Arthurian Collection (page 3)

The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho)
3641284 The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho) by English School, (20th century); Private Collection; (add.info)

A tournament in the days of King Arthur (colour litho)
977952 A tournament in the days of King Arthur (colour litho) by Wyeth, Newell Convers (1882-1945) (after); Private Collection; (add.info.: A tournament in the days of King Arthur)

Arthur in the Gruesome Glen (oil on canvas)
PNH419719 Arthur in the Gruesome Glen (oil on canvas) by Whaite, Henry Clarence (1828-1912); 99x150 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Tristan (chromolitho)
735312 Tristan (chromolitho) by European School, (19th century); Private Collection; (add.info.: Tristan. Liebig card, late 19th century/early 20th century.); Look and Learn / Rosenberg Collection

Tannhauser (chromolitho)
735310 Tannhauser (chromolitho) by European School, (19th century); Private Collection; (add.info.: Tannhauser. Liebig card)

Sir Parsifal leaves for his quest (chromolitho)
735730 Sir Parsifal leaves for his quest (chromolitho) by European School, (19th century); Private Collection; (add.info.: Sir Parsifal leaves for his quest)

King Arthur receives tribute in Ireland (chromolitho)
735729 King Arthur receives tribute in Ireland (chromolitho) by European School, (19th century); Private Collection; (add.info.: King Arthur receives tribute in Ireland)

The marriage of King Arthur and Queen Guinevere (chromolitho)
735727 The marriage of King Arthur and Queen Guinevere (chromolitho) by European School, (19th century); Private Collection; (add.info.: The marriage of King Arthur and Queen Guinevere)

Merlin the Magician (chromolitho)
2817042 Merlin the Magician (chromolitho) by French School, (19th century); Private Collection; (add.info.: Merlin the Magician)

"Sore was the contest"(litho)
2813818 " Sore was the contest" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: " Sore was the contest." Illustration for Stories of King Arthur)

"Struck him such a blow"(litho)
2813815 " Struck him such a blow" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: " Struck him such a blow." Illustration for Stories of King Arthur)

The Conversion of Sir Palamides (litho)
2813814 The Conversion of Sir Palamides (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: The Conversion of Sir Palamides)

King Anguish gives Isolt to Sir Tristram (litho)
2813811 King Anguish gives Isolt to Sir Tristram (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: King Anguish gives Isolt to Sir Tristram)

Queen Morgan le Fay (litho)
2813806 Queen Morgan le Fay (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: Queen Morgan le Fay. Illustration for Stories of King Arthur and the Round Table by Beatrice Clay)

"Annoure brought the King out upon the battlements"(litho)
2813805 " Annoure brought the King out upon the battlements" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info)

Arthur gives Excalibur to Sir Bedivere (litho)
2793693 Arthur gives Excalibur to Sir Bedivere (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: Arthur gives Excalibur to Sir Bedivere)

Maud Milton as The Spirit of the Lake in King Arthur Date: 1890s

Knight and damsel (b / w photo)
3094638 Knight and damsel (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Knight and damsel. Postcard, early 20th century. Signeds I P.); © Look and Learn

Knight and damsel (colour photo)
3094623 Knight and damsel (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: Knight and damsel. Postcard, early 20th century. Signeds I P.); © Look and Learn

The fight in the Queens Ante-Chamber, from Stories of the Knights of the Round
STC323606 The fight in the Queens Ante-Chamber, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Sir Galahad is brought to the Court of King Arthur, from
STC323605 Sir Galahad is brought to the Court of King Arthur, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

King Arthur asks the Lady of the Lake for the sword Excalibur
STC323604 King Arthur asks the Lady of the Lake for the sword Excalibur, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Out upon the wharfs they came. Illustration by Florence Harrison from Tennysons poem, The Lady of Shallott. Date: c.1920

Out flew the web and floated wide. Illustration by Florence Harrison of Tennysons The Lady of Shallott. Date: c.1920

The Taking of Excalibur
EDB50585 The Taking of Excalibur by Duncan, John (1866-1945); City of Edinburgh Museums and Art Galleries, Scotland; Scottish, out of copyright

Ms. Fr. 118 f. 190 Lancelot lifts the stone off his own predestined grave
COB62883 Ms.Fr.118 f.190 Lancelot lifts the stone off his own predestined grave and learns his name and parentage, from the Livre de Messire Lancelot du Lac (vellum) by French School

Elaine of Astolatis a figure inArthurian legend who dies of unrequited love forSir Lancelot. Well-known versions of her story appear inSir Thomas Malory sLe Morte d Arthur and Alfred

Day (pencil and watercolour)
1766638 Day (pencil and watercolour) by Hughes, Edward Robert (1851-1914); 25.5x18.5 cm; Private Collection; (add.info.: Day. Edward Robert Hughes (1851-1914). Pencil and watercolour

Queen Iseult, 1891 (oil on canvas)
CH401833 Queen Iseult, 1891 (oil on canvas) by Stott, William (1857-1900); 98.2x108.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Guinevere, 1863 (oil on board)
CH401422 Guinevere, 1863 (oil on board) by Grimshaw, John Atkinson (1836-93); 38.1x49 cm; Private Collection; (add.info.: legendary consort of King Arthur; famous for her love affair with Sir)

