1st Duke Of Wellington Collection (page 3)

View from Mont St. Jean of The Battle of Waterloo... 1815, (c1816). Creator: Unknown
View from Mont St. Jean of The Battle of Waterloo at the commencement of the grand Charge made on the French at 7 o clock in the Evening of the 18th June 1815, (c1816)

Lion de Waterloo, mid 19th century. Creator: Vanderhecht
Lion de Waterloo, mid 19th century. War memorial on the site of the Battle of Waterloo in Belgium, fought on 8 June 1815 between Napoleons forces

Prend moi tel que je suis, 1834. Creator: IB Brookes
Prend moi tel que je suis, 1834. ( Take me as I am ). Ah. Doura - glad to see you _ knew you would not form the new administration without me - Well what am I fit for eh

Old Mews Said To Have Been The Iron Dukes Stables at Knightsbridge, c1935. Creator: Unknown
Old Mews Said To Have Been The Iron Dukes Stables at Knightsbridge, c1935. Stables at Old Barrack Yard, west London, supposedly used by the Duke of Wellington

Triumphal Arch Moved from Hyde Park to Constitution Hill, c1935. Creator: Unknown
Triumphal Arch Moved from Hyde Park to Constitution Hill, c1935. View of the Wellington Arch, a triumphal arch in central London

The Bank, 1927. Creator: William Walcot
The Bank, 1927. From " Disappearing London", by E. Beresford Chancellor, edited by Geoffrey Holme. [" The Studio" Limited, London, 1927]

Piccadilly and the Quadriga of Constitution Hill, c1935. Creator: Unknown
Piccadilly and the Quadriga of Constitution Hill, c1935. View of the Wellington Arch, a triumphal arch in central London between Hyde Park and Green Park

Hyde Park Corner With The Triple Archway Leading To The Royal Park Showing Apsley House, c1935. Apsley House in London was originally built by Robert Adam in 1771-1778

A Contrast, c1838. Creator: Unknown
A Contrast, c1838. Political satire depicting British politicians: Henry Brougham, 1st Baron Brougham and Vaux (1778-1868), William Lamb, 2nd Viscount Melbourne (1779-1848), and Arthur Wellesley

A Poney Race for a Saddle (a Seat) at Cambridge, 1834. Creator: John Doyle
A Poney Race for a Saddle (a Seat) at Cambridge, 1834. Satirical scene showing British politicians as horses and jockeys in a race: Leader of the Whigs Charles Grey

Up, Guards and at them!, 1899. Creator: Richard Caton Woodville II
Up Guards and at them!, 1899. Drummer-boy leading a charge of British soldiers, scene based on a quote by the Duke of Wellington: Up, Guards, and at them again

Frozen Out, c1830. Creator: Unknown
Frozen Out, c1830. No more Cabbage all the Salary nipped - caricature of British politicians Sir Robert Peel (1788-1850), dressed as a policeman and wearing a gardeners apron

Field-Marshal Arthur Wellesley, Duke of Wellington, c1810, (1896). Artist: R. G
Field-Marshal Arthur Wellesley, Duke of Wellington, c1810, (1896). Arthur Wellesley, 1st Duke of Wellington, British soldier and statesman

Women admiring the statue of Achilles, Hyde Park, London, 1822. Artist
Women admiring the statue of Achilles, Hyde Park, London, 1822. Satirical cartoon showinf back and front views of women admiring Achilles. The first word is Backside with the side scored through

Summer Fashions for 1838, c1838. Fashions for the summer season displayed on figures in Windsor Great Park, Berkshire. In the centre Queen Victoria and the Duke of Wellington exercise on horseback

The Mall and Waterloo Place, Westminster, London, c1845. Artist: Thomas Allom
The Mall and Waterloo Place, Westminster, London, c1845. View showing the suggested site for the Duke of Wellingtons statue. The Duke of Yorks Column is in the background

The Duke of Wellington riding past the Achilles statue in Hyde Park, London, 1844

Hyde Park Corner, Westminster, London, c1860. Artist
Hyde Park Corner, Westminster, London, c1860. The Wellington Arch viewed from the north-east with St Georges Hospital and Knightsbridge in the background

Queen Victoria and Prince Albert taking air in Hyde Park, London, c1840. The royal couple passing Richard Westmacotts statue of Achilles, erected in honour of the Duke of Wellington

The Park. Twas post meridian half past four, c1827. Scene in Hyde Park, London, with horses, riders and coaches standing around the statue of Achilles by Richard Westmacott

Apsley House, Hyde Park, London, 1823. Artist
Apsley House, Hyde Park, London, 1823. View with two riders and dogs on the left and a woman and child on the right. Apsley House, also known as Number One, London

View of the statue of Achilles, Hyde Park, London, 1822. The statue, by Richard Westmacott, was erected in the park in 1822 in honour of the Duke of Wellington

New version of John Gilpin, after Stothard, 1846. Sir Robert Peel, shedding a hat inscribed Toryism and a wig inscribed Conservative, and with a purse, Income Tax

The Looking Glass, 1831. 12 vignettes on 1 sheet, featuring a City feast, Alderman John Key, the Duke of Wellington, articles to be taxed: bonnets, bustles, teeth

A Break, losing the Reins, 1830. Prime Minister the Duke of Wellington and Home Secretary Sir Robert Peel about to fall from a vehicle, hauled by a horse (Alderman Hunter) and an ass (Alderman Key)

Procession of the Prince Regent, 1814. A broad sheet at the head of which is depicted the procession of the Prince Regent to Guildhall to celebrate peace after the Napoleonic Wars

Bow Street, the pick-pockets examined, London, 1830. Artist: LB
Bow Street, the pick-pockets examined, London, 1830. Wellington and Peel (?) are depicted in the dock at Bow Street, charged with delaying the coronation of William IV

