Aeneid Collection (page 3)

Illustration for John Drydens translation of Virgils Aeneid (engraving)
5221941 Illustration for John Drydens translation of Virgils Aeneid (engraving) by European School, (19th century); Private Collection; (add.info)

The Golden Bough, mid-19th century (litho)
1067418 The Golden Bough, mid-19th century (litho) by Turner, Joseph Mallord William (1775-1851) (after); 16.5x25.4 cm; Dallas Museum of Art, Texas

Laocoon
LLM460860 Laocoon by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Laocoon. Illustration for Stories from Virgil by Alfred J Church (Seeley, 1882).); © Look and Learn

Dido and the False Ascanius
LLM460854 Dido and the False Ascanius by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Dido and the False Ascanius)

Turnus over the bodies of Alma and Galaesus
LLM462296 Turnus over the bodies of Alma and Galaesus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Turnus over the bodies of Alma and Galaesus)

Aeneas and the body of Lausus
LLM462289 Aeneas and the body of Lausus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and the body of Lausus)

The land of the Cyclops (chromolitho)
2782965 The land of the Cyclops (chromolitho) by European School, (19th century); Private Collection; (add.info.: The land of the Cyclops. Liebig card, published in late 19th or early 20th century)

Boxing match between Entellus and Dares (chromolitho)
2782962 Boxing match between Entellus and Dares (chromolitho) by European School, (19th century); Private Collection; (add.info.: Boxing match between Entellus and Dares)

Aeneas and Anchises (marble) (see also 277549 & 277550)
ALI277548 Aeneas and Anchises (marble) (see also 277549 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises followed by Ascagne, by Pierre Lepautre (1660-1744)
XIR346076 Aeneas and Anchises followed by Ascagne, by Pierre Lepautre (1660-1744), Jardin des Tuileries, 1921-22 (b/w photo) by Giraudon, studio (1912-53); 264x114x110 cm; Paris

Landscape with Ascanius Shooting the Stag of Sylvia, 17th century (oil on canvas)
AMO98744 Landscape with Ascanius Shooting the Stag of Sylvia, 17th century (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 120x150 cm; Ashmolean Museum, University of Oxford

Virgil (70-19 BC) and the Muses, from Sousse (Hadrumetum) (mosaic)
XIR125338 Virgil (70-19 BC) and the Muses, from Sousse (Hadrumetum) (mosaic) by Roman, (3rd century AD); 122x122.5 cm; Musee National du Bardo, Le Bardo, Tunisia; (add.info.: Clio)

Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging
CHT220388 Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from Le Roman de la Rose by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum) by French School

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Juno in her chariot, 1874-c. 1919 (w / c on vellum)
1195385 Juno in her chariot, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Virgil Reading his Aeneid, 1796 (hand-coloured etching, engraving & stipple engraving
828647 Virgil Reading his Aeneid, 1796 (hand-coloured etching, engraving & stipple engraving) (also see 745998, 828646) by Bartolozzi

The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796 (hand-coloured etching
828646 The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796 (hand-coloured etching, engraving & stipple engraving) (also see 745998, 828647) by Bartolozzi

Venus requesting Vulcan to make arms for Aeneas (oil on canvas)
2653934 Venus requesting Vulcan to make arms for Aeneas (oil on canvas) by Loo, Carle van (1705-65); 129x98.5 cm; Private Collection; (add.info)

Aeneas and Dido (engraving)
5220341 Aeneas and Dido (engraving) by Guerin, Baron Pierre-Narcisse (1774-1833) (after); Private Collection; (add.info.: Aeneas and Dido)

Dido, Queen of Carthage, preparing for her death after being left by Aeneas (litho)
5217577 Dido, Queen of Carthage, preparing for her death after being left by Aeneas (litho) by Mills, Alfred Wallis (1855-1942); Private Collection; (add.info.: Dido, Queen of Carthage)

Aeneas relating his adventures to Dido (litho)
6022994 Aeneas relating his adventures to Dido (litho) by English School, (19th century); Private Collection; (add.info.: Aeneas relating his adventures to Dido)

Charon and the Ghosts
LLM462300 Charon and the Ghosts by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Charon and the Ghosts)

Cerberus
LLM462299 Cerberus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Cerberus. Illustration for Stories from Virgil by Alfred J Church.); © Look and Learn

The Death of Camilla
LLM462287 The Death of Camilla by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: The Death of Camilla. Illustration for Stories from Virgil by Alfred J Church)

The Harpies
LLM460858 The Harpies by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: The Harpies. Illustration for Stories from Virgil by Alfred J Church (Seeley, 1882).); © Look and Learn

