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Arthurian Collection (page 5)

"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny

Background imageArthurian Collection: Percival Obtains the Shield of the Beating Heart, from

Percival Obtains the Shield of the Beating Heart, from
STC323729 Percival Obtains the Shield of the Beating Heart, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Background imageArthurian Collection: Sir Lancelot forbids Sir Bors to Slay the King, from

Sir Lancelot forbids Sir Bors to Slay the King, from
STC323607 Sir Lancelot forbids Sir Bors to Slay the King, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Background imageArthurian Collection: Thus it was that Parsifal began his pilgrimage (colour litho)

Thus it was that Parsifal began his pilgrimage (colour litho)
979617 Thus it was that Parsifal began his pilgrimage (colour litho) by Lecke, Ferdinand (1859-1923); Private Collection; (add.info.: Thus it was that Parsifal began his pilgrimage)

Background imageArthurian Collection: Guiron le Courtois and the Squires (chromolitho)

Guiron le Courtois and the Squires (chromolitho)
964143 Guiron le Courtois and the Squires (chromolitho) by French School, (19th century); Private Collection; (add.info.: Guiron le Courtois and the Squires, a 13th-century French image)

Background imageArthurian Collection: The Knight Perceval Approaches Camelot by Sea, 1920 (screen print)

The Knight Perceval Approaches Camelot by Sea, 1920 (screen print)
3034941 The Knight Perceval Approaches Camelot by Sea, 1920 (screen print) by Mackenzie, Thomas Blakeley (1887-1944); (add.info)

Background imageArthurian Collection: The Arming and Departure of the Knights, tapestry designed by the artist

The Arming and Departure of the Knights, tapestry designed by the artist
BIR111595 The Arming and Departure of the Knights, tapestry designed by the artist and woven by Morris & Co. 1895-96 (textile) by Burne-Jones

Background imageArthurian Collection: A Fairy and a Knight (pencil, w / c and bodycolour on paper)

A Fairy and a Knight (pencil, w / c and bodycolour on paper)
FIT167640 A Fairy and a Knight (pencil, w/c and bodycolour on paper) by Doyle, Richard (1824-83); 24.4x34.7 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageArthurian Collection: Young Lancelot (w / c on paper)

Young Lancelot (w / c on paper)
CW198583 Young Lancelot (w/c on paper) by Rose, H. Randolph (fl.1880-1907); 48.x71.5 cm; Private Collection; (add.info.: knight of the round table; ); eChristopher Wood Gallery, London, UK; English

Background imageArthurian Collection: Ms Arsenal 5077 f. 298 King Arthur fights a Roman general, from a manuscript of Histories

Ms Arsenal 5077 f. 298 King Arthur fights a Roman general, from a manuscript of Histories
COB66472 Ms Arsenal 5077 f.298 King Arthur fights a Roman general, from a manuscript of Histories, by the Boucicaut Master (vellum) by French School, (15th century); Bibliotheque Nationale, Paris

Background imageArthurian Collection: Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster)

Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster)
XAM70788 Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster) by Khnopff, Fernand (1858-1921); height 98 cm; Osterreichische Galerie Belvedere, Vienna

Background imageArthurian Collection: Ms. Fr 118 f. 189v Sir Lancelot captures Dolorous Garde with the aid of a new shield given

Ms. Fr 118 f. 189v Sir Lancelot captures Dolorous Garde with the aid of a new shield given
COB62884 Ms.Fr 118 f.189v Sir Lancelot captures Dolorous Garde with the aid of a new shield given to him by the Lady of the Lake, from the Livre de Messire Lancelot du Lac (vellum) by French School

Background imageArthurian Collection: King Arthurs Round Table, Winchester Castle, Hampshire (photo)

King Arthurs Round Table, Winchester Castle, Hampshire (photo)
5996711 King Arthurs Round Table, Winchester Castle, Hampshire (photo) by English Photographer, (20th century); Private Collection; (add.info.: King Arthurs Round Table, Winchester Castle, Hampshire)

