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Disciple Collection (page 13)

"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine

Background imageDisciple Collection: The Capture of Christ, fourteenth panel of the North Doors of the Baptistery of San

The Capture of Christ, fourteenth panel of the North Doors of the Baptistery of San
BEN131516 The Capture of Christ, fourteenth panel of the North Doors of the Baptistery of San Giovanni, 1403-24 (bronze) by Ghiberti, Lorenzo (1378-1455); 52x45 cm; Baptistery, Florence

Background imageDisciple Collection: St. Peter (tempera on canvas)

St. Peter (tempera on canvas)
FTB161540 St. Peter (tempera on canvas) by Bellini, Giovanni (c.1430-1516); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Background imageDisciple Collection: The Ascension (stained glass)

The Ascension (stained glass)
XJL158494 The Ascension (stained glass) by French School, (12th century); Saint Julien Cathedral, Le Mans, France; French, out of copyright

Background imageDisciple Collection: Two Apostles

Two Apostles
PHD30404 Two Apostles by Rubens, Peter Paul (1577-1640); Private Collection; Flemish, out of copyright

Background imageDisciple Collection: The Last Supper, from the San Marco Refectory (fresco) (detail of 43920)

The Last Supper, from the San Marco Refectory (fresco) (detail of 43920)
BAT43921 The Last Supper, from the San Marco Refectory (fresco) (detail of 43920) by Sogliani, Bartolommeo (1559-89); Museo di San Marco, Florence, Italy; Photo eNicol Orsi Battaglini; Italian

Background imageDisciple Collection: The Last Supper (fresco)

The Last Supper (fresco)
MAE186810 The Last Supper (fresco) by Flemish School; Private Collection; (add.info.: one of you will betray me ; ); ePaul Maeyaert; Flemish, out of copyright

Background imageDisciple Collection: Christ and the Pilgrims of Emmaus (stone)

Christ and the Pilgrims of Emmaus (stone)
XIR187080 Christ and the Pilgrims of Emmaus (stone) by Spanish School, (11th century); Santo Domingo de Silos, Castilla y Leon, Spain; Spanish, out of copyright

Background imageDisciple Collection: View of the altar and the Transparente, c. 1720 (photo)

View of the altar and the Transparente, c. 1720 (photo)
XIR171368 View of the altar and the Transparente, c.1720 (photo) by Tome, Narciso (1690-1750); Toledo Cathedral, Castilla y Leon

Background imageDisciple Collection: The Last Supper, c. 1305 (fresco)

The Last Supper, c. 1305 (fresco)
BEN65215 The Last Supper, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageDisciple Collection: The Last Supper, 1579 (oil on canvas)

The Last Supper, 1579 (oil on canvas)
BEN60665 The Last Supper, 1579 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 538x487 cm; Scuola Grande di San Rocco, Venice, Italy; (add.info.: Apostles get together at the table)

Background imageDisciple Collection: Le Giotto, Le Christ lave les Pieds de ses Disciples, Eglise d Arena, Padoue (engraving)

Le Giotto, Le Christ lave les Pieds de ses Disciples, Eglise d Arena, Padoue (engraving)
5199858 Le Giotto, Le Christ lave les Pieds de ses Disciples, Eglise d Arena, Padoue (engraving) by Italian School, (19th century); Private Collection; (add.info.: Le Giotto)

Background imageDisciple Collection: Christ Teaching His Disciples, Within an Initial I, c

Christ Teaching His Disciples, Within an Initial I, c
986339 Christ Teaching His Disciples, Within an Initial I, c.1480 (illuminated manuscript on vellum) by Pellegrino di Mariano (15th century) (circle of); 17.5x13.5 cm; Private Collection; (add.info)

Background imageDisciple Collection: The Supper at Emmaus (oil on canvas)

The Supper at Emmaus (oil on canvas)
1128538 The Supper at Emmaus (oil on canvas) by Strang, William (1859-1921); 51x51 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; Scottish, out of copyright

Background imageDisciple Collection: Christ at Emmaus: The Smaller Plate, 1634 (etching & drypoint)

Christ at Emmaus: The Smaller Plate, 1634 (etching & drypoint)
1069895 Christ at Emmaus: The Smaller Plate, 1634 (etching & drypoint) by Rembrandt Harmensz. van Rijn (1606-69); 10.2x7.3 cm; Dallas Museum of Art, Texas

Background imageDisciple Collection: A Disciple of the liquid religion practised by the saxon (engraving)

A Disciple of the liquid religion practised by the saxon (engraving)
1090774 A Disciple of the liquid religion practised by the saxon (engraving) by American School, (19th century); Private Collection; (add.info)

Background imageDisciple Collection: Mary Magdelene giving news of the Resurrection to the Disciples, 1860 (oil on canvas)

Mary Magdelene giving news of the Resurrection to the Disciples, 1860 (oil on canvas)
991621 Mary Magdelene giving news of the Resurrection to the Disciples, 1860 (oil on canvas) by Calderon, Philip Hermogenes (1833-98); 111.2x86.4 cm; Private Collection; (add.info)

