Aeneid Collection (page 8)

Dido Excoriates Aeneas Book IV Aeneid Jean-Michel Moreau
Dido Excoriates Aeneas, from Book IV of the Aeneid; Jean-Michel Moreau le jeune (French, 1741 - 1814); 1803; Pen and brown ink and brown wash; 22.2 x 15.6 cm (8 3, 4 x 6 1, 8 in.)

Aeneid 1658 Francis Cleyn German 1582-1658 Pierre Lombart
Aeneid, 1658. After Francis Cleyn (German, 1582-1658), Pierre Lombart (French, 1612-1682). Engraving; sheet: 25.7 x 19.5 cm (10 1/8 x 7 11/16 in.); image: 25.7 x 19.5 cm (10 1/8 x 7 11/16 in.)

Neptune calming the tempest which Aeolus raised against Aeneas fleet from Book I o... ca. 1515-16
Neptune calming the tempest which Aeolus raised against Aeneas fleet from Book I of the Aeneid, ca. 1515-16

Laboureur, Francesco Massimiliano (1767-1831). Italian sculptor. Metabus and his daughter, 1820. Museum of Fine Arts. Budapest. Hungary

Aeneas Leaves Troy
Leaving Troy burning behind them, Aeneas leaves the city carrying his old father Anchises on his back

Virgil (70-19 B. C. ). Ancient Roman poet. The Aeneid. Miniatu
Virgil (70-19 B.C.). Ancient Roman poet. The Aeneid. Miniature. Folio 80r, 15th century. 1st. Book. Aeneas in Carthage with queen Dido. History Library of the University of Valencia. Spain

Virgil (70-19 B. C). Ancient Roman poet. The Aeneid. Miniatur
Virgil (70Bc-19 BC). Ancient Roman poet. The Aeneid. Miniature. Folio 145r, 15th century. VI book. Aeneas in Cumae with Sibyl. History Library of the University of Valencia. Spain

Virgil (70Bc-19 BC). The Aeneid. Miniature. 15th century. Di
Virgil (70Bc-19 BC). Ancient Roman poet. The Aeneid. Miniature. 15th century. VI book. Dido falls in love with Aeneas. History Library of the University of Valencia. Spain

The Cave of the Cumaean Sibyl. Cumae. Italy
The Cave of the Cumaean Sibyl, a trapezoidal passage that leads to an innermost chamber where the Sibyl was thought to have prophesied. Dated at 4th-3th centuries B.C. Cumae. Italy

Aeneid. Virgil
Publius Vergilius Maro (70 BC-19 AC). Latin poet. Aeneid. Engraving. 1729

Aeneas built a castle in Italy and sends his wise messengers to the king Latinus in Laurentum. Scene from the Aeneid of Virgil in french manuscript From the creation of the world to the conquest of

Aeneas Mercury 1654 Etching engraving fifth state
Artokoloro

Study Drapery 1818 Black chalk heightened white
Artokoloro

VIRGIL (70-19 B. C. ). Woodcut from an edition of his Aeneid published 1532, at Venice
VIRGIL (70-19 B.C.). Woodcut from an edition of his Aeneid published 1532, at Venice

The Judgement of Paris and the Trojan War, 1540 (oil on panel) (for detail see 95096)
XIR97191 The Judgement of Paris and the Trojan War, 1540 (oil on panel) (for detail see 95096) by Gerung or Gerou, Matthias (c.1500-68/70); 103x151 cm; Louvre, Paris, France; German, out of copyright

Aeneas carrying Anchises, 1729 (oil on canvas) (b / w photo)
XIR737043 Aeneas carrying Anchises, 1729 (oil on canvas) (b/w photo) by Loo, Carle van (1705-65); 110x105 cm; Louvre, Paris

Publius Vergilius Maro, 1825 (engraving)
KW417990 Publius Vergilius Maro, 1825 (engraving) by English School, (19th century); Private Collection; (add.info.: illustration from Crabbs Historical Dictionary, depicting Virgil (70-19BC)