Background imageArthurian Collection: Jack O Lantern, 1872 (oil on canvas)

Jack O Lantern, 1872 (oil on canvas)
1766751 Jack O Lantern, 1872 (oil on canvas) by Hughes, Arthur (1832-1915); Private Collection; (add.info.: Jack O Lantern... Arthur Hughes (1832-1915). Oil on canvas

Background imageArthurian Collection: Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from

Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from
824158 Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere;

Background imageArthurian Collection: Palamedes in the Tournament at Soreloys (colour litho)

Palamedes in the Tournament at Soreloys (colour litho)
961207 Palamedes in the Tournament at Soreloys (colour litho) by French School, (15th century) (after); Private Collection; (add.info.: Choice examples of book illumination)

Background imageArthurian Collection: King Arthur and the Round Table (engraving)

King Arthur and the Round Table (engraving)
3647221 King Arthur and the Round Table (engraving) by German School, (19th century); Private Collection; (add.info.: King Arthur and the Round Table. After a 14th Century miniature)

Background imageArthurian Collection: English actor Thomas Potter Cooke as Sir Roland the Constant in King Arthur (coloured engraving)

English actor Thomas Potter Cooke as Sir Roland the Constant in King Arthur (coloured engraving)
3639366 English actor Thomas Potter Cooke as Sir Roland the Constant in King Arthur (coloured engraving) by English School

Background imageArthurian Collection: Merlin and Viviane, the Lady of the Lake (chromolitho)

Merlin and Viviane, the Lady of the Lake (chromolitho)
3100697 Merlin and Viviane, the Lady of the Lake (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Merlin and Viviane, the Lady of the Lake)

Background imageArthurian Collection: Elaine, 1874 (oil on canvas)

Elaine, 1874 (oil on canvas)
2968805 Elaine, 1874 (oil on canvas) by Rosenthal, Toby (Tobias) Edward (1848-1917); 97.9x158.8 cm; The Art Institute of Chicago, IL, USA; Gift of Mrs. Maurice Rosenfeld; American, out of copyright

Background imageArthurian Collection: Queen Guenevere (litho)

Queen Guenevere (litho)
2813827 Queen Guenevere (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: Queen Guenevere. Illustration for Stories of King Arthur and the Round Table by Beatrice Clay (JM Dent)

Background imageArthurian Collection: 'The barge floated down the river'(litho)

"The barge floated down the river"(litho)
2813826 " The barge floated down the river" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info)

Background imageArthurian Collection: 'Then they went to Sir Galahad'(litho)

"Then they went to Sir Galahad"(litho)
2813823 " Then they went to Sir Galahad" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: " Then they went to Sir Galahad." Illustration for Stories of King)

Background imageArthurian Collection: 'At the door of one... stood a lady'(litho)

"At the door of one... stood a lady"(litho)
2813813 " At the door of one... stood a lady" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info.: " At the door of one)

Background imageArthurian Collection: 'The Queen cried to him to forbear'(litho)

"The Queen cried to him to forbear"(litho)
2813810 " The Queen cried to him to forbear" (litho) by Curtis, Dora (c.1875-1925); Private Collection; (add.info)

Background imageArthurian Collection: Arthur as babe being handed to Merlin, illustration from King Arthur

Arthur as babe being handed to Merlin, illustration from King Arthur
IL352861 Arthur as babe being handed to Merlin, illustration from King Arthur (colour litho) by Hatherell, William (1855-1928); Private Collection; (add.info)

Background imageArthurian Collection: Wotan (chromolitho)

Wotan (chromolitho)
735307 Wotan (chromolitho) by European School, (19th century); Private Collection; (add.info.: Wotan. Liebig card, late 19th century/early 20th century.); Look and Learn / Rosenberg Collection

Background imageArthurian Collection: The Wounded Amfortas and the Knights of the Holy Grail (chromolitho)

The Wounded Amfortas and the Knights of the Holy Grail (chromolitho)
735157 The Wounded Amfortas and the Knights of the Holy Grail (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Wounded Amfortas and the Knights of the Holy Grail)

