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Framed Print : Black and white minstrels
Framed Photos from Mary Evans Picture Library
Black and white minstrels
A fashion shoot featuring the Black & White Minstrels in Tatler, 1962. The outfit worn by the model in the middle is a white silk, two-piece, the skirt cut both ways with inverted panels of navy silk studded with white by Nettie Vogues at Selfridges. Date: 1962
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7185313
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10527974
1962 Minstrel Minstrels Outfit Stereotype Stereotyping Nettie Racial
13.5"x11.5" (34x29cm) Premium Frame
Introducing the captivating "Black and White Minstrels" Framed Print from Media Storehouse, an exquisite addition to your home or office decor. This vintage photograph, sourced from Mary Evans Prints Online, transports us back in time to a fashion shoot featured in Tatler magazine in 1962. The black and white image showcases an enchanting scene of three minstrels, dressed in traditional attire, with the model in the middle donning a stunning white silk, two-piece outfit. This timeless piece is not only a beautiful work of art but also a fascinating glimpse into history. Bring this unique and intriguing image into your space and start a conversation with our Media Storehouse "Black and White Minstrels" Framed Print.
Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")
Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this striking photograph from Tatler magazine's 1962 issue, a group of models, collectively known as the Black and White Minstrels, pose for a fashion shoot. Dressed in an eclectic mix of costumes that draw upon racial stereotypes, the models don various outfits inspired by minstrelsy, a theatrical tradition that originated in the United States during the 19th century. The photograph, a fascinating snapshot of the sixties fashion scene, showcases the intricate details of the costumes and the models' expressive poses. At the heart of the image is a model wearing a chic two-piece outfit. The top half of her ensemble consists of a white silk blouse, adorned with navy blue inverted panels studded with white, while the bottom half is a white silk skirt, cut both ways to reveal a navy blue underskirt. This exquisite ensemble was designed by Nettie Vogues, a renowned fashion designer of the time, from Selfridges. Despite the undeniable allure of the fashion on display, the photograph raises uncomfortable questions about the racial undertones of the shoot. The use of blackface makeup and the adoption of stereotypical minstrel costumes, such as oversized shoes and curly wigs, are deeply rooted in a history of racial discrimination and dehumanization. This photograph, while a testament to the fashion trends of the 1960s, serves as a reminder of the complex and often problematic relationship between race, fashion, and representation. In conclusion, this photograph of the Black and White Minstrels in Tatler magazine's 1962 issue offers a fascinating glimpse into the fashion world of the 1960s. The intricate details of the costumes, particularly the white silk two-piece worn by the model in the middle, are a testament to the creativity and innovation of the time. However, the racial undertones of the shoot cannot be ignored, and the photograph serves as a reminder of the complex and often problematic relationship between race, fashion, and representation.
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