A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829 Artist
A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829. Showing Sir Robert Peel (Jerry) putting to flight a band of elderly nightwatchmen

The Saveall, or Economy, 1828. Artist: Thomas McLean
The Saveall, or Economy, 1828. The Duke of Wellington stands between Apsley House, (his future home - still under construction), and the Triumphal Arch on Constitution Hill

The great general frightened by Don-Key, 1830. Artist: Henry Heath
The great general frightened by Don-Key, 1830; shows the Duke of Wellington running in alarm, from a donkey in mayoral cloak (Sir John Key)

Bird s-eye view of the Royal Exchange, London, c1860. The statue of the Duke of Wellingtob, figures, horses and coaches can be discerned outside

Wellingtons Monument in St Pauls Cathedral, City of London, 1877. Artist
Wellingtons Monument in St Pauls Cathedral, City of London, 1877. The memorial to the Duke of Wellington, designed by Alfred Stevens, was completed in 1878

A serio comic extravaganza... 1820. George IV seems to be dismissing a petition from the Lord Mayor, John Thomas Thorp, introduced by Alderman Matthew Wood (?)

Jack Ketch executing sentence on a culprit, 1832. Artist
Jack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him

The terror-stricken, horror-smitten ministers advice, or the R[oya]l visit postponed, 1830. The Duke of Wellington, attended by Sir Robert Peel, tells the King, William IV

The self created brute... 1830. The Lord Mayors bedroom. A woman representing the City is ejecting the Lord Mayor, Sir John Key

Ahithophel in the dumps, 1830. Artist: Henry Heath
Ahithophel in the dumps, 1830. The Duke of Wellington on a donkey with a saddle resembling a mayoral gown approaching a gallows

Locum Tenens, the celebrated Hunter, 1830. A donkey in aldermanic costume sitting astride a horse. The cartoon alludes to Sir Claudius Hunters involvement with the cancellation of the Royal visit to

The Donkey Mare... 1830
The Donkey Mare, braying Ecaw, ecaw loud and deep, from the great City to the great dictator, 1830. The Lord Mayor, Sir John Key, with asses ears

The mares lamentation, or the self-willed Don-Key, 1830. Artist
The mares lamentation, or the self-willed Don-Key, 1830. Sir John Key, in mayoral robes, with asses ears and legs. The cartoon refers to the cancellation of the Lord Mayors show by Key for fear of

Oh! Oh! Oh! Oh!... No go!!!, 1830. The Lord Mayor, Sir John Key and a variety of City tradesmen and others, including a Christs Hospital scholar

Bank of England, Threadneedle Street, London, (1840?) Artist: Henry Wallis
View of the Bank of England, Royal Exchange, Cornhill and King William Street, London, 1840(?); with a street scene and horse drawn carriages. Also showing a proposed statue of the Duke of Wellington

Apsley House, Westminster, London, 1853. Artist: William Greatbach
Interior view of Apsley House, Westminster, London, 1853; showing the Duke of Wellington giving the annual banquet for his companions in arms on the anniversary of the Battle of Waterloo

An illustrated songsheet, 1831. Two images with the songs Gog and Magog rewarded and King William and the citizens of London beneath

Dukes own room, Apsley House, Westminster, London, 19th century. Also known as Number One, London, Apsley House was the residence of the Duke of Wellington

Battle of Quatre Bras, June 16th 1815. Artist: Thomas Sutherland
Battle of Quatre Bras, June 16th 1815. Quatre Bras was a preliminary engagement to the Battle of Waterloo, fought two days before the main battle

Entrance of Lord Wellington into Salamanca, May 20th 1813 1815. Artist: Matthew Dubourg
Entrance of Lord Wellington into Salamanca at the head of a Regiment of Hussars, May 20th 1813 1815. Scene during Wellingtons final, decisive advance of the Peninsular War

The Left Wing of the British army in Action at the Battle of Waterloo, June 18th 1815 Artist
The Left Wing of the British army in Action at the Battle of Waterloo, June 18th 1815. The Battle of Waterloo was the decisive defeat for Napoleon and marked the end of his empire

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The 1st Duke of Wellington, Arthur Wellesley, was a legendary figure in British history. Known for his military prowess and leadership, he played a pivotal role in the Battle of Waterloo on the 18th of June 1815. This historic battle is depicted in an intricate map from the 19th century, showcasing the strategic maneuvers that led to victory. A portrait by Thomas Lawrence captures the essence of this esteemed duke during his tenure as commander-in-chief from 1814 to 1815. The painting exudes strength and determination, reflecting Wellington's unwavering commitment to his troops and country. In contrast to these serious depictions, an intriguing image titled "The Grenadier in Wilton Mews" offers a glimpse into the everyday lives of soldiers. It portrays a scene where coachmen gather at their local watering hole – perhaps finding solace after arduous battles fought under Wellington's command. Another artwork called "The Forlorn Hope At Badajos" transports us back to one of Wellington's notable victories during the Peninsular War. Painted by Vereker Monteith Hamilton in 1906, it depicts brave soldiers storming enemy fortifications with sheer determination and courage. Wellington's legacy is further celebrated through various artistic representations such as "The Army and Navy, " which juxtaposes him with Admiral Nelson – two iconic figures who safeguarded Britain against external threats during this era. John Atkinson II's masterpiece titled "Battle of Waterloo" immerses viewers into the heart of combat itself. With vivid details capturing chaos and heroism alike, it serves as a testament to Wellington's strategic brilliance that ultimately defeated Napoleon Bonaparte once and for all. Even beyond warfare imagery lies evidence of Wellington's influence on popular culture; an amusing illustration humorously depicts a wellington boot transformed into his head – symbolizing his status as head of the armye.