An Arthurian Legend (oil on panel)
CH402549 An Arthurian Legend (oil on panel) by Meissonier, Jean-Louis Ernest (1815-91); 39.9x32 cm; Private Collection; Photo eChristies Images; French, out of copyright

Elaine with the Armour of Lancelot, 1870 (oil on panel)
884769 Elaine with the Armour of Lancelot, 1870 (oil on panel) by Hughes, Arthur (1832-1915) (after); 44.2x22.2 cm; Private Collection; (add.info.: Painted by Florence Bell)

Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c
3956042 Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c.1893-1901 (oil on canvas) by Abbey

Sir Galipot bearing the holy Gruel, c. 1855-59 (pencil on paper)
4065300 Sir Galipot bearing the holy Gruel, c.1855-59 (pencil on paper) by Solomon, Simeon (1840-1905); 13.7x5.8 cm; Birmingham Museums and Art Gallery; eBirmingham Museums Trust; English

Prince Arthur and the Fairy Queen (oil on board)
PNH371916 Prince Arthur and the Fairy Queen (oil on board) by Scottish School (19th century); 31x46 cm; Private Collection; (add.info.: A scene from The Faerie Queene)

Galahad comes to Court, illustration from King Arthur (colour litho)
IL352860 Galahad comes to Court, illustration from King Arthur (colour litho) by Hatherell, William (1855-1928); Private Collection; (add.info.: stories of the Knights of the Round Table; ); English

Call, I Follow, I Follow, Let Me Die!, c. 1865 / 75 (b / w photo)
872426 Call, I Follow, I Follow, Let Me Die!, c.1865/75 (b/w photo) by Cameron, Julia Margaret (1815-79); Private Collection; (add.info.: Portrait of Mary Hillier); The Stapleton Collection; English

The Failure of Sir Lancelot (gouache on paper) (detail of 356921)
869933 The Failure of Sir Lancelot (gouache on paper) (detail of 356921) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

Sir Perceval (oil on canvas)
TMB120106 Sir Perceval (oil on canvas) by Watts, George Frederic (1817-1904); Astley Cheetham Art Gallery, Stalybridge, Greater Manchester; (add.info)

Thus it was that Parsifal began his pilgrimage, from The Stories of Wagner
STC323684 Thus it was that Parsifal began his pilgrimage, from The Stories of Wagners Operas by J. Walker McSpadden (1874-1960), 1905 (colour litho) by Leeke

Arthur draws the Sword from the Stone, frontispiece
STC323600 Arthur draws the Sword from the Stone, frontispiece Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

The Witch gives Advice as to Sir Tristrams Wound, from
STC323730 The Witch gives Advice as to Sir Tristrams Wound, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Young Percival Questions Sir Owen, from Stories of the Knights of the Round
STC323728 Young Percival Questions Sir Owen, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

The Lady of Shalott (w / c on card)
Ma447024 The Lady of Shalott (w/c on card) by Rossetti, Dante Gabriel (1828-82) (circle of); 9.75 x 7 inches cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Eva (Die Meistersinger Von Nurnberg) (chromolitho)
735119 Eva (Die Meistersinger Von Nurnberg) (chromolitho) by European School, (19th century); Private Collection; (add.info.: Eva (Die Meistersinger Von Nurnberg)

Brunnhilde (Die Walkure) (chromolitho)
735118 Brunnhilde (Die Walkure) (chromolitho) by European School, (19th century); Private Collection; (add.info.: Brunnhilde (Die Walkure)

Isolde (Tristan und Isolde) (chromolitho)
735116 Isolde (Tristan und Isolde) (chromolitho) by European School, (19th century); Private Collection; (add.info.: Isolde (Tristan und Isolde)

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"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny, as depicted in John William Waterhouse's masterpiece "I am half sick of shadows, c1911. " The ethereal painting captures the essence tales, where magic and mystery reign supreme. In one corner, we find Merlin and Vivien standing beneath an ancient tree. Their enigmatic connection hints at the intricate web of fate that binds them together. Meanwhile, "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" transports us to a sacred moment when these noble knights glimpse their ultimate quest. Waterhouse's enchantment continues with "The Lady of Shalott, " her haunting beauty encapsulating the tragic tale that unfolds within Camelot's walls. Yet hope prevails as Lancelot emerges to save Arthur from perilous situations time and again. The bravery showcased in this act echoes throughout history. As we venture further into this mythical world, we encounter "Die Gralburg, " a testament to the enduring allure surrounding the Holy Grail. Its power captivates all who seek it but remains elusive for most. However, amidst trials and tribulations, Arthur weds Guinevere—a union that symbolizes love's triumph over adversity. Galahad takes his rightful place among legendary knights at King Arthur's Round Table—an assembly embodying chivalry and honor beyond measure. Excalibur gleams under Beardsley's skilled hand—its significance resonating far beyond its physical form. No retelling is complete without paying homage to Merlin—the wise sorcerer whose guidance shapes destinies across generations. Tristran & Isolde epitomize forbidden love entangled in tragedy—a poignant reminder that even heroes are not immune to heartache.