Arthurian Collection (page 6)

Ivain of the White Hands, with Giron le Courtois, are warned of danger by two travellers

Death of Sir Tristram, c1864. Creator: Ford Madox Brown
Death of Sir Tristram, c1864

Sir Galahad at the Ruined Chapel, 1857 - 1859. Creator: Dante Gabriel Rossetti
Sir Galahad at the Ruined Chapel, 1857 - 1859

Morgan-le-Fay, 1864. Creator: Frederick Augustus Sandys
Morgan-le-Fay, 1864 Artist: Frederick Sandys. Morgan le Fay is a powerful enchantress in the Arthurian legend. Early appearances of Morgan do not elaborate her character beyond her role as either a

Miss Horton as Morgana, 1830-44. Creator: Isaac Robert Cruikshank
Miss Horton as Morgana, 1830-44

ARTHUR & EXCALIBUR ARTHUR & EXCALIBUR
Not an English myth at all but based on a Welsh story eagerly taken up by the Normans after the conquest as a means of culturally subjugating the English. Dont be fooled!

GUINEVERE IN CLOISTER
Queen Guinevere in the cloister at the end of her life

GUINEVERE ON THE TERRACE
Guinevere as a novice (nun) on the terrace

Remore of Lancelot
Arthurian Legend, the remore of Lancelot

Elaines Body - Court
Rowing the body of Elaine to Arthurs court

LANCELOT / GUINEVERE PART
Guinevere and Lancelot part

GUINEVERE / LANCELOT PART
Guinevere and Lancelot part

ARTHURIAN MYTH / ARTHUR
Arthurs farewell to Guinevere

Lancelot Saves Arthur
Sir Lancelot prevents Sir Bors from slaying King Arthur

Galahad - Round Table
Sir Galahad is introduced to the Round Table

GERAINT & YNIOL / CASTLE GERAINT & YNIOL / CASTLE
Yniol shows Geraint his ruined castle

GERAINT CHARGES BANDITS
Geraint charges the bandits

ARTHUR / ELAINES LETTER
Arthur reads Elaines letter

LANCELOT LEAVES ELAINE
Lancelot parts from Elaine

ARTHURS BROTHERS BONES
He finds the skeletons of his brothers

EDYRN AT CAERLEON
Edyrn comes to Arthurs court at Caerleon-in-Usk

KNIGHT & SPRITES KNIGHT & SPRITES
One of the Knights of the Round Table sees fairies as he rides through the forest

KNIGHT & FAIRY CIRCLE KNIGHT & FAIRY CIRCLE
One of the Knights of the Round Table sees fairies dancing in a circle just above the surface of a lake

The Passing of Arthur, 1874. Creator: Julia Margaret Cameron
The Passing of Arthur, 1874

Elaine, 1874. Creator: Julia Margaret Cameron
Elaine, 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

Vivien and Merlin, September 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, September 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

And Enid Sang, September 1874. Creator: Julia Margaret Cameron
And Enid Sang, September 1874. A woman (Emily Peacock) wears two strands of pearls and holds a stringed instrument. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a

Elaine the Lily - Maid of Astolat, 1874. Creator: Julia Margaret Cameron
Elaine the Lily - Maid of Astolat, 1874. A seated woman (May Prinsep) in profile with long unbound hair. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of

Enid, September 1874. Creator: Julia Margaret Cameron
Enid, September 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

Queen Guinevere, 1874. Creator: Julia Margaret Cameron
Queen Guinevere, 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

Alfred Tennysons Idylls of the King, and other Poems, 1874

Entrance to the Cave, Richmond Gardens, plate 18 from Kew Gardens: A Series
XYC173909 Entrance to the Cave, Richmond Gardens, plate 18 from Kew Gardens: A Series of Twenty-Four Drawings on Stone, engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)

The Lady Of Shalott Looking At Lancelot, After The Painting By J. W. Waterhouse, 1894. From Bibbys Annual, Published 1915

The Temptation of Sir Percival, c1894, (c1902). Creator: Unknown
The Temptation of Sir Percival, c1894, (c1902). After a painting in the Leeds Art Gallery. Victorian depiction of a scene from Thomas Malorys Le Morte d Arthur

The Fight in the Queens Ante-Chamber, 1911. Of the plots of Sir Mordred; and how Sir Lancelot saved the Queen. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Sir Geraint and the Lady Enid in the Deserted Roman Town, 1911. The deeds of Sir Geraint. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Beaumains Wins the Fight at the Ford, 1911. Beaumains (Good Hands) aslo known as the Knight of the Kitchen and Sir Gareth

The Death Journey of the Lily Maid of Astolat, 1911. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Sir Owen Greets the Lady of the Fountain, 1911. How Sir Owen won the Earldom of the Fountain. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

The Witch gives Advice as to Sir Tristrams Wound, 1911. How Sir Tristram kept his word. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Percival Obtains the Shield of the Beating Heart, 1911. How Sir Percival was taught chivalry, and ended the evil wrought by Sir Balins Dolorous Stroke

Young Percival Questions Sir Owen, 1911. How Sir Percival was taught chivalry, and ended the evil wrought by Sir Balins Dolorous Stroke

The Death of Sir Lancelot, 1911. The Rebellion of Mordred and the death of King Arthur. Lancelot died lying on the tomb of King Arthur and Lady Guinevere

Sir Lancelot forbids Sir Bors to Slay the King, 1911. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Sir Galahad is brought to the Court of King Arthur, 1911. How the three good knights achieved the Holy Grail. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

King Arthur asks the Lady of the Lake for the sword Excalibur, 1911. Sir Baldwin and the stroke Dolorous. The sword Excalibur given by the Lady of the Lake promises to keep Arthur safe

Sir Lancelot in the Chapel Perilous, 1911. How Lancelot was made a knight. Chapel Perilous was the mythical home of the Holy Grail

Young Owen Appeals to the King, 1911. How Arthur was made king and won his kingdom. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

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"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny, as depicted in John William Waterhouse's masterpiece "I am half sick of shadows, c1911. " The ethereal painting captures the essence tales, where magic and mystery reign supreme. In one corner, we find Merlin and Vivien standing beneath an ancient tree. Their enigmatic connection hints at the intricate web of fate that binds them together. Meanwhile, "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" transports us to a sacred moment when these noble knights glimpse their ultimate quest. Waterhouse's enchantment continues with "The Lady of Shalott, " her haunting beauty encapsulating the tragic tale that unfolds within Camelot's walls. Yet hope prevails as Lancelot emerges to save Arthur from perilous situations time and again. The bravery showcased in this act echoes throughout history. As we venture further into this mythical world, we encounter "Die Gralburg, " a testament to the enduring allure surrounding the Holy Grail. Its power captivates all who seek it but remains elusive for most. However, amidst trials and tribulations, Arthur weds Guinevere—a union that symbolizes love's triumph over adversity. Galahad takes his rightful place among legendary knights at King Arthur's Round Table—an assembly embodying chivalry and honor beyond measure. Excalibur gleams under Beardsley's skilled hand—its significance resonating far beyond its physical form. No retelling is complete without paying homage to Merlin—the wise sorcerer whose guidance shapes destinies across generations. Tristran & Isolde epitomize forbidden love entangled in tragedy—a poignant reminder that even heroes are not immune to heartache.