is to the [17th century] that the marble-marquetries from the Mogul

Ancient Egyptian decoration, (1898). Creator: Unknown
Ancient Egyptian decoration, (1898). Examples of architecture and painting from Ancient Egypt: Fig 1: Painted relief-figure from a column of the temple at Denderah

Assyrian decoration, (1898). Creator: Unknown
Assyrian decoration, (1898). Examples of ancient Assyrian painting, polychrome sculpture and pottery from what is now Iraq: Fig 1: Portion of a glazed brick from a palace at Khorsabad

Medieval illuminated manuscripts, (1898). Creator: Unknown
Medieval illuminated manuscripts, (1898). Figs 1-4: From the 14th century. Figs 5-13: With the single leaves and flowers from the 15th century...In the illumination of manuscripts the livelier forms

Chinese painting, (1898). Creator: Unknown
Chinese painting, (1898). Figs 1-5 and 9-13: borders; Figs 6-8: continuous patterns of painted China vases, the greater part of which are to be found in South Kensington Museum [Victoria & Albert

Silk-weaving, Germany, 18th and 19th centuries, (1898). Creator: Unknown
Silk-weaving, Germany, 18th and 19th centuries, (1898). Figs 1-7: Silk from Specimens in the Royal Museum at Stuttgart...The silk industry

Metal ornaments, Germany, 19th century, (1898). Creator: Unknown
Metal ornaments, France and Germany, 19th century, (1898). Empire style fittings: Figs 1-23: Metal-Ornaments of furniture in the Kings Palace [New Palace

Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Creator: Unknown
Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Fig 1: Panel of a Screen by Saint-Ange. Figs 2-5

German Renaissance stained glass painting, (1898). Creator: Unknown
German Renaissance stained glass painting, (1898). Figs 1-3: Glass-paintings from the dome of the rich Chapel in the Royal residence at Munich

Lace weaving and embroidery, France, 17th and 18th century, (1898). Creator: Unknown
Lace weaving and embroidery, France, 17th and 18th century, (1898). Fig 1: Lace in the style of Louis XIV [c1643-1715], in the possession of C. Baur, manufacturer of furniture at Biberach [Germany]

French Renaissance weaving, embroidery and book covers, (1898). Creator: Unknown
French Renaissance weaving, embroidery and book covers, (1898). Fig 1: Silk weaving, late 17th century. Fig 2: Silk-weaving, mid 16th century

French Renaissance ornaments in stone and wood, (1898). Creator: Unknown
French Renaissance ornaments in stone and wood, (1898). Fig 1: Pilaster-capital from a chimney in the Hotel Lasbordes at Toulouse (Francois I), [16th century]

Wall painting and ceiling decoration, Germany, early 19th century, (1898). Creator: Unknown
Wall painting and ceiling decoration, Germany, early 19th century, (1898). Figs 1-6: Wall and ceiling decorations from King Frederick Is work-room in the castle of Ludwigsburg [Ludwigsburg Palace

German Renaissance ceiling and wall painting, (1898). Creator: Unknown
German Renaissance ceiling and wall painting, (1898). Fig 1: Spandril on wall compartments. Fig 2: Panel in a window flanning. Figs 3 and 4: Decorations of columns

German Renaissance ornament in stone and wood, (1898). Creator: Unknown
German Renaissance ornament in stone and wood, (1898). Fig 1: Herma from the tombs of Wurttembergian princes in the choir of the " Stiftskirche" at Stuttgart

Medieval stone mosaic, (1898). Creator: Unknown
Medieval stone mosaic, (1898). Figs 1-8: Engraved stone-flags from the old cathedral at St. Omer, 13th century (ground brown, interior design of horse and horseman filled up with red)

Italian Renaissance ceiling painting, (1898). Creator: Unknown
Italian Renaissance ceiling painting, (1898). Figs 1-4: From the choir-arch in S. Maria del Popolo at Rome, (by Pinturicchio.) Fig 5: From one of the Borgia chambers in the Vatican at Rome

Russian architectural ornament and wood carving, (1898). Creator: Unknown
Russian architectural ornament and wood carving, (1898). Fig 1: Phantastic church-cupolas at Jaroslaw, 17th and 18th century

Byzantine architecture and sculpture, (1898). Creator: Karl Schaupert
Byzantine architecture and sculpture, (1898). Fig 1: Capital from Agia Theotokos at Constantinople, late 9th century. Fig 2:Capital from S. Vitale at Ravenna

Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898). Fig 1: Sgraffito on a house at Rome, Via Giulia Nr. 82. Fig 2: Sgraffito on a house at Rome, Via dei Coronari Nr

Russian manuscript painting, (1898). Creator: Unknown
Russian manuscript painting, (1898). Fig 1: From a Gospel of the 14th century in the Imperial Public Library. Figs 3, 12 and 13: From Psalteries in the library of the Trinity Cloister near Moscow

Celtic illuminated manuscripts, (1898). Creator: Unknown
Celtic illuminated manuscripts, (1898). The lettering at top left is from the Lindisfarne Gospels, probably produced c715-720 AD in the monastery at Lindisfarne, Northumberland

Arab-Moorish architectural decoration, (1898). Creator: Unknown
Arab-Moorish architectural decoration, (1898). Arabian-Moresque - Architectonic Ornament - Fig 1: Panel from the Alhambra [Granada, Spain]. Fig 2: Decoration in stone above a door in Cairo

French Renaissance typographic ornaments, (1898). Creator: Unknown
French Renaissance typographic ornaments, (1898). Fig 1: Initial from the time of Louis XII by [Geofroy] Tory. Fig 2: Initial from the time of Francois I by Tory

