Disciple Collection (page 11)

The Agony in the Garden (oil on canvas)
AGN227804 The Agony in the Garden (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 145x177 cm; Private Collection; Photo eAgnew s, London; Italian, out of copyright

The Last Supper, 1653 (engraving)
477749 The Last Supper, 1653 (engraving) by Faithorne, William (1616-91); Private Collection; English, out of copyright

The Arrest of Christ (vellum)
XIR417005 The Arrest of Christ (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen, France; (add.info.: Arrest of Christ; ); French, out of copyright

The Kiss of Judas and the Arrest of Christ (wood)
XIR414033 The Kiss of Judas and the Arrest of Christ (wood) by Basabe, Vicente Martin (fl.1603-10); Musee des Beaux-Arts, Pau, France; (add.info.: Kiss of Judas and Arrest of Christ; ); Spanish

Cathedral, interior, choir screen, Jesus Christ appearing to the apostles and disciples in Galilee, c
ALI382728 Cathedral, interior, choir screen, Jesus Christ appearing to the apostles and disciples in Galilee, c.1340-51 (polychrome stone) by Ravy

The Last Supper, called The Little Last Supper
BEN412299 The Last Supper, called The Little Last Supper (oil on canvas) (detail of 140298) by Champaigne, Philippe de (1602-74); Louvre, Paris, France; Photo eRaffaello Bencini; French

St. Paul (mosaic) (b / w photo)
ALI345931 St. Paul (mosaic) (b/w photo) by Sicilian School, (12th Century); Palatine Chapel, Palermo, Sicily, Italy; (add.info)

The Liberation of St. Peter and St. John from Prison, c
CLK339983 The Liberation of St. Peter and St. John from Prison, c.1770 (pen & brush & brown ink & brown wash over black chalk on paper) by Tiepolo

St. Mark preaching in the piazza (pen & ink on paper)
CTS413059 St. Mark preaching in the piazza (pen & ink on paper) by Rimini, Lattanzio da (fl.1492-1524) (attr. to); 17.6x14.6 cm; eThe Devonshire Collections

Saint Andrew, c. 1326 (tempera on wood, gold ground)
3746287 Saint Andrew, c.1326 (tempera on wood, gold ground) by Martini, Simone (1284-1344); 57.2x37.8 cm; Metropolitan Museum of Art, New York

St. Andrew and St. James the Minor, 1502 (vellum)
MMT215663 St. Andrew and St. James the Minor, 1502 (vellum) by Attavante di Gabriello di Vanti di Bartolo (1452-c.1520); Musee Marmottan Monet, Paris

Jesus first Disciples - Bible
3779792 Jesus first Disciples - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus first Disciples - Andrew brings Simon Peter to meet Jesus. He brought him unto Jesus)

The Ascension of Christ, 1495-98 (oil on panel)
PWI89700 The Ascension of Christ, 1495-98 (oil on panel) by Perugino, Pietro (c.1445-1523); 325x265 cm; Musee des Beaux-Arts, Lyon, France; ePeter Willi; Italian, out of copyright

St. James the Apostle, c. 1612-13 (oil on panel)
SCP36853 St. James the Apostle, c.1612-13 (oil on panel) by Rubens, Peter Paul (1577-1640); 108x84 cm; Prado, Madrid, Spain; Flemish, out of copyright

The Last Supper, detail from panel three of the Silver Treasury of Santissima Annunziata
BAT43900 The Last Supper, detail from panel three of the Silver Treasury of Santissima Annunziata, c.1450-53 (tempera on panel) by Angelico

Panel depicting The Last Supper (stained glass)
SC6630 Panel depicting The Last Supper (stained glass) by German School, (16th century); Victoria & Albert Museum, London, UK; German, out of copyright

St. Jude (Thaddeus)
AII78759 St. Jude (Thaddeus) by Fetti or Feti, Domenico (1589-1624); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

St. John the Evangelist
AII78758 St. John the Evangelist by Fetti or Feti, Domenico (1589-1624); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

The Infant Timothy Unfolding the Scriptures, c. 1853 (oil on canvas)
BUR122341 The Infant Timothy Unfolding the Scriptures, c.1853 (oil on canvas) by Sant, James (1820-1916); 74.4x62 cm; Bury Art Museum & Sculpture Centre

The Last Supper, twelfth panel of the North Doors of the Baptistery of San Giovanni
BEN131514 The Last Supper, twelfth panel of the North Doors of the Baptistery of San Giovanni, 1203-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

Wooden carvings of SS. Paul, Matthew and Thomas, from the predella of the Isenheim Altarpiece, c. 1490 (painted wood)
XIR24950 Wooden carvings of SS. Paul, Matthew and Thomas, from the predella of the Isenheim Altarpiece, c.1490 (painted wood) by Hagenauer, Nikolaus (c.1455-1526/28); Musee d Unterlinden, Colmar

Holy Eucharist, c. 1638-40
BEL24743 Holy Eucharist, c.1638-40 by Poussin, Nicolas (1594-1665); 95.2x120.6 cm; Belvoir Castle, Leicestershire, UK; French, out of copyright

St. Stephen preaching and St. Stephen addressing the Council (fresco)
PHD29037 St.Stephen preaching and St.Stephen addressing the Council (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Chapel of Nicholas V, Vatican

St. Peter Penitent, 1639
KAB76922 St. Peter Penitent, 1639 by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palazzo Venezia, Rome, Italy; (add.info.: On the night of Christs arrest)