Background imageArthurian Collection: Klingsor and Lohengrin (chromolitho)

Klingsor and Lohengrin (chromolitho)
734764 Klingsor and Lohengrin (chromolitho) by European School, (19th century); Private Collection; (add.info.: Klingsor and Lohengrin)

Background imageArthurian Collection: Daland (Der Fliegende Hollander) (chromolitho)

Daland (Der Fliegende Hollander) (chromolitho)
735308 Daland (Der Fliegende Hollander) (chromolitho) by European School, (19th century); Private Collection; (add.info.: Daland)

Background imageArthurian Collection: Kundry and Parsifal (chromolitho)

Kundry and Parsifal (chromolitho)
735159 Kundry and Parsifal (chromolitho) by European School, (19th century); Private Collection; (add.info.: Kundry and Parsifal)

Background imageArthurian Collection: Senta (Der Fliegende Hollander) (chromolitho)

Senta (Der Fliegende Hollander) (chromolitho)
735117 Senta (Der Fliegende Hollander) (chromolitho) by European School, (19th century); Private Collection; (add.info.: Senta (Der Fliegende Hollander)

Background imageArthurian Collection: The Knight at the Crossroads, 1882 (oil on canvas)

The Knight at the Crossroads, 1882 (oil on canvas)
SRM93007 The Knight at the Crossroads, 1882 (oil on canvas) by Vasnetsov, Victor Mikhailovich (1848-1926); 167x299 cm; State Russian Museum, St

Background imageArthurian Collection: La Belle Dame Sans Merci, 1893 (oil on canvas)

La Belle Dame Sans Merci, 1893 (oil on canvas)
RA15154 La Belle Dame Sans Merci, 1893 (oil on canvas) by Waterhouse, John William (1849-1917); 112x81 cm; Hessisches Landesmuseum, Darmstadt, Germany; (add.info.: from a poem by Keats; ); English

Background imageArthurian Collection: Sir Owen Greets the Lady of the Fountain, from Stories of the Knights of the Round

Sir Owen Greets the Lady of the Fountain, from Stories of the Knights of the Round
STC323732 Sir Owen Greets the Lady of the Fountain, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

Background imageArthurian Collection: The Lady of Shalott (pencil & w / c on paper)

The Lady of Shalott (pencil & w / c on paper)
CH401306 The Lady of Shalott (pencil & w/c on paper) by Goodwin, Albert (1845-1932); 35.1x50.3 cm; Private Collection; (add.info.: from the poem by Alfred)

Background imageArthurian Collection: Arrival of Ambassadors to the Castle of King Arthur, from the Roman de Meliadus (vellum)

Arrival of Ambassadors to the Castle of King Arthur, from the Roman de Meliadus (vellum)
XIR407860 Arrival of Ambassadors to the Castle of King Arthur, from the Roman de Meliadus (vellum) by French School, (14th century); Biblioteca Nazionale Marciana, Venice

Background imageArthurian Collection: Ms 3480 Yvain, the Knight with the Lion, fighting a dragon

Ms 3480 Yvain, the Knight with the Lion, fighting a dragon
2639675 Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum) by French School, (15th century); Bibliotheque de L Arsenal, Paris

Background imageArthurian Collection: Tintagel Castle, Approaching Rain, 19th century

Tintagel Castle, Approaching Rain, 19th century
AMO112253 Tintagel Castle, Approaching Rain, 19th century by Palmer, Samuel (1805-81); Ashmolean Museum, University of Oxford

Background imageArthurian Collection: The dying King Arthur is carried away to Avalon on a magical ship with three queens

The dying King Arthur is carried away to Avalon on a magical ship with three queens
DGC288181 The dying King Arthur is carried away to Avalon on a magical ship with three queens, 1901 (litho) by Dalziel Brothers (1815-1905) (after); Private Collection; (add.info)

Background imageArthurian Collection: Isolde, 1895 (colour lithograph)