Landscape with Aeneas at Delos, 1672 (oil on canvas)
BAL61310 Landscape with Aeneas at Delos, 1672 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 99.7x134 cm; National Gallery, London, UK; French, out of copyright

The Death of Dido, 1642-43 (oil on canvas)
XIR223250 The Death of Dido, 1642-43 (oil on canvas) by Vouet, Simon (1590-1649); 215x170 cm; Musee Municipal, Dole, France; (add.info.: killed herself to avoid marriage to Larbas; ); French

Aeneas and his Soldiers, 1919 (colour engraving)
BAL198750 Aeneas and his Soldiers, 1919 (colour engraving) by Narbut, Georgy (1886-1920); 29.4x23.3 cm; Kharkov Art Museum, Kharkov, Russia; Russian, out of copyright

The Departure of Aeneas from Carthage (oil on canvas)
XJL180980 The Departure of Aeneas from Carthage (oil on canvas) by Aguero, Benito-Manuel de (1626-70); Prado, Madrid, Spain; Spanish, out of copyright

The Death of Dido (oil on canvas)
XIR179981 The Death of Dido (oil on canvas) by Sacchi, Andrea (1599-1661); 139.5x148 cm; Musee des Beaux-Arts, Caen, France; (add.info)

The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c
XKH179016 The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c.1532 (pen & ink & wash on paper) by Vaga

Aeneas and the Sibyl in the Underworld, 1598 (oil on copper)
BAL178004 Aeneas and the Sibyl in the Underworld, 1598 (oil on copper) by Brueghel, Jan the Elder (1568-1625); 26.4x35.3 cm; Private Collection; Johnny Van Haeften Ltd

The Farewell of Dido and Aeneas (oil on copper)
XIR231294 The Farewell of Dido and Aeneas (oil on copper) by Bourdon, Sebastien (1616-71); diam: 28.5 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: Les Adieux de Didon et Enee; ); French

Warrior donates defeated warriors grace, Gerard de Lairesse, 1670

Aeneas and Dido in Carthage, 1675 (oil on canvas)
XKH147760 Aeneas and Dido in Carthage, 1675 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 120x149.2 cm; Hamburger Kunsthalle, Hamburg, Germany; French, out of copyright

Helen Saved by Venus from the Wrath of Aeneas, 1779 (oil on canvas)
XOS1448812 Helen Saved by Venus from the Wrath of Aeneas, 1779 (oil on canvas) by Sablet, Jacques Henri (1749-1803); 24.1x34.3 cm; Los Angeles County Museum of Art, CA

The Departure of Dido and Aeneas for the Hunt, 1772-4 (oil on canvas)
XOS1448807 The Departure of Dido and Aeneas for the Hunt, 1772-4 (oil on canvas) by Restout, Jean Bernard (1732-97); 32x40 cm; Los Angeles County Museum of Art, CA, USA; French, out of copyright

Arrival of Aeneas in Italy, the Dawn of the Roman Empire (oil on canvas)
BAL134903 Arrival of Aeneas in Italy, the Dawn of the Roman Empire (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 101x136 cm; Pushkin Museum, Moscow, Russia; French, out of copyright

Aeneas prepares to lead the Trojans into exile, c. 1602 (oil on canvas)
BAL12561 Aeneas prepares to lead the Trojans into exile, c.1602 (oil on canvas) by Rubens, Peter Paul (1577-1640); 146x227 cm; Chateau de Fontainebleau, Seine-et-Marne

Lake Avernus: Aeneas and the Cumaean Sibyl, c. 1814-5 (oil on canvas)
XYC111959 Lake Avernus: Aeneas and the Cumaean Sibyl, c.1814-5 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 71.8x97.2 cm; Yale Center for British Art, Paul Mellon Collection

Dido building Carthage, or The Rise of the Carthaginian Empire, 1815 (oil on canvas)
XOS1765553 Dido building Carthage, or The Rise of the Carthaginian Empire, 1815 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 155.6x231.8 cm; National Gallery, London, UK; English

Aeneas at the Court of Latinus, c. 1661-c. 1664 (oil on canvas)
XOS1262577 Aeneas at the Court of Latinus, c.1661-c.1664 (oil on canvas) by Bol, Ferdinand (1616-80); 218x232 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: This painting)

