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Framed Print : 1857 Zimmermans The Primitive World 1857 Zimmermans The Primitive World

1857 Zimmermans The Primitive World 1857 Zimmermans The Primitive World



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1857 Zimmermans The Primitive World 1857 Zimmermans The Primitive World

1857 Engraved chromo lithograph frontispiece by Pannemaker from the French translation Edition of Zimmermans " Le Monde avant la Creation de L" Homme". It shows a long necked plesiosaur threatening what is possibly a mososaur (but may simply be a mash of Martin/Mantell reconstructions) while an iguanodon looks on from a rock (identifiable from its nose horn, which is now known to be a thumb spike). A pterosaur flies overhead, though its conception is rather bat-like, perhaps following Edward Newman (in The Zoologist, 1843) that they might be marsupial bats rather than flying reptiles. The volcanoes in the background signify Zimmermans thesis that these were violent worlds prone to Cuvierian catastrophe and global extinction

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6318203

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

Buckland Catastrophe Colour Cuvier Dinosaur Extinction Iguanodon Mantell Owen Plesiosaur Pre Historic Pterodactyle Pterosaur Reconstruction Volcano Primeval


A2 Premium Frame with A3 Poster

Step back in time with our exquisite framed print from the Media Storehouse collection. Featuring the captivating image "1857 Zimmermans The Primitive World" by Paul D. Stewart from Science Photo Library, this stunning piece is an engraved chromo lithograph frontispiece from the French translation Edition of Zimmermans "Le Monde avant la Creation de L'Homme". With intricate details and vibrant colors, this historical artwork transports you to a primitive world, showcasing the beauty and wonder of the past. Each print is carefully framed to preserve its authenticity and enhance its visual appeal. Bring a touch of history and artistry to your home or office with this unique and captivating framed print.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Extinct > Dinosaurs

> Animals > Mammals > Marsupials


EDITORS COMMENTS
This print takes us back to the 19th century, a time when the world of prehistoric creatures was still shrouded in mystery. The engraving, titled "1857 Zimmermans The Primitive World" is a chromo lithograph frontispiece created by Pannemaker for the French translation Edition of Zimmerman's book "Le Monde avant la Creation de L'Homme". In this mesmerizing scene, we are transported to an ancient world teeming with life and danger. A long-necked plesiosaur looms menacingly over what appears to be a mosasaur or a combination of Martin/Mantell reconstructions. Meanwhile, an iguanodon observes from atop a rocky perch, its distinctive nose horn catching our attention. Above them all soars a pterosaur, though its portrayal leans towards bat-like features rather than the traditional image of flying reptiles. This interpretation aligns with Edward Newman's theory that these creatures might have been marsupial bats instead. The backdrop showcases towering volcanoes, symbolizing Zimmerman's thesis that these primeval worlds were prone to catastrophic events and global extinctions - ideas influenced by Cuvierian theories prevalent at the time. Paul D. Stewart expertly captures this remarkable artwork from Owen's illustration collection. Through his lens, we can appreciate not only the scientific significance but also the artistic beauty inherent in these reconstructions of dinosaurs and other extinct species.

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