Background imageDisciple Collection: St Pauls departure from Tyre (engraving)

St Pauls departure from Tyre (engraving)
976518 St Pauls departure from Tyre (engraving) by English School, (19th century); Private Collection; (add.info.: St Pauls departure from Tyre)

Background imageDisciple Collection: Christ and Judas Iscariot (colour litho)

Christ and Judas Iscariot (colour litho)
3094591 Christ and Judas Iscariot (colour litho) by German School, (20th century); Private Collection; (add.info.: Christ and Judas Iscariot)

Background imageDisciple Collection: St. Bartholomew, 1661 (oil on canvas)

St. Bartholomew, 1661 (oil on canvas)
3700882 St. Bartholomew, 1661 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 86.7x75.6 cm; J. Paul Getty Museum, Los Angeles

Background imageDisciple Collection: St Paul and Felix

St Paul and Felix
909021 St Paul and Felix by Copping, Harold (1863-1932); Private Collection; (add.info.: New Testament Pictures Royal Tract Society circa 1920 s); English, out of copyright

Background imageDisciple Collection: The Incredulity of St. Thomas, 1466-83 (bronze) (detail of 241031)

The Incredulity of St. Thomas, 1466-83 (bronze) (detail of 241031)
869984 The Incredulity of St. Thomas, 1466-83 (bronze) (detail of 241031) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany

Background imageDisciple Collection: The Last Supper (fresco)

The Last Supper (fresco)
875167 The Last Supper (fresco) by Straet, Jan van der (Joannes Stradanus) (1523-1605); Chiesa del Sacro Cuore, Florence; eGiuliano Valsecchi; Italian, out of copyright

Background imageDisciple Collection: The Agony in the Garden, c. 1595 (oil on copper)

The Agony in the Garden, c. 1595 (oil on copper)
877401 The Agony in the Garden, c.1595 (oil on copper) by Cremonini, Giovanni Battista (c.1550-1610); 42.2x32 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; Italian

Background imageDisciple Collection: An Apostle, c. 1471-73 (tempera and gold on wood)

An Apostle, c. 1471-73 (tempera and gold on wood)
3618038 An Apostle, c.1471-73 (tempera and gold on wood) by Crivelli, Carlo (c.1430/35-1495); 32.1 x 23.2 cm; Metropolitan Museum of Art, New York

Background imageDisciple Collection: St Peter, 1632 (oil on canvas)

St Peter, 1632 (oil on canvas)
3588386 St Peter, 1632 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 82x62 cm; National Museum, Stockholm, Sweden; Dutch, out of copyright

Background imageDisciple Collection: Incredulity of Saint Thomas and Christ and the Virgin Interceding with God the Father

Incredulity of Saint Thomas and Christ and the Virgin Interceding with God the Father
3597167 Incredulity of Saint Thomas and Christ and the Virgin Interceding with God the Father and The Nativity (tempera and gold leaf on panel), c.1445-50 by Witz

Background imageDisciple Collection: Dorcas, 1887 (stained glass)

Dorcas, 1887 (stained glass)
3475674 Dorcas, 1887 (stained glass) by Almquist, Carl (1849-1924); Christ Church, Eccleston, UK; (add.info.: Eccleston, Christ Church, S&H, CA, Dorcas, 1887); eAlastair Carew-Cox; out of copyright

Background imageDisciple Collection: Crucifixion, 1495 (fresco) (detail of 3498420)

Crucifixion, 1495 (fresco) (detail of 3498420)
3498434 Crucifixion, 1495 (fresco) (detail of 3498420) by Montorfano, Giovanni Donato (1440-1510); (add.info.: Milano, Refettorio di Santa Maria delle Grazie, Donato Montorfano)

Background imageDisciple Collection: Crucifixion, 1495 (fresco) (detail of 3498420)

Crucifixion, 1495 (fresco) (detail of 3498420)
3498427 Crucifixion, 1495 (fresco) (detail of 3498420) by Montorfano, Giovanni Donato (1440-1510); (add.info.: Milano, Refettorio di Santa Maria delle Grazie, Donato Montorfano)

Background imageDisciple Collection: Judas in hell (chromolitho)

Judas in hell (chromolitho)
3100701 Judas in hell (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Judas in hell. Illustration for Las Supersticiones De La Humanidad by Jose Coroleu (F Seix)

Background imageDisciple Collection: Saint Peter, c. 1611 (oil on canvas)

Saint Peter, c. 1611 (oil on canvas)
3247699 Saint Peter, c. 1611 (oil on canvas) by Rubens, Peter Paul (1577-1640); 107x82 cm; Prado, Madrid, Spain; (add.info.: from Twelve Apostles series commissioned by the Duke of Lerma); Flemish

Background imageDisciple Collection: St. Peter (oil on panel)

St. Peter (oil on panel)
CH376223 St. Peter (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 26.7x17.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageDisciple Collection: Cathedral, interior, choir screen, Jesus Christ appearing at Mount of Olives, c