Ms 572 f. 107 r Historiated initial E depicting St
BAT161735 Ms 572 f.107 r Historiated initial E depicting St. John the Baptist introducing Christ to two disciples, from an antiphone (vellum) by Camaldolese

St. Paul Commanding St. Luke (oil on canvas)
BWM153210 St. Paul Commanding St. Luke (oil on canvas) by Fosse, Charles de la (1636-1716); The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; French, out of copyright

Christ being taken prisoner (black, white and red crayon on brown paper with brown ink)
XKH155125 Christ being taken prisoner (black, white and red crayon on brown paper with brown ink) by Dyck, Anthony van (1599-1641); 53.3x40.3 cm; Hamburger Kunsthalle, Hamburg, Germany; Flemish

The Last Supper, called The Little Last Supper (oil on canvas)
BEN140298 The Last Supper, called The Little Last Supper (oil on canvas) by Champaigne, Philippe de (1602-74); 80x149 cm; Louvre, Paris, France; Photo eRaffaello Bencini; French, out of copyright

The Incredulity of St. Thomas (oil on canvas)
LMG140050 The Incredulity of St. Thomas (oil on canvas) by West, Benjamin (1738-1820); 96.5x127 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; American

Top: St. Peter Holding a Key and St. Paul Holding a Sword; Bottom: St
XKH144539 Top: St. Peter Holding a Key and St. Paul Holding a Sword; Bottom: St. John the Evangelist Holding a Chalice Containing a Snake and St

The Crucifixion and the Ascension (stained glass)
MAE141295 The Crucifixion and the Ascension (stained glass) by French School, (13th century); Poitiers Cathedral, Poitiers, France; ePaul Maeyaert; French, out of copyright

St. John the Evangelist, c. 1415 (oil on gold ground panel)
AGN133782 St. John the Evangelist, c.1415 (oil on gold ground panel) by Cologne School (15th century); 24.2x13.7 cm; Private Collection; Photo eAgnew s, London; German, out of copyright

Jesus washing his Disciples Feet, John XIII, 5 (engraving)
6005701 Jesus washing his Disciples Feet, John XIII, 5 (engraving) by European School, (19th century); Private Collection; (add.info.: Jesus washing his Disciples Feet, John XIII, 5)

St Andrew (engraving)
6004376 St Andrew (engraving) by English School, (19th century); Private Collection; (add.info.: St Andrew. Illustration for The Family Friend (1877).); © Look and Learn; English

St Paul in Prison (litho)
5997154 St Paul in Prison (litho) by Rembrandt Harmensz. van Rijn (1606-69) (after); Private Collection; (add.info.: St Paul in Prison)

The arrest of Christ. 1508 (Burin engraving on copper)
5890591 The arrest of Christ. 1508 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; (add.info)

The Miraculous Feeding of Saint Anthony and Saint Paul the Hermit (mixed media on wood)
3740440 The Miraculous Feeding of Saint Anthony and Saint Paul the Hermit (mixed media on wood) by Swiss School, (15th century); 133.5 x 77.5 cm; Kunstmuseum, Basel

I have fought a good fight
909022 I have fought a good fight by Copping, Harold (1863-1932); Private Collection; (add.info.: New Testament Pictures Royal Tract Society circa 1920 s); English, out of copyright

St John the Evangelist, 1411 (marble)
885955 St John the Evangelist, 1411 (marble) by Donatello, (c.1386-1466); 210 high cm; Museo dell Opera del Duomo, Florence, Tuscany

The Doubting Thomas (bronze) (detail of 237841)
869987 The Doubting Thomas (bronze) (detail of 237841) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian

St Peter (bronze)
875099 St Peter (bronze) by Italian School; St. Peter s, Vatican City; eGiuliano Valsecchi; Italian, out of copyright

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"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine, disciples emerge as beacons of spiritual enlightenment. As we delve into this captivating theme, let us embark on a visual odyssey that traverses continents and centuries. Our expedition commences in India, where the divine figures of Laksman, Rama, Sita, and Hanuman grace our presence. These Hindu gods epitomize unwavering loyalty and dedication to their higher purpose—a testament to the essence of being a disciple. Turning our gaze towards Europe, we encounter an enchanting illustration from the Book of Kells depicting St. Matthew. This intricate artwork captures the profound commitment required to follow in the footsteps of Christ—an embodiment of true discipleship. Venturing further into biblical narratives, we find solace in Jesus calming the storm on the Sea of Galilee. Here lies an eternal lesson for all disciples—to trust in their faith even amidst life's tempestuous trials. The Supper at Emmaus by Rembrandt van Rijn transports us to another epoch—depicting disciples sharing a meal with their resurrected Lord. The painting exudes both awe and humility as it encapsulates how genuine followers are nourished by divine encounters. A magnificent statue stands tall within Basilica di San Giovanni in Laterano—the figure is none other than St Peter himself. A symbol revered by countless devotees worldwide who seek inspiration from his unwavering commitment as one of Jesus' closest confidants—a paragon for aspiring disciples. Moving forward through time's tapestry brings us face-to-face with The Disciples Peter and John Running to the Sepulchre on the Morning of Resurrection—an evocative portrayal capturing fervent devotion amidst hopelessness turned jubilation. Raphael Morghen and Teodoro Matteini's rendition titled The Last Supper invites contemplation upon the disciples' unwavering loyalty to their master, Jesus Christ.