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Framed Print : Dantes Inferno, suicides and the Harpies

Dantes Inferno, suicides and the Harpies



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Dantes Inferno, suicides and the Harpies

Dantes Inferno. Canto XIII, line 11: Here [suicide tree] the brute Harpies make their nest (at right: Dante and Virgil). Italian poet Dante Alighieri (1265-1321) wrote his epic poem Divina Commedia (The Divine Comedy) between 1308 and his death in 1321. Totalling 14, 233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. Artwork by French artist Gustave Dore (1832-1883); engraving from The Vision of Hell (1868), Henry Francis Carys English translation of the Inferno

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 9209923

© MIDDLE TEMPLE LIBRARY/SCIENCE PHOTO LIBRARY

1300s 14th Century 1868 Allegory Art History Author Cultural Culture Engraving Gustave Dore Hell Humanities Italian Literary Literature Mediaeval Medieval Middle Ages Poem Poet Poetry Roman Spirits Story Suicide Underworld Violence Authors Dante Divina Commedia Epic Poem Hades Harpies Harpy Inferno Poetic Poets Suicides The Divine Comedy Virgil


13.5"x11.5" (34x29cm) Premium Frame

Introduce the depths of Dante's Inferno into your home with our stunning Framed Prints from Media Storehouse. This captivating artwork, titled "Dantes Inferno, suicides and the Harpies," showcases the iconic scene from Canto XIII of the epic poem. Depicting the suicides branch, where the Harpies make their nest, this print brings to life the haunting imagery of Dante Alighieri's masterpiece. The Middle Temple Library/Science Photo Library captures the intricate details and rich colors of this iconic work, making it an exquisite addition to any decor. Embrace the power of storytelling and the beauty of art with this Framed Print.

Framed and mounted 9x7 print. Professionally handmade full timber moulded frames are finished off with framers tape and come with a hanging solution on the back. Outer dimensions are 13.5x11.5 inches (34x29cm). Quality timber frame frame moulding (20mm wide and 30mm deep) with frame colours in your choice of black, white, or raw oak and a choice of black or white card mounts. Frames have a perspex front providing a virtually unbreakable glass-like finish which is easily cleaned with a damp cloth.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.4cm x 21.4cm (8.4" x 8.4")

Estimated Product Size is 29.2cm x 34cm (11.5" x 13.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > D > Gustave Dore

> Arts > Artists > R > Roman Roman

> Arts > Authors

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Modern art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Modern art pieces


EDITORS COMMENTS
This print showcases a powerful scene from Dante Alighieri's renowned epic poem, "Dante's Inferno". Depicting the middle ring of Hell, Canto XIII explores the haunting realm of suicides and their torment at the hands of brutal Harpies. The Italian poet penned his magnum opus, Divina Commedia (The Divine Comedy), between 1308 and 1321, leaving an indelible mark on world literature. Gustave Dore, a talented French artist from the 19th century, brings this vivid imagery to life through his intricate engraving featured in Henry Francis Cary's English translation of Inferno. With meticulous attention to detail, Dore captures Dante and Virgil standing amidst the eerie landscape as they witness the grotesque nesting place of these winged spirits. As one delves into this masterpiece spanning over 14,000 lines divided into three parts – Inferno, Purgatorio, and Paradiso – it becomes evident that Dante's work is not only a poetic marvel but also a comprehensive exploration of medieval theology and thought. This artwork serves as a visual representation of his allegorical journey through Hell while shedding light on historical and cultural aspects prevalent during the Romanesque period. Through this mesmerizing print offered by Middle Temple Library/Science Photo Library, viewers are transported back in time to experience Dante's infernal vision firsthand. It stands as a testament to both literary greatness and artistic prowess while reminding us of humanity's enduring fascination with exploring profound themes such as violence, redemption, and spirituality within our collective consciousness.

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