MYTHOLOGY: AENEAS. Aeneas, mythical founder of Rome. Drawing, 19th century, after an ancient Sicilian vase

Virgil (Publius Vergillus Maro 79-19 BC)Ancient Roman poet. Author of Aeneid and Georgics. Engraving

Italy, Varallo Sesia, Scene from the Aeneid, Fresco detail
Italy - 17th century. Scene from the Aeneid. Fresco. Detail

Italy, Varallo Sesia, The fire of Troy, Scene from the Aeneid, Fresco detail
Italy - 17th century. Scene from the Aeneid. The fire of Troy. Fresco. Detail

Virgil, Roman poet C015 / 5785
Virgil (70 BC-19 BC), Roman poet. Virgil was one of the most famous poets of Ancient Rome, and his works have had a major influence on Western literature

Illustration of The Aeneid by Virgil. French
" Illustration of " The Aeneid" by Virgil. French edition published in Paris in 1729. Engraving."

Illustration of the Aeneid
Doctrine chreti nne (Christian Doctrine) (13th c.). Folio 56: Depictions of the Humility (woman with lamb), the Pride

VIRGIL, Publius Vergilius Maro (70-19 BC). Title page of an edition of Virgils The Aeneid published in Cologne in 1642

VIRGIL (70-19 B. C. ). Roman poet. Woodcut from an edition of Virgils Aeneid published at Venice, Italy, in 1532
VIRGIL (70-19 B.C.). Roman poet. Woodcut from an edition of Virgils Aeneid published at Venice, Italy, in 1532

DARETE AND ENTELLO. The fight between Darete (left) and Entello from Virgils The Aeneid. Line engraving by Marco Dente, 16th century

CERES AND TRIPTOLEMUS. Ceres (Demeter in Greek mythology) teaches Triptolemus to plough. Steel engraving, English, from an 1802 edition of John Drydens translation of Virgils Aeneid

VIRGIL: THE AENEID. The Death of Dido. Line engraving by Marcantanio Raimondi (c1475-c1534)

VIRGIL: THE AENEID. Aeneas relating his story to Dido. Line engraving, late 19th century, after the painting, c1815, by Pierre-Narcisse Gu

Battle wounds of Aeneas, Roman fresco. Aeneas (centre) has been wounded in battle. He leans upon his spear and rests his left hand on the shoulder of his little son Ascanius, who weeps bitterly

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"Aeneid: A Tale of Heroism and Destiny" In the midst of chaos, as Troy burns to ashes, Aeneas emerges as a symbol of resilience and determination. The Roman mosaic vividly captures his escape from the ravaged city, showcasing his unwavering spirit. The title page of the epic poem "Aeneid" by Virgil sets the stage for an extraordinary journey through ancient times. This masterpiece has captivated readers for centuries with its gripping narrative and profound themes. Greek art reaches new heights in the Hellenistic era, exemplified by the awe-inspiring statue of Laocoön. Its intricate details depict a moment frozen in time, echoing the trials faced by Aeneas on his quest. Virgil himself becomes intertwined with his creation - "The Aeneid. " As one delves into this literary treasure, they uncover layers of meaning and insight that have shaped Western literature since its inception. An allegorical representation from 4th century BC reveals how deeply ingrained "Aeneid" is within our cultural consciousness. The River Acheron serves as a metaphorical gateway to another realm, mirroring Aeneas' descent into darkness before emerging victorious. The bond between father and son takes center stage as we witness Aeneas carrying Anchises away from Troy's inferno. Francesco Massimiliano Laboureur's sculpture immortalizes their love amidst turmoil, reminding us of familial devotion amid chaos. Within a fresco painting dating back to 1596 lies an iconic scene - Aeneas fleeing burning Troy with Ascanius clutching onto hope beside him. This powerful image encapsulates their desperate flight towards destiny against all odds. Entellus' triumph over a mighty bull showcases not only physical strength but also echoes themes found within "Aeneid. " Just like Entellus conquers adversity in combat, so does our hero overcome countless obstacles on his fated path.