Isolde, 1895 (colour lithograph)
5672899 Isolde, 1895 (colour lithograph) by Beardsley, Aubrey (1872-98); Cleveland Museum of Art, OH, USA; (add.info.: In the tales of King Arthur)

Background imageArthurian Collection: King Arthurs Round Table, Great Hall of Winchester Castle, Hampshire (photo)

King Arthurs Round Table, Great Hall of Winchester Castle, Hampshire (photo)
5996720 King Arthurs Round Table, Great Hall of Winchester Castle, Hampshire (photo) by English Photographer, (20th century); Private Collection; (add.info.: King Arthurs Round Table)

Background imageArthurian Collection: Harpers round table - Thanksgiving number, 1895 (magazine)

Harpers round table - Thanksgiving number, 1895 (magazine)
5672345 Harpers round table - Thanksgiving number, 1895 (magazine) by Bradley, William (fl.1872-89); Private Collection; American, out of copyright

Background imageArthurian Collection: The Dream of Lancelot, (coloured chalks on buff paper)

The Dream of Lancelot, (coloured chalks on buff paper)
1199598 The Dream of Lancelot, (coloured chalks on buff paper) by Burne-Jones, Edward Coley (1833-98); 100.5x124.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageArthurian Collection: Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail

Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail
FIA5393251 Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail, 1849 (w/c & bodycolour over pencil on buff paper) by Dyce

Background imageArthurian Collection: Tristram carrying Isolde by Thomas MacKenzie, 1920 (screen print)

Tristram carrying Isolde by Thomas MacKenzie, 1920 (screen print)
3034942 Tristram carrying Isolde by Thomas MacKenzie, 1920 (screen print) by Mackenzie, Thomas Blakeley (1887-1944); (add.info.: Tristan, a knight of the Round Table)

Background imageArthurian Collection: They wondered in the woods which seemed a paradise of flowers (litho)

They wondered in the woods which seemed a paradise of flowers (litho)
LSE778378 They wondered in the woods which seemed a paradise of flowers (litho) by Dore, Gustave (1832-83); Private Collection; Photo eLeonard de Selva; French, out of copyright

Background imageArthurian Collection: The Abbots Kitchen, beside the ruins of Glastonbury Abbey

The Abbots Kitchen, beside the ruins of Glastonbury Abbey, the first Christian Sanctuary in Britain. A woman plays with a cat on a lawn! Date: 1930s

Background imageArthurian Collection: A Knight of the Round Table, Giron le Courtois, travels accompanied by his two squires

A Knight of the Round Table, Giron le Courtois, travels accompanied by his two squires



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"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny, as depicted in John William Waterhouse's masterpiece "I am half sick of shadows, c1911. " The ethereal painting captures the essence tales, where magic and mystery reign supreme. In one corner, we find Merlin and Vivien standing beneath an ancient tree. Their enigmatic connection hints at the intricate web of fate that binds them together. Meanwhile, "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" transports us to a sacred moment when these noble knights glimpse their ultimate quest. Waterhouse's enchantment continues with "The Lady of Shalott, " her haunting beauty encapsulating the tragic tale that unfolds within Camelot's walls. Yet hope prevails as Lancelot emerges to save Arthur from perilous situations time and again. The bravery showcased in this act echoes throughout history. As we venture further into this mythical world, we encounter "Die Gralburg, " a testament to the enduring allure surrounding the Holy Grail. Its power captivates all who seek it but remains elusive for most. However, amidst trials and tribulations, Arthur weds Guinevere—a union that symbolizes love's triumph over adversity. Galahad takes his rightful place among legendary knights at King Arthur's Round Table—an assembly embodying chivalry and honor beyond measure. Excalibur gleams under Beardsley's skilled hand—its significance resonating far beyond its physical form. No retelling is complete without paying homage to Merlin—the wise sorcerer whose guidance shapes destinies across generations. Tristran & Isolde epitomize forbidden love entangled in tragedy—a poignant reminder that even heroes are not immune to heartache.