Roman metalwork, (1898). Creator: Unknown
Roman metalwork, (1898). Examples of ancient Roman items made of bronze: Fig 1: Fountain-figure, representing a drunken Faun

Japanese lacquer-painting, (1898). Creator: Unknown
Japanese lacquer-painting, (1898). Examples of lacquerware designs: Figs 1-50. Motives [motifs] for lacker-painting...Of all productions of Japanese art

Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown
Italian Renaissance embroidery and carpet-weaving, (1898). Fig 1: Embroidery on an ecclesiastical mantle in S. Croce at Florence

Metal fittings, France and Germany, 18th century, (1898). Creator: Unknown
Metal fittings, France and Germany, 18th century, (1898). Figs 1-15: Metal mountings from casts in the collection of plaster casts in the Royal Technical Institute

French Renaissance ornament on wood and metals, (1898). Creator: Unknown
French Renaissance ornament on wood and metals, (1898). Fig 1: Boule work from a clock in the Museum vaterlandischer Altertumer at Stuttgart, (French)

French Renaissance enamel on metal, pottery painting, metal mosaic, (1898). Creator: Unknown
French Renaissance enamel on metal, pottery painting, metal mosaic, (1898). Figs 1-10: Decorations on Limoges-vessels (copper-enamelling), Fig 1 in private possession

French Renaissance Gobelins tapestries, (1898). Creator: Unknown
French Renaissance Gobelins tapestries, (1898). Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80)

French Renaissance wall painting, polychrome painted sculpture, weaving and book covers, (1898). Fig 1: Painted frieze on both sides of a chimney in the Hotel d Aluie at Blois, style of Louis XII

French Renaissance ceiling painting, (1898). Creator: Unknown
French Renaissance ceiling painting, (1898). Figs 1 and 3: Painted ceilings of timbers in the Castle at Blois (Francois I), [16th century]. Figs 2 and 4: Painted binding-beams on the same ceilings

French Renaissance carpet painting, (1898). Creator: Unknown
French Renaissance carpet painting, (1898). Details from walls painted to look like carpets or tapestries: Figs 1-9: Painted carpet-patterns in the Castle at Blois [Chateau de Blois] from the time of

German Renaissance metalwork, (1898). Creator: Unknown
German Renaissance metalwork, (1898). Figs 1-6: Representations of armour from the Kabinet der Handzeichnungen alter Meister at Munich...Many weapons and armours, the surfaces of which are

German Renaissance polychrome painted plaster work, (1898). Creator: Unknown
German Renaissance polychrome painted plaster work, (1898). Figs 1-10: Portions of the painted wood ceiling in the knights -hall of the Castle at Heiligenberg

Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898). Fig 1: Stamped leather hangings in the style of Louis XIV from the Sammlung vaterlandischer

Painted plaster ornament, France, 18th century, (1898). Creator: Unknown
Painted plaster ornament, France, 18th century, (1898). Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]

Gobelins weaving, France, 18th century, (1898). Creator: Unknown
Gobelins weaving, France, 18th century, (1898). Fig 1: Chair-seat by Louis Tessier, Louis XV [c1715-1774]. Fig 2: Basket of fruit by the same Artist, Louis XV

Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown
Plaster ornaments, France, 17th and 18th centuries, (1898). Fig 1: Panel decorations at door and window niches in the throne room of the Castle at Fontainebleau, style of Louis XIV [c1643-1715]

Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown
Gobelins tapestries, late 17th-early18th century, (1898). Fig 1: Gobelin tapestry for the Castle of St. Germain [Chateau-Neuf de Saint-Germain-en-Laye, near Paris]

Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898). Fig 1: Embroidery from the Sammlung vaterlandischer Altertumer at Stuttgart

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Heinrich Dolmetsch was a connoisseur of art and an avid collector of various artistic styles from around the world. His passion for beauty led him to acquire a stunning array of masterpieces that spanned centuries and continents. Among his prized possessions were German Renaissance ceiling and wall paintings, which showcased intricate details and vibrant colors that transported viewers back in time. Dolmetsch's collection also featured exquisite wood mosaic and embroidery, showcasing the meticulous craftsmanship of skilled artisans. These pieces brought warmth and texture to his home, creating an atmosphere reminiscent of a bygone era. Ancient Greek ornamental architecture and sculpture found their place within Dolmetsch's collection as well. These timeless works captured the gracefulness and grandeur associated with this ancient civilization, leaving visitors awe-inspired by their beauty. The collector's appreciation for history extended beyond Greece, as he also possessed Ancient Greek pottery that displayed intricate designs reflecting everyday life during those times. Each piece told its own story, transporting viewers to another world filled with myths, legends, and cultural richness. Dolmetsch had a particular fondness for medieval enamel and illuminated manuscripts; these delicate treasures revealed the skillful handiwork behind each page or panel. The vibrant colors used in these creations added depth to religious texts or historical accounts while captivating anyone lucky enough to behold them. Byzantine weaving and embroidery adorned Dolmetsch's walls with their opulent patterns inspired by Eastern influences. Their rich textures created an air of luxury within his home while paying homage to Byzantium's artistic legacy. Indian marble inlay showcased Dolmetsch's fascination with intricate designs carved into stone surfaces—a testament to India's mastery over architectural embellishments throughout history. Egyptian decoration held its own special place among Dolmetsch’s collection—symbols like hieroglyphics depicted stories from ancient times on walls adorned with vivid hues that still captivate audiences today.