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Jigsaw Puzzle : New version of John Gilpin, after Stothard, 1846

New version of John Gilpin, after Stothard, 1846



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New version of John Gilpin, after Stothard, 1846

New version of John Gilpin, after Stothard, 1846. Sir Robert Peel, shedding a hat inscribed Toryism and a wig inscribed Conservative, and with a purse, Income Tax, riding furiously towards a door marked Protection. The Duke of Wellington reins in his mount and various other parliamentary figures gesticulate. One, on the left, holds a hoop marked Free Trade

Heritage Images features heritage image collections

Media ID 15178438

© London Metropolitan Archives (City of London) / Heritage-Images

1st Duke Of Wellington Arthur Arthur Wellesley Doyle Duke Of Duke Of Wellington Economy Free Trade Galloping Iron Duke John Doyle Lord Wellington Mounted Peel Prime Minister Protectionism Robert Peel Sir Arthur Wellesley Sir Robert Sir Robert Peel The Iron Duke Tory Wellesley Wellington


Jigsaw Puzzle (1000 Pieces)

Discover the captivating world of Media Storehouse's Jigsaw Puzzles with this stunning new addition - the "New version of John Gilpin, after Stothard, 1846" puzzle. This intricately designed puzzle features an iconic image from Heritage Images, showcasing Sir Robert Peel in the classic poem "John Gilpin." Peel is depicted shedding a hat inscribed with the labels "Toryism" and "Conservative," along with a purse bearing the inscription "Income Tax." Immerse yourself in history as you piece together this beautiful and thought-provoking puzzle, perfect for puzzle enthusiasts and history buffs alike.

1000 piece puzzles are custom made in Australia and hand-finished on 100% recycled 1.6mm thick laminated puzzle boards. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 76x50cm and is delivered packaged in an attractive presentation box specially designed to fit most mail slots with a unique magnetic lid

Jigsaw Puzzles are an ideal gift for any occasion

Estimated Product Size is 76cm x 50.2cm (29.9" x 19.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > John Doyle

> Arts > Artists > W > John White

> Arts > Artists > W > Robert White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > London > Politics > Arthur Wellesley

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Politics > Robert Peel


EDITORS COMMENTS
This black and white lithograph, titled "New version of John Gilpin, after Stothard, 1846" captures a moment of political satire during the 19th century in Britain. The scene depicts Sir Robert Peel, the Prime Minister at the time, riding furiously on horseback towards a door marked "Protection". He is shedding his hat inscribed with "Toryism" and a wig labeled "Conservative" while clutching a purse symbolizing Income Tax. Riding alongside him is the renowned Duke of Wellington, who reins in his mount as various other parliamentary figures gesticulate around them. The image reflects the heated debates surrounding economic policies such as protectionism versus free trade during this period. A figure on the left holds a hoop marked "Free Trade" representing an opposing viewpoint to Peel's protectionist stance. The artist skillfully uses caricature and cartoon-like elements to convey these complex ideas in an accessible manner. Created by John Doyle (known as HB), this satirical print offers insight into the political climate and personalities of its time. It showcases Doyle's talent for capturing both physical resemblance and symbolic representation through detailed clothing and facial expressions. Now housed at Guildhall Library and Art Gallery, this anonymous work serves as a historical record of British politics in the 19th century. Its monochrome aesthetic adds to its timeless appeal while highlighting key figures like Peel, Wellington, and their roles within society.

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