Juno and Aeolus
LLM460856 Juno and Aeolus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Juno and Aeolus. Illustration for Stories from Virgil by Alfred J Church (Seeley)

Laocoon (colour litho)
3634496 Laocoon (colour litho) by English School, (19th century); Private Collection; (add.info.: Laocoon. Illustration for Stories from Virgil by Alfred J Church (Seeley)

Turnus over the bodies of Almo and Galaesus (colour litho)
3634484 Turnus over the bodies of Almo and Galaesus (colour litho) by English School, (19th century); Private Collection; (add.info.: Turnus over the bodies of Almo and Galaesus)

Nisus and Euryalus (colour litho)
3634478 Nisus and Euryalus (colour litho) by English School, (19th century); Private Collection; (add.info.: Nisus and Euryalus)

Aeneas and the shade of Creusa (colour litho)
3634494 Aeneas and the shade of Creusa (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and the shade of Creusa)

Aeneas and Tiber (colour litho)
3634481 Aeneas and Tiber (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and Tiber)

Aeneas and the body of Lausus (colour litho)
3634476 Aeneas and the body of Lausus (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and the body of Lausus)

Aeneas fleet in the tempest (chromolitho)
2782966 Aeneas fleet in the tempest (chromolitho) by European School, (19th century); Private Collection; (add.info.: Aeneas fleet in the tempest)

Aeneas in the underworld (chromolitho)
2782964 Aeneas in the underworld (chromolitho) by European School, (19th century); Private Collection; (add.info.: Aeneas in the underworld. Liebig card, published in late 19th or early 20th century)

Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas)
3433209 Aeneas and the Cumaean Sibyl presenting the Golden Bough to Charon (oil on canvas) by Testa, Pietro (Il Lucchesino) (1611-50)

The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796
745998 The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796, and Virgil Reading his Aeneid (hand-coloured etching, engraving & stipple engraving) (also see 828646, 828647) by Bartolozzi

Hercules and Cacus (colour litho)
3634482 Hercules and Cacus (colour litho) by English School, (19th century); Private Collection; (add.info.: Hercules and Cacus)

The mother of Euryalus receiving the news of his death (colour litho)
3634477 The mother of Euryalus receiving the news of his death (colour litho) by English School, (19th century); Private Collection; (add.info)

Aeneas and Anchises, from the Campetti Sanctuary, Veies (stone) (b / w photo)
XIR223693 Aeneas and Anchises, from the Campetti Sanctuary, Veies (stone) (b/w photo) by Etruscan, (5th century BC); Museo Nazionale Etrusco, Villa Giulia, Rome, Lazio, Italy; Etruscan

Aeneas and the Shade of Creusa
LLM460862 Aeneas and the Shade of Creusa by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and the Shade of Creusa)

The Fury at the Feast
LLM462297 The Fury at the Feast by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: The Fury at the Feast)

Hercules and Cacus
LLM462294 Hercules and Cacus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Hercules and Cacus. Illustration for Stories from Virgil by Alfred J Church.); © Look and Learn

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"Aeneid: A Tale of Heroism and Destiny" In the midst of chaos, as Troy burns to ashes, Aeneas emerges as a symbol of resilience and determination. The Roman mosaic vividly captures his escape from the ravaged city, showcasing his unwavering spirit. The title page of the epic poem "Aeneid" by Virgil sets the stage for an extraordinary journey through ancient times. This masterpiece has captivated readers for centuries with its gripping narrative and profound themes. Greek art reaches new heights in the Hellenistic era, exemplified by the awe-inspiring statue of Laocoön. Its intricate details depict a moment frozen in time, echoing the trials faced by Aeneas on his quest. Virgil himself becomes intertwined with his creation - "The Aeneid. " As one delves into this literary treasure, they uncover layers of meaning and insight that have shaped Western literature since its inception. An allegorical representation from 4th century BC reveals how deeply ingrained "Aeneid" is within our cultural consciousness. The River Acheron serves as a metaphorical gateway to another realm, mirroring Aeneas' descent into darkness before emerging victorious. The bond between father and son takes center stage as we witness Aeneas carrying Anchises away from Troy's inferno. Francesco Massimiliano Laboureur's sculpture immortalizes their love amidst turmoil, reminding us of familial devotion amid chaos. Within a fresco painting dating back to 1596 lies an iconic scene - Aeneas fleeing burning Troy with Ascanius clutching onto hope beside him. This powerful image encapsulates their desperate flight towards destiny against all odds. Entellus' triumph over a mighty bull showcases not only physical strength but also echoes themes found within "Aeneid. " Just like Entellus conquers adversity in combat, so does our hero overcome countless obstacles on his fated path.