Caryatids Collection

Porch of Caryatids, Erechtheion Temple, Acropolis, Athens, Greece

Three Caryatids Supporting a Basket, n.d. Creators: Unknown, Philip Fruytiers, Jacob Jordaens, Peter Paul Rubens
Three Caryatids Supporting a Basket, n.d

The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown
The International Exhibition: Mr. Harry Emanuel's Trophy, 1862....the trophy...was composed of wood stained to look like ebony, inlaid with marble and enriched with bronze

The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862. Creator: Unknown
The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862.... a dessert service, together with a plateau in imitation of the Italian majolica ware...The plateau

The International Exhibition: articles in Parian by W. H. Goss, 1862. Creator: Unknown
The International Exhibition: articles in Parian by W. H. Goss, 1862. The Octagon Vase, Dessert-dish, Globe Vase. The dessert-dish consists of a tazza, supported by a group of caryatides

The International Exhibition: chimneypiece by Jackson and Sons, 1862. Creator: Unknown
The International Exhibition: chimneypiece by Jackson and Sons, 1862. Our engraving sets forth a chimneypiece by Messrs. George Jackson and Sons, of Rathbone-place, moulded in carton pierre

The International Exhibition - marble chimneypiece, by Leclercq, in the Belgian Court... 1862. Creator: Unknown
The International Exhibition - marble chimneypiece, by Leclercq, in the Belgian Court - from a photograph by the London Stereoscopic Company, 1862

Porch of the Caryatids, Acropolis, Athens, Greece

Greece, Attica, Athens, The Acropolis, The Erechtheion, Porch of the Caryatids

Fireplace at Little Moreton Hall, Cheshire, from The English Country House (b/w photo)
CLF306270 Fireplace at Little Moreton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

The Great Dining Room at Hatchlands Park, Surrey, from The Country Houses of Robert Adam, by Eileen Harris
CLF289858 The Great Dining Room at Hatchlands Park, Surrey, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

The hall, Rushbrooke Hall, Suffolk, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311861 The hall, Rushbrooke Hall, Suffolk, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The chimneypiece in the Long Gallery at Croome Court, from The Country Houses of Robert Adam, by Eileen Harris
CLF285588 The chimneypiece in the Long Gallery at Croome Court, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Statue of a caryatid, a sculpture representing a woman. It is used in architecture in place of a column or pillar in
art work, arts, artwork, artworks, attraction, attractions, black, black-and-white, black-white, building, buildings, caryatids, central italy, character, column, contemporary, depiction, depictions

The Sacking of Troy or Catania, detail of the decorative scheme in the Gallery of Francis I (1494-1547)
XIR171370 The Sacking of Troy or Catania, detail of the decorative scheme in the Gallery of Francis I (1494-1547) 1535-40 (fresco and stucco) by Rosso Fiorentino

A Louis XIV gilt-metal-mounted, pewter, tortoiseshell and stained horn-inlaid ebony
5962775 A Louis XIV gilt-metal-mounted, pewter, tortoiseshell and stained horn-inlaid ebony, marquetry and parcel-gilt and silvered cabinet on stand, c.1660-80 by Gole

Various Roman Ionic capitals compared with Greek examples... mid-18th century
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paolo fuori le Mura, S. Clemente, etc.], mid-18th century

Caryatidum (... ) sive Athlantidum Multiformium (... ), ca. 1565
Caryatidum (...) sive Athlantidum Multiformium (...), ca. 1565. Carved pillars, from a work on architecture

Six herms, four female and two male, with Hercules at far right, ca. 1565. Plate 1, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766357 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-6) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Sculptural group depicting three nymphs (stone)
3611961 Sculptural group depicting three nymphs (stone) by Greek; Archaeological Museum, Delphi, Greece; Alinari Archives, Florence

The Nymph of Fontainbleau, 1554 (engraving on cream paper)
3475027 The Nymph of Fontainbleau, 1554 (engraving on cream paper) by Milan, Pierre (c.1500-57); 52.2x32.9 cm; The Art Institute of Chicago, IL

Greek, Caryatids of the Erechtheion (colour litho)
5234252 Greek, Caryatids of the Erechtheion (colour litho) by English School, (19th century); Private Collection; (add.info.: Greek, Caryatids of the Erechtheion)

Kore, copy of a caryatid from the Erechtheion in Athens (marble)
703290 Kore, copy of a caryatid from the Erechtheion in Athens (marble) by Roman, (2nd century AD); Area Archeologica di Villa Adriana, Tivoli, Rome, Italy; (add.info.: Kore)

Fireplace, 128 Redcliffe Street, dated 1633, c. 1841 (pencil & w / c on paper)
2831587 Fireplace, 128 Redcliffe Street, dated 1633, c.1841 (pencil & w/c on paper) by Tovey, Samuel Griffiths (fl.1847-65); Bristol Museum and Art Gallery, UK; eBristol Museums

Porch of the Maidens, part of the Erechtheion, Athens, Greece

Design for a fountain, 1673 (etching)
2962828 Design for a fountain, 1673 (etching) by Lepautre, Jean (1618-82); Private Collection; (add.info.: From Les Plans, Profils, et Elevations, des Ville, et Chateau de Versailles)

Ruins of the Gate of Athena Archegetis, Roman Agora, Athens
Ruins of the Gate of Athena Archegetis, at the Roman Agora or Roman Forum, Athens, Greece. Porta del Mercato di Atene. Handcoloured copperplate engraving by Bennardoni from Giulio Ferrarios Costumes

Porch of the Maidens, c. 421-405 BC (photo)
MAE172528 Porch of the Maidens, c.421-405 BC (photo) by Greek, (5th century BC); Erechtheion, Acropolis, Athens, Greece; ePaul Maeyaert; Greek, out of copyright

