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New version of John Gilpin, after Stothard, 1846
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New version of John Gilpin, after Stothard, 1846
New version of John Gilpin, after Stothard, 1846. Sir Robert Peel, shedding a hat inscribed Toryism and a wig inscribed Conservative, and with a purse, Income Tax, riding furiously towards a door marked Protection. The Duke of Wellington reins in his mount and various other parliamentary figures gesticulate. One, on the left, holds a hoop marked Free Trade
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Media ID 15178438
© London Metropolitan Archives (City of London) / Heritage-Images
1st Duke Of Wellington Arthur Arthur Wellesley Doyle Duke Of Duke Of Wellington Economy Free Trade Galloping Iron Duke John Doyle Lord Wellington Mounted Peel Prime Minister Protectionism Robert Peel Sir Arthur Wellesley Sir Robert Sir Robert Peel The Iron Duke Tory Wellesley Wellington Economics
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EDITORS COMMENTS
This black and white lithograph, titled "New version of John Gilpin, after Stothard, 1846" captures a moment of political satire during the 19th century in Britain. The scene depicts Sir Robert Peel, the Prime Minister at the time, riding furiously on horseback towards a door marked "Protection". He is shedding his hat inscribed with "Toryism" and a wig labeled "Conservative" while clutching a purse symbolizing Income Tax. Riding alongside him is the renowned Duke of Wellington, who reins in his mount as various other parliamentary figures gesticulate around them. The image reflects the heated debates surrounding economic policies such as protectionism versus free trade during this period. A figure on the left holds a hoop marked "Free Trade" representing an opposing viewpoint to Peel's protectionist stance. The artist skillfully uses caricature and cartoon-like elements to convey these complex ideas in an accessible manner. Created by John Doyle (known as HB), this satirical print offers insight into the political climate and personalities of its time. It showcases Doyle's talent for capturing both physical resemblance and symbolic representation through detailed clothing and facial expressions. Now housed at Guildhall Library and Art Gallery, this anonymous work serves as a historical record of British politics in the 19th century. Its monochrome aesthetic adds to its timeless appeal while highlighting key figures like Peel, Wellington, and their roles within society.
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