1615 1868 Collection (page 6)

Picture of Matsuchiyama... late 1830s or early 1840s. Creator: Ando Hiroshige (Japanese, 1797-1858)
Picture of Matsuchiyama (from the series Famous Places in the Eastern Capital), late 1830s or early 1840s

Picture of Light Rain on the Embankment of the Sumida River... late 1830s or early 1840s
Picture of Light Rain on the Embankment of the Sumida River (from the series A New Selection of Famous Places in Edo), late 1830s or early 1840s

Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, 1740. The print illustrates the typical interior of a Kabuki theater

People Fleeing from a Fire, 1615-1868. Creator: Unknown
People Fleeing from a Fire, 1615-1868

Risshi by the Sea Watching Birds, late 1700s-1849. Creator: Katsushika Hokusai (Japanese
Risshi by the Sea Watching Birds, late 1700s-1849

Landscape, 1833. Creator: Kaioku Nukina (Japanese, 1778-1863)
Landscape, 1833. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, 1808. Creator: Chikuto Nakabayashi (Japanese, 1776-1853)
Landscape, 1808. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape with Boaters, late 18th-early 19th century. Creator: Kenkado Kimura (Japanese
Landscape with Boaters, late 18th-early 19th century

Landscape, 1798. Creator: Chikuseki Nagamachi (Japanese, 1747-1806)
Landscape, 1798. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape with Figures, 19th century. Creator: Fujimoto Tesseki (Japanese, 1817-1863)
Landscape with Figures, 19th century

Landscape, late 18th-early 19th century. Creator: Totoki Baigai (Japanese, 1749-1804)
Landscape, late 18th-early 19th century. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, late 1500s-early 1600s. Creator: Sessh? T?y? (Japanese, 1420-1506), follower of
Landscape, late 1500s-early 1600s. These two paintings belong to a group of eight that were likely mounted as a pair of four-panel folding screens representing the Eight Views of the Xiao

Landscape, 18th century. Creator: Gion Nankai (Japanese, 1677-1751)
Landscape, 18th century

Landscape, 1815. Creator: Shunkin Uragami (Japanese, 1779-1846)
Landscape, 1815. The Nanga, or " Southern School" painters of 17th- and 18th-century Japan were greatly influenced by Chinese culture

Landscape, 1767. Creator: Kan Tenju (Japanese, 1727-1795
Landscape, 1767. A lone, elderly figure, his retreat from the world tucked into the mountains near a waterfall, looks out his window onto the landscape below

Landscape with Ferry Boat, Geese and Full Moon, early 1830s. Creator: Totoya Hokkei (Japanese)
Landscape with Ferry Boat, Geese and Full Moon, early 1830s. This scene, of men in boats gathering reeds on a lake while geese fly in the moonlit sky, tells us that autumn in the air

Nakamura Nakazo I as a Townsman Holding an Anchor, c. 1780. Creator: Katsukawa Shunsho (Japanese)
Nakamura Nakazo I as a Townsman Holding an Anchor, c. 1780

Nakamura Utaemon IV as Ono Sadakuro in Act Five of Kanadehon Chushingura, Naka Theater, 1838

Mt. Fuji through Pines, late 1700s-early 1800s. Creator: Kubo Shunman (1757-1820)
Mt. Fuji through Pines, late 1700s-early 1800s. Kubo Shunman dashed off this loose image of Mt. Fuji viewed in the distance from behind pine trees as a performance painting, or sekiga

Narihira Viewing the Cherry Blossoms, late 1800s. Creator: Shibata Zeshin (Japanese, 1807-1891)
Narihira Viewing the Cherry Blossoms, late 1800s. The principal figure, Ariwara no Narihira, sits on a tatami mat, leaning on a wooden shoulder rest of a type frequently shown in classical poet

Mountains and Distant Boats, late 18th century. Creator: Nagasawa Rosetsu (Japanese, 1754-1799)
Mountains and Distant Boats, late 18th century

Mountain and River in Storm, first half of 17th century. Creator: Hirowatari Setsuzan (Japanese)
Mountain and River in Storm, first half of 17th century

Monkeys, late 18th-early 19th century. Creator: Mori Sosen (Japanese, 1747-1821)
Monkeys, late 18th-early 19th century

Monkey Hanging on to a Branch, 1780. Creator: Mori Sosen (Japanese, 1747-1821)
Monkey Hanging on to a Branch, 1780

Morning Glory (from the series The Tale of Genji in Elegant Modern Dress), c. 1790

Man Riding Backwards on a Water Buffalo, 1687. Creator: Sekkei Yamaguchi (Japanese
Man Riding Backwards on a Water Buffalo, 1687

Man Strolling with a Boy Carrying Flowering Branch, c. 1810. Creator: Kitagawa Fujimaro (Japanese)
Man Strolling with a Boy Carrying Flowering Branch, c. 1810. A young man strolls in front of a boy carrying flowering plum branches, perhaps symbolic of spring

Man and Woman, 1753-1806. Creator: Kitagawa Utamaro (Japanese, 1753?-1806)
Man and Woman, 1753-1806

Man and Two Women at the Sea Shore, 1769-1825. Creator: Utagawa Toyokuni (Japanese, 1769-1825)
Man and Two Women at the Sea Shore, 1769-1825