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766356 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-7) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766355 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766356-7) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

The Erechtheum, on the Acropolis, Athens (colour litho)
5998142 The Erechtheum, on the Acropolis, Athens (colour litho) by English School, (20th century); Private Collection; (add.info.: The Erechtheum, on the Acropolis, Athens)

Bonaparte, First Consul (1769-1821) Visiting the Members of the Academie des Sciences at
ACD207888 Bonaparte, First Consul (1769-1821) Visiting the Members of the Academie des Sciences at the Louvre, early 19th century (pencil on paper) (b/w photo) by French School

View of the Back Front of Henry Phillip Hopes house towards Hyde Park in Seymour
XYC225461 View of the Back Front of Henry Phillip Hopes house towards Hyde Park in Seymour Place, 1818 (pen & ink and w/c over graphite on paper) by Hope, Thomas (1769-1831) and Hope, Henry P

Erechtheion, c. 421-405 BC (photo)
MAE172551 Erechtheion, c.421-405 BC (photo) by Greek, (5th century BC); Acropolis, Athens, Greece; ePaul Maeyaert; Greek, out of copyright

Louis XIV jewellery cabinet, Gobelins Workshop, c. 1685 (bronze & ebony)
XIR234529 Louis XIV jewellery cabinet, Gobelins Workshop, c.1685 (bronze & ebony) by French School, (17th century); Musee des Arts Decoratifs, Strasbourg, France; French, out of copyright

Design for a bed alcove, c. 1660 (engraving)
478353 Design for a bed alcove, c.1660 (engraving) by Lepautre, Jean (1618-82); Private Collection; (add.info.: Reproduced as an illustration for Architecture FranAzoise ou receuil des plans)

Caryatid (fresco)
3496556 Caryatid (fresco) by Italian School, (16th century); Palazzo Vertemate Franchi, Piuro, Chiavenna, Lombardy, Italy; (add.info)

Chimneypiece at 28 Redcliffe Street (w / c on paper)
2831588 Chimneypiece at 28 Redcliffe Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Fountain of the Organ at Villa d Este, Tivoli, Rome, Italy
Fountain of the Organ at the Villa d Este, Tivoli, near Rome, Italy, dating back to 1568. The movement of the water causes music to play. Date: circa 1890s

Pope Urban I (d. 230) between Justice and Charity, Raphael Rooms (fresco) (b / w photo) (see also 252783, 252784)
ALI252782 Pope Urban I (d.230) between Justice and Charity, Raphael Rooms (fresco) (b/w photo) (see also 252783, 252784, 252785) by Romano, Giulio (1492-1546); Vatican Museums and Galleries

View of the Caryatids Tribune in the Louvre Museum, 1921-22 (see also 279790, 279791
XIR279792 View of the Caryatids Tribune in the Louvre Museum, 1921-22 (see also 279790, 279791, 279793 to 279795) (b/w photo) by Giraudon, studio (1912-53); Paris

View of the Caryatids Tribune in the Louvre Museum, 1921-22 (see also 279790
XIR279791 View of the Caryatids Tribune in the Louvre Museum, 1921-22 (see also 279790, 279792 to 279795) (b/w photo) by Giraudon, studio (1912-53); Paris

Erechtheion, c. 421-405 BC (photo)
MAE170029 Erechtheion, c.421-405 BC (photo) by Greek, (5th century BC); Acropolis, Athens, Greece; ePaul Maeyaert; Greek, out of copyright

Cariatide, 1913 (oil on canvas)
3576655 Cariatide, 1913 (oil on canvas) by Modigliani, Amedeo (1884-1920); 80x45.8 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Three cups (silver-gilt & parcel-gilt silver)
3434813 Three cups (silver-gilt & parcel-gilt silver) by Hungarian School (17th century); tallest height: 31.8 cm; Private Collection; (add.info.: Left)

Caryatid (fresco)
3496545 Caryatid (fresco) by Italian School, (16th century); Palazzo Vertemate Franchi, Piuro, Chiavenna, Lombardy, Italy; (add.info)

All Professionally Made to Order for Quick Shipping

The Porch of Caryatids, located at the Erechtheion Temple on the Acropolis in Athens, Greece, is a breathtaking sight to behold. These magnificent statues, resembling women, stand tall and proud as they support the weight of the temple's roof. Moving across continents to Little Moreton Hall in Cheshire, England, we find another stunning example of caryatid architecture. A fireplace adorned with intricate carvings adds an air of elegance and grandeur to this historic English country house. Venturing further into Surrey's Hatchlands Park, we are greeted by The Great Dining Room. Here, caryatids grace the walls with their graceful presence. Their sculpted forms bring a touch of classical beauty to this opulent space. In Suffolk's Rushbrooke Hall lies a hall that once stood as a testament to architectural splendor. Though now lost to time and history, photographs capture its former glory - including caryatids that once adorned its halls. Croome Court presents us with yet another masterpiece created by renowned architect Robert Adam. The Long Gallery boasts an exquisite chimneypiece featuring delicate caryatids that add sophistication and charm to this stately home. Returning back to Athens' Acropolis brings us face-to-face with the iconic Porch once more. This time accompanied by six gentlemen who appreciate its timeless beauty while basking in its shadowy embrace. Greece never fails to amaze with its rich history and architectural wonders like those found on the Acropolis. The Porch stands proudly amidst ancient ruins - a symbol of strength and femininity intertwined. Traveling all the way from Rome's Villa Albani comes yet another statue depicting a caryatid; these sculptures have become synonymous with architectural marvels worldwide due to their ability to replace traditional columns or pillars while adding artistic flair. These statues continue captivating our imagination as they grace the facades of buildings, portals, and grand entrances.