Aeneid Collection (page 4)

The Fury at the Feast
LLM462297 The Fury at the Feast by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: The Fury at the Feast)

Hercules and Cacus
LLM462294 Hercules and Cacus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Hercules and Cacus. Illustration for Stories from Virgil by Alfred J Church.); © Look and Learn

Mercury tells Aeneas to Leave Carthage, 1679 (silk & wool)
490774 Mercury tells Aeneas to Leave Carthage, 1679 (silk & wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x337 cm; Cleveland Museum of Art, OH

Monument to Virgil, Palazzo del Podesta, Piazza Dante, 1220 (stone)
ALI415166 Monument to Virgil, Palazzo del Podesta, Piazza Dante, 1220 (stone) by Italian School, (13th century); Mantua, Italy; (add.info)

Ascanius shooting the stag of Sylvia, c. 1680 (pen & ink with wash on paper)
1762611 Ascanius shooting the stag of Sylvia, c.1680 (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 25.2x32.9 cm; eThe Devonshire Collections

Burning Ships, illustration from Venus and Aeneas
692882 Burning Ships, illustration from Venus and Aeneas, opening of Book I of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); Private Collection; Photo eChristies Images; English

Venus asking Vulcan for the Armour of Aeneas (oil on canvas)
PWI91459 Venus asking Vulcan for the Armour of Aeneas (oil on canvas) by Dyck, Anthony van (1599-1641); 220x145 cm; Louvre, Paris, France; ePeter Willi; Flemish, out of copyright

Front cover of Virgils Aeneid (leather)
621805 Front cover of Virgils Aeneid (leather) by Morris, William (1834-96); Private Collection; Photo eChristies Images; English, out of copyright

Helen hiding in the Temple of Vesta, page 50 from Virgils Aeneid
621804 Helen hiding in the Temple of Vesta, page 50 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.3x13.5 cm; Private Collection; Photo eChristies Images; English

Venus and Aeneas, opening of Book I of Virgils Aeneid (w / c on vellum)
621800 Venus and Aeneas, opening of Book I of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Vulcans Forge, c. 1660 (oil on canvas)
BOO73036 Vulcans Forge, c.1660 (oil on canvas) by Giordano, Luca (1634-1705); 192.5x151.5 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

Quotation of the Aeneid (engraving)
819414 Quotation of the Aeneid (engraving) by English School, (19th century); Private Collection; (add.info.: Quotation of the Aeneid, by Virgil)

Sketch for Aeneas Telling Dido the Misfortunes of Troy, before 1813 (oil on canvas)
3586128 Sketch for Aeneas Telling Dido the Misfortunes of Troy, before 1813 (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); 31x40 cm; Pushkin Museum, Moscow

Aeneas Telling Dido the Misfortunes of Troy, 1819 (oil on canvas)
LSE3586127 Aeneas Telling Dido the Misfortunes of Troy, 1819 (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); 131x176 cm; Musee des Beaux-Arts, Bordeaux

Aeneas and Helen (colour litho)
3634495 Aeneas and Helen (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and Helen)

Dido and the False Ascanius (colour litho)
3634490 Dido and the False Ascanius (colour litho) by English School, (19th century); Private Collection; (add.info.: Dido and the False Ascanius)

Cerberus (colour litho)
3634486 Cerberus (colour litho) by English School, (19th century); Private Collection; (add.info.: Cerberus. Illustration for Stories from Virgil by Alfred J Church (Seeley)

The Harpies (colour litho)
3634493 The Harpies (colour litho) by English School, (19th century); Private Collection; (add.info.: The Harpies. Illustration for Stories from Virgil by Alfred J Church (Seeley)

Juno and Aeolus (colour litho)
3634492 Juno and Aeolus (colour litho) by English School, (19th century); Private Collection; (add.info.: Juno and Aeolus)

Aeneas and the shade of Dido (colour litho)
3634485 Aeneas and the shade of Dido (colour litho) by English School, (19th century); Private Collection; (add.info.: Aeneas and the shade of Dido)

The death of Camilla (colour litho)
3634472 The death of Camilla (colour litho) by English School, (19th century); Private Collection; (add.info.: The death of Camilla)

Aeneas and the shade of Dido
LLM462301 Aeneas and the shade of Dido by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and the shade of Dido)

Camilla and the Son of Aunus
LLM462293 Camilla and the Son of Aunus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Camilla and the Son of Aunus)

Iris appearing to Turnus
LLM462292 Iris appearing to Turnus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Iris appearing to Turnus)

Aeneas and Helen
LLM460861 Aeneas and Helen by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and Helen. Illustration for Stories from Virgil by Alfred J Church (Seeley)

The Flight from Troy
LLM460859 The Flight from Troy by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: The Flight from Troy. Illustration for Stories from Virgil by Alfred J Church (Seeley)