Cathedral, interior, choir screen, Jesus Christ appearing at Mount of Olives, c. 1340-51 (polychrome stone)
ALI382733 Cathedral, interior, choir screen, Jesus Christ appearing at Mount of Olives, c.1340-51 (polychrome stone) by Ravy, Jean (1318-44) & Jean Le Boutellier (1270-1370); Notre Dame, Paris

Background imageDisciple Collection: Folio from an Armenian Manuscript: The Entry into Jerusalem, c

Folio from an Armenian Manuscript: The Entry into Jerusalem, c
425422 Folio from an Armenian Manuscript: The Entry into Jerusalem, c.1500 (ink, opaque w/c, & gold on paper) by Armenian School, (16th century); 26.7x18.6 cm; Arthur M

Background imageDisciple Collection: Mary Salome, c. 1525 (stained glass)

Mary Salome, c. 1525 (stained glass)
XIR409270 Mary Salome, c.1525 (stained glass) by French School, (16th century); Musee National de la Renaissance, Ecouen, France; (add.info.: Marie-Salome; ); French, out of copyright

Background imageDisciple Collection: Head of an Apostle, c. 1325-1350 (limestone, with traces of polychromy)

Head of an Apostle, c. 1325-1350 (limestone, with traces of polychromy)
499518 Head of an Apostle, c.1325-1350 (limestone, with traces of polychromy) by French School, (14th century); 36.2x24.15x20.35 cm; Cleveland Museum of Art, OH

Background imageDisciple Collection: Descent of the Holy Spirit, illustration from a catechism L Histoire Sainte

Descent of the Holy Spirit, illustration from a catechism L Histoire Sainte
REV326584 Descent of the Holy Spirit, illustration from a catechism L Histoire Sainte, published by Charles Delagrave, Paris, late 19th century (colour litho) by French School

Background imageDisciple Collection: Plaque depicting St. Thomas and St. Matthew, c. 1160 (gilded copper, champleve enamel)

Plaque depicting St. Thomas and St. Matthew, c. 1160 (gilded copper, champleve enamel)
491443 Plaque depicting St. Thomas and St. Matthew, c.1160 (gilded copper, champleveenamel) by Mosan School, (12th century); 6x6.2 cm; Cleveland Museum of Art, OH, USA; (add.info.: Mosan)

Background imageDisciple Collection: Ms 547 fol. 36 Entombment of Christ, from a Book of Hours used by a woman from Poitiers

Ms 547 fol. 36 Entombment of Christ, from a Book of Hours used by a woman from Poitiers
473043 Ms 547 fol.36 Entombment of Christ, from a Book of Hours used by a woman from Poitiers (vellum) by French School, (15th century); Bibliotheque de l Institut de France, Paris

Background imageDisciple Collection: Five groups of figures for a Last Supper (Christ announcing his betrayal) c

Five groups of figures for a Last Supper (Christ announcing his betrayal) c
449342 Five groups of figures for a Last Supper (Christ announcing his betrayal) c.1601-04 (pen & ink with wash on paper) by Rubens, Peter Paul (1577-1640); 28.3x44.4 cm; eThe Devonshire Collections

Background imageDisciple Collection: Saint Paul, c. 1450-60 (tempera on panel)

Saint Paul, c. 1450-60 (tempera on panel)
487903 Saint Paul, c.1450-60 (tempera on panel) by Foppa, Vincenzo (1427/30-1515/16); 54.9x30.8 cm; Minneapolis Institute of Arts, MN



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"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine, disciples emerge as beacons of spiritual enlightenment. As we delve into this captivating theme, let us embark on a visual odyssey that traverses continents and centuries. Our expedition commences in India, where the divine figures of Laksman, Rama, Sita, and Hanuman grace our presence. These Hindu gods epitomize unwavering loyalty and dedication to their higher purpose—a testament to the essence of being a disciple. Turning our gaze towards Europe, we encounter an enchanting illustration from the Book of Kells depicting St. Matthew. This intricate artwork captures the profound commitment required to follow in the footsteps of Christ—an embodiment of true discipleship. Venturing further into biblical narratives, we find solace in Jesus calming the storm on the Sea of Galilee. Here lies an eternal lesson for all disciples—to trust in their faith even amidst life's tempestuous trials. The Supper at Emmaus by Rembrandt van Rijn transports us to another epoch—depicting disciples sharing a meal with their resurrected Lord. The painting exudes both awe and humility as it encapsulates how genuine followers are nourished by divine encounters. A magnificent statue stands tall within Basilica di San Giovanni in Laterano—the figure is none other than St Peter himself. A symbol revered by countless devotees worldwide who seek inspiration from his unwavering commitment as one of Jesus' closest confidants—a paragon for aspiring disciples. Moving forward through time's tapestry brings us face-to-face with The Disciples Peter and John Running to the Sepulchre on the Morning of Resurrection—an evocative portrayal capturing fervent devotion amidst hopelessness turned jubilation. Raphael Morghen and Teodoro Matteini's rendition titled The Last Supper invites contemplation upon the disciples' unwavering loyalty to their master, Jesus Christ.