Donna Collection (#3)

Flora, detail, 1838-40 (marble)
6343005 Flora, detail, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Tile depicting "The submission of woman to man"(scene of the Old Testament), 1185-86 (bronze)
6166482 Tile depicting " The submission of woman to man" (scene of the Old Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale

Meeting of the Betrothed Couple, 1517-08 (detached fresco)
5973956 Meeting of the Betrothed Couple, 1517-08 (detached fresco) by Ferramola, Floriano (1480-1528); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Psyche submitting Venus the urn containing the beauty of Proserpine, 1517-18 (fresco)
2646194 Psyche submitting Venus the urn containing the beauty of Proserpine, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Awakening, 1939-40 (oil painting on cardboard)
6283714 Awakening, 1939-40 (oil painting on cardboard) by Martini, Arturo (1889-1947); Museo Novecento, Florence, Italy; (add.info.: " Risveglio", di Arturo Martini, 1939 - 1940)

Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)
6200605 Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas) by Hayez, Francesco (1791-1882); Museo Civico, Lodi

Veiled Dame, 1845 (marble)
6200538 Veiled Dame, 1845 (marble) by Monti, Raffaele (1818-81); Royal Castle of Racconigi, Turin, Italy; (add.info.: Raffaele Monti: " Donna velata", 1845, scultura in marmo)

Portrait of unknown woman, II century
2655109 Portrait of unknown woman, II century by Roman, (2nd century AD); Museo Archeologico, Fiesole, Tuscany, Italy; (add.info.: Fiesole, Archaeological Museum: portrait of unknown woman)

Spiral Perpendicular Costruction. Seated Woman, 1913-14 (oil on canvas)
6366707 Spiral Perpendicular Costruction. Seated Woman, 1913-14 (oil on canvas) by Boccioni, Umberto (1882-1916); Civiche Raccolte del Castello Sforzesco, Gabinetto dei Disegni, Milan

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366109 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Hebe, 1800-05 (marble)
6343030 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)
6343014 Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)
6343013 Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)
6343000 Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Nobility, 1734 (monochrome fresco)
5949102 Nobility, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Jesus healing the woman suffering from hemorraage, Byzantine mosaic, Episodes from the life of Christ
6166236 Jesus healing the woman suffering from hemorraage, Byzantine mosaic, Episodes from the life of Christ, XII-XIII sec (mosaic) by Byzantine

Wooden and gilded pastiglia reliquary box (mixed media)
6166400 Wooden and gilded pastiglia reliquary box (mixed media) by French School, (13th century); Diocesan Museum, Duomo Monreale, Sicily

Portrait of a gentlewoman as Salome, c. 1537 (oil on panel)
5973961 Portrait of a gentlewoman as Salome, c.1537 (oil on panel) by Moretto, Alessandro Bonvicino (1498-1554); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Portrait of Countess Orsay (drypoint)
5894119 Portrait of Countess Orsay (drypoint) by Boldini, Giovanni (1842-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Teaching to Ignorant, 1795 (plaster)
6343155 Teaching to Ignorant, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Insegnare agli ignoranti, 1795, di Antonio Canova (1757 - 1822)

Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster)
6343149 Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

"Hebe", 1800-5, marble statue
6343035 " Hebe", 1800-5, marble statue. by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Ebe, 1819, di Bertel Thorvaldsen (1770 - 1844)

Hebe, detail, 1800-05 (marble)
6343033 Hebe, detail, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo

Flora, detail of the rear part, 1838-40 (marble)
6343006 Flora, detail of the rear part, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869)

Young Dancer, detail of the leg, before 1845 (marble)
6343003 Young Dancer, detail of the leg, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)

Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble)
6342999 Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Dancing Terpsichore (Dancer), detail, 1820 (marble)
6342998 Dancing Terpsichore (Dancer), detail, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, 1812-17 (marble)
6342986 The three Graces, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822)

The three Graces, detail of the feet, 1812-17 (marble)
6342982 The three Graces, detail of the feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Teaching to Ignorant, detail, 1795 (plaster)
6342966 Teaching to Ignorant, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Insegnare agli ignoranti, 1795)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Architecture
6366105 Sepulchre of Michelangelo Buonarroti, detail of the personification of Architecture by Lorenzi, Battista (1527-94); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting
6366104 Sepulchre of Michelangelo Buonarroti, detail of the personification of Painting by Lorenzi, Battista (1527-94); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

6366090

Chorus of the Chaste Virgins, 1500-04 (fresco)
6262751 Chorus of the Chaste Virgins, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Lady with fan (oil on canvas)
6336334 Lady with fan (oil on canvas) by Muzzioli, Giovanni (1854-94); 19x24 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

The Fountain of Youth
6298015 The Fountain of Youth by Italian School; Museo Regionale della Ceramica, Deruta, Perugia, Umbria, Italy; (add.info.: Deruta)

The PIsa Woman, 1933 (patinated pale pottery)
6283706 The PIsa Woman, 1933 (patinated pale pottery) by Martini, Arturo (1889-1947); Museo Novecento, Florence, Italy; (add.info.: " La pisana", di Arturo Martini, 1933)

Romeos last kiss to Juliet, 1858 (oil on canvas)
6200630 Romeos last kiss to Juliet, 1858 (oil on canvas) by Hayez, Francesco (1791-1882); Villa Carlotta, Tremezzina, Como

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Meet Donna, a multifaceted name that encompasses various aspects of art, culture, and nature. From music covers to iconic landmarks, this caption takes you on a journey through different interpretations of Donna. Starting with the enchanting world of music, Donna captivates audiences with her rendition of "That's Amore, " transporting listeners to the romantic streets of Italy. Speaking of which, in Naples lies the magnificent Palace of Donn Anna, an architectural masterpiece that echoes the grandeur associated with our protagonist. But let's not forget about other forms of art. In literature and theater, Donna shines as the bald prima donna in 20C adaptations like "Romeo et Juliet" or "Romeo and Juliette. " Her portrayal adds depth and emotion to these timeless stories. Nature also embraces its own version of Donna. On the beaches of Lincolnshire in the UK lies Donna Nook where grey seals like Halichoerus grypus bask under the sun. An adult male yawning lazily captures both their beauty and nonchalant demeanor. Shifting gears once again, we encounter British female impersonator Bert Errol whose sheet music showcases his talent for capturing feminine grace. This juxtaposition continues as we stumble upon an artistic representation from 1875-1885 featuring a young nude woman named Donna—a celebration of natural beauty intertwined with history. Donna Di Sora from Abrusso emerges as another embodiment; her allure is undeniable as she graces us with her presence amidst picturesque landscapes. And lastly but certainly not least is Dearborn Portrait Advertisement—where sophistication meets elegance through stunning visuals that embody everything beautiful about being a woman named Donna.