Neptune Stilling the Waves
LLM460857 Neptune Stilling the Waves by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Neptune Stilling the Waves)

Design for a Frontispiece to Virgilius the Sorcerer (pen and ink)
KDC397341 Design for a Frontispiece to Virgilius the Sorcerer (pen and ink) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Aeneas and Anchises (marble) (see also 277549 & 277550)
ALI277553 Aeneas and Anchises (marble) (see also 277549 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises (marble) (see also 277548 & 277549)
ALI277550 Aeneas and Anchises (marble) (see also 277548 & 277549) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises (marble) (see also 277548 & 277550)
ALI277549 Aeneas and Anchises (marble) (see also 277548 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Polyphemus and Aeneas, Pompeii, 1st century BC - 1st century AD (fresco)
LRI3900474 Polyphemus and Aeneas, Pompeii, 1st century BC - 1st century AD (fresco) by Roman; Museo Archeologico Nazionale, Naples, Campania

Iris appearing before Turnus, opening of Book IX of Virgils Aeneid
621803 Iris appearing before Turnus, opening of Book IX of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.3x13.5 cm; Private Collection; Photo eChristies Images; English

Dido and Aeneas, early 18th century (oil on canvas)
5242274 Dido and Aeneas, early 18th century (oil on canvas) by Verkolje, Nicolaes (1673-1746); 90.2x117.5 cm; J. Paul Getty Museum, Los Angeles

The Meeting between Venus and Aeneas, c. 1678 (pen & ink with wash on paper)
1762612 The Meeting between Venus and Aeneas, c.1678 (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 24.5x31.8 cm; eThe Devonshire Collections

Dido building Carthage
3892951 Dido building Carthage by Turner, Joseph Mallord William (1775-1851); National Gallery, London, UK; (add.info.: Dido building Carthage or The Rise of the Carthaginian Empire)

Didos Sacrifice to Juno, 1630 (oil on oak)
3930929 Didos Sacrifice to Juno, 1630 (oil on oak) by Lastman, Pieter (1583-1633); 73.8x106 cm; National Museum, Stockholm, Sweden; (add.info.: Dido, queen of Carthage and the widow of Acerbas)

Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)
1195393 Aeneas stands beside the spoils of King Mezentius, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English

Iris appearing before Turnus, 1874-c. 1919 (w / c on vellum)
1195391 Iris appearing before Turnus, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Venus giving armour to Aeneas, 1874-c. 1919 (w / c on vellum)
1195389 Venus giving armour to Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Dido and Cupid, 1874-c. 1919 (w / c on vellum)
1195388 Dido and Cupid, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Aeneas flees the burning city of Troy, carrying his aged father Anchises on his shoulders
1093976 Aeneas flees the burning city of Troy, carrying his aged father Anchises on his shoulders and leading his son Julus by the hand (chromolitho) by European School

The Wooden Horse from the Opera of Les Troyens, by Hector Berlioz, 1898 (litho)
XEE1080236 The Wooden Horse from the Opera of Les Troyens, by Hector Berlioz, 1898 (litho) by Poyet, Louis (1846-1913); Private Collection; (add.info.: Les Troyens (in English)

All Professionally Made to Order for Quick Shipping

"Aeneid: A Tale of Heroism and Destiny" In the midst of chaos, as Troy burns to ashes, Aeneas emerges as a symbol of resilience and determination. The Roman mosaic vividly captures his escape from the ravaged city, showcasing his unwavering spirit. The title page of the epic poem "Aeneid" by Virgil sets the stage for an extraordinary journey through ancient times. This masterpiece has captivated readers for centuries with its gripping narrative and profound themes. Greek art reaches new heights in the Hellenistic era, exemplified by the awe-inspiring statue of Laocoön. Its intricate details depict a moment frozen in time, echoing the trials faced by Aeneas on his quest. Virgil himself becomes intertwined with his creation - "The Aeneid. " As one delves into this literary treasure, they uncover layers of meaning and insight that have shaped Western literature since its inception. An allegorical representation from 4th century BC reveals how deeply ingrained "Aeneid" is within our cultural consciousness. The River Acheron serves as a metaphorical gateway to another realm, mirroring Aeneas' descent into darkness before emerging victorious. The bond between father and son takes center stage as we witness Aeneas carrying Anchises away from Troy's inferno. Francesco Massimiliano Laboureur's sculpture immortalizes their love amidst turmoil, reminding us of familial devotion amid chaos. Within a fresco painting dating back to 1596 lies an iconic scene - Aeneas fleeing burning Troy with Ascanius clutching onto hope beside him. This powerful image encapsulates their desperate flight towards destiny against all odds. Entellus' triumph over a mighty bull showcases not only physical strength but also echoes themes found within "Aeneid. " Just like Entellus conquers adversity in combat, so does our hero overcome countless obstacles on his fated path.