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The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown
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The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown
The International Exhibition: Mr. Harry Emanuel's Trophy, 1862....the trophy...was composed of wood stained to look like ebony, inlaid with marble and enriched with bronze. Its form was square, and at the angles were placed plinths, supporting...caryatides, representing the Seasons. Over the carved cornice is a light and elegant dome, on the summit of which is a bronze copy of the celebrated and well-known Mercury (by John of Bologna), a hackneyed but very graceful figure, representing the God of Trade and Theft...Three sides of the trophy contained cases wherein several remarkable and fine jewels were exhibited, and the fourth opened to admit the assistants of Mr. Emanuel, who during the exhibition drove a very vigorous trade. Surrounding the trophy were several meritorious groups: the ivory Venus, the statuette of the Prince of Wales, and other objects of great merit. The height of the trophy is altogether upwards of 30ft. the caryatides are 7ft. high, and the Mercury the size of life'. From "Illustrated London News", 1862
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Media ID 35128111
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1862 International Exhibition Cariatide Caryatid Caryatids Cultural Event Display Dome Domed Exposition Great London Exposition International Exhibition Of 1862 Jewellers Shop Mercury Ornate Pavilion Trade Fair World Fair Worlds Fair Harry Emanuel
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EDITORS COMMENTS
This photograph showcases Mr. Harry Emanuel's Trophy, a grand and ornate piece displayed at The International Exhibition in 1862. The trophy, of unknown origin, was a stunning work of art that stood tall and proud, measuring over 30 feet in height. Its square base was adorned with intricately carved caryatides, representing the Seasons, and topped with a light and elegant dome. Atop the dome sat a bronze replica of the renowned Mercury, the god of trade and thievery, adding an air of mystery and allure. Three sides of the trophy housed cases filled with exquisite and valuable jewels, showcasing their brilliance and beauty to the thousands of visitors. The fourth side opened to allow Mr. Emanuel's assistants to tend to the bustling trade that ensued during the exhibition. The ivory Venus and the statuette of the Prince of Wales were among the meritorious groups surrounding the trophy, adding to the overall grandeur and magnificence of the display. The intricate woodwork was stained to look like ebony and inlaid with marble, while bronze accents added a rich and regal touch. Despite its impressive size, the trophy was a delicate balance of art and function, a testament to the craftsmanship and creativity of the time. This photograph offers a glimpse into the past, transporting us back to the bustling halls of The International Exhibition, where Mr. Harry Emanuel's Trophy stood as a symbol of beauty, wonder, and the spirit of innovation.
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