Making Love, 1753-1806. Creator: Kitagawa Utamaro (Japanese, 1753?-1806)
Making Love, 1753-1806

Nakamura Utaemon IV as a Warrior Standing in the Snow. Creator: Shumbaisai Hokuei (Japanese, 1837)
Nakamura Utaemon IV as a Warrior Standing in the Snow

Nakamura Utaemon III as the Monkey Trainer Yojiro (from the series Famous Kabuki Plays), mid-1810s

Nakamura Utaemon as Inanoya Hanbei, c. 1822. Creator: Hokushu Shunkosai (Japanese)
Nakamura Utaemon as Inanoya Hanbei, c. 1822

Nakamura Tomijuro and Nakamura Shichisaburo II as the Lovers Agemaki and Sukeroku, 1753

Nakamura Nakazo II as Matsuomaru in the Carriage-Stopping Scene, 1796. Creator: Utagawa Kunimasa
Nakamura Nakazo II as Matsuomaru in the Carriage-Stopping Scene, 1796

Nakamura Nakazo I as Watanabe no Tsuna, 1781. Creator: Katsukawa Shunzan (Japanese)
Nakamura Nakazo I as Watanabe no Tsuna, 1781

Nakajima Kanzaemon as a Lord Disguised as a Hunter with a Rifle, c. early 1780s. Creator
Nakajima Kanzaemon as a Lord Disguised as a Hunter with a Rifle, c. early 1780s

Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido, 1835 or 1836. The inland road connecting Edo (present-day Tokyo) and Kyoto, the Kisokaido had 69 post stations

Musashibo Benkei Kneeling by a Plum Tree, c. mid or late 1810s. Creator: Gototei Kunisada
Musashibo Benkei Kneeling by a Plum Tree, c. mid or late 1810s

Musashi, Omi, Yamashiro, and Settsu Provinces... c. 1804. Creator: Kitagawa Utamaro (Japanese)
Musashi, Omi, Yamashiro, and Settsu Provinces from the series Fashionable Six Jewel Rivers (Furyu Mu Tamagawa), c. 1804

Mother Teaching her Daughter Calligraphy, from the series, Twelve Occupations of Women, c. 1798

Mother Lifting a Child to a Plum Tree... late 1790s. Creator: Kitagawa Utamaro (Japanese
Mother Lifting a Child to a Plum Tree (from the series Chinese and Japanese Poems by Seven Year Old Girls of Recent Times), late 1790s

Moonrise Over the Nihon Embankment and the Yoshiwara, 1790. Creator: Kitagawa Utamaro (Japanese)
Moonrise Over the Nihon Embankment and the Yoshiwara, 1790

Monkeys, c. 1800. Creator: Gyokutei Katsu (Japanese)
Monkeys, c. 1800

Monkeys on a Rock Ledge, 1615-1868. Creator: Mori Sosen (Japanese, 1747-1821)
Monkeys on a Rock Ledge, 1615-1868

Monkeys in a Cherry Tree; Monkeys on a Rock Ledge, 1615-1868. Creator: Mori Sosen (Japanese)
Monkeys in a Cherry Tree; Monkeys on a Rock Ledge, 1615-1868

Monkeys in a Cherry Tree, 1615-1868. Creator: Mori Sosen (Japanese, 1747-1821)
Monkeys in a Cherry Tree, 1615-1868

Monkeys by a Stream, mid-1800s. Creator: Nagasawa Rosetsu (Japanese, 1754-1799), style of
Monkeys by a Stream, mid-1800s. Considered protective deities in the Shinto religion, monkeys were first depicted in Japanese narrative scroll paintings during the 12th and 13th centuries

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"Exploring the Artistic Treasures of 1615-1868: A Glimpse into Japan's Rich Cultural Heritage" Step back in time and immerse yourself in the captivating world of Japanese art from the period between 1615 and 1868. This era, known as the Edo period, witnessed a flourishing artistic scene that produced masterpieces by renowned artists such as Kawanabe Kyosai, Ando Hiroshige, Utagawa Hiroshige, and many others. One remarkable artwork is "Full Moon with Crow on Plum Branch, " created by Kawanabe Kyosai in the 1880s. This mesmerizing piece combines elements of nature and symbolism to evoke a sense of mystery and intrigue. Another masterpiece from this era is Ando Hiroshige's "Sudden Shower over Shin-Ohashi Bridge and Atake" painted in 1857. The artist skillfully captures a fleeting moment of rain showering down upon a bustling bridge, showcasing his keen observation skills. Hiroshige's talent shines again in his work titled "Evening Snow at Kambara. " Painted in 1833, this piece transports viewers to a serene winter landscape along the Tokaido road, inviting them to experience the tranquility of snowfall. Utagawa Hiroshige also leaves an indelible mark with his print series "The Fifty-Three Stations of the Tokaido. " One standout piece is "Yokkaichi: View of the Mie River, " which showcases his mastery over composition and perspective while depicting life along Japan's famous Tokaido route. Moving beyond landscapes, we encounter intriguing portrayals such as "Woman as an Itinerant Monk: Onna Komuso (Otsu-e)" from the late 1600s or early 1700s. Created by an unknown artist during this period, it offers insight into gender roles and spiritual practices of the time. Tani Bunch.