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Poster Print : Black and white minstrels
Poster Prints from Mary Evans Picture Library
Black and white minstrels
A fashion shoot featuring the Black & White Minstrels in Tatler, 1962. The outfit worn by the model in the middle is a white silk, two-piece, the skirt cut both ways with inverted panels of navy silk studded with white by Nettie Vogues at Selfridges. Date: 1962
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7185313
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10527974
1962 Minstrel Minstrels Outfit Stereotype Stereotyping Nettie Racial
A3 (42 x 29.7cm) Poster Print
Introducing the captivating Black and White Minstrels poster print from Media Storehouse's exclusive collection, brought to you in partnership with Mary Evans Prints Online. This vintage image, originally published in Tatler magazine in 1962, showcases a fashion shoot featuring the Black and White Minstrels in an elegant two-piece white silk outfit. Travel back in time and add a touch of historic charm to your space with this evocative and intriguing poster print. Perfect for those who appreciate the rich history of fashion and entertainment, this print is a must-have for any vintage-inspired decor. Order yours today and bring a piece of the past into your home or office.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 30.6cm x 42.6cm (12" x 16.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this striking photograph from Tatler magazine's 1962 issue, a group of models, collectively known as the Black and White Minstrels, pose for a fashion shoot. Dressed in an eclectic mix of costumes that draw upon racial stereotypes, the models don various outfits inspired by minstrelsy, a theatrical tradition that originated in the United States during the 19th century. The photograph, a fascinating snapshot of the sixties fashion scene, showcases the intricate details of the costumes and the models' expressive poses. At the heart of the image is a model wearing a chic two-piece outfit. The top half of her ensemble consists of a white silk blouse, adorned with navy blue inverted panels studded with white, while the bottom half is a white silk skirt, cut both ways to reveal a navy blue underskirt. This exquisite ensemble was designed by Nettie Vogues, a renowned fashion designer of the time, from Selfridges. Despite the undeniable allure of the fashion on display, the photograph raises uncomfortable questions about the racial undertones of the shoot. The use of blackface makeup and the adoption of stereotypical minstrel costumes, such as oversized shoes and curly wigs, are deeply rooted in a history of racial discrimination and dehumanization. This photograph, while a testament to the fashion trends of the 1960s, serves as a reminder of the complex and often problematic relationship between race, fashion, and representation. In conclusion, this photograph of the Black and White Minstrels in Tatler magazine's 1962 issue offers a fascinating glimpse into the fashion world of the 1960s. The intricate details of the costumes, particularly the white silk two-piece worn by the model in the middle, are a testament to the creativity and innovation of the time. However, the racial undertones of the shoot cannot be ignored, and the photograph serves as a reminder of the complex and often problematic relationship between race, fashion, and representation.
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