Donna Collection (page 2)

Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St
LRI4608561 The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St. Augustine (Tempera on wood, 1325-1328) by Martini

Portrait of Maria Amelia, Queen Consort of Portugal (b / w photo)
XEE555377 Portrait of Maria Amelia, Queen Consort of Portugal (b/w photo) by French Photographer, (19th century); Private Collection; (add.info)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366102 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366075 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel)
6366073 Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366072 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Portrait of unknown woman, II century
2655108 Portrait of unknown woman, II century by Roman, (2nd century AD); Museo Archeologico, Fiesole, Tuscany, Italy; (add.info.: Fiesole, Archaeological Museum: portrait of unknown woman)

Christ and the Woman Taken in Adultery, Byzantine mosaic, Episodes from the life of Christ, XII-XIII centuries (mosaic)
6166222 Christ and the Woman Taken in Adultery, Byzantine mosaic, Episodes from the life of Christ, XII-XIII centuries (mosaic) by Byzantine

St. George and the Dragon", 1460-65 (tempera on panel, water gilding and silver leaf)
5973949 St. George and the Dragon", 1460-65 (tempera on panel, water gilding and silver leaf) by Italian School, (15th century); Pinacoteca Tosio Martinengo, Brescia

In the Cowshed, 1905 (oil on canvas)
5894123 In the Cowshed, 1905 (oil on canvas) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv. n)

A Walk in Villa Borghese (oil on panel)
6336372 A Walk in Villa Borghese (oil on panel) by Muzzioli, Giovanni (1854-94); 21.5x33.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Giovanni Muzzioli)

Plate decorated by a beautiful womans bust, with a crown of thorns motif, first half of the 16th century (majolica)
6298552 Plate decorated by a beautiful womans bust, with a crown of thorns motif, first half of the 16th century (majolica) by Italian School, (16th century); Museo Regionale della Ceramica, Deruta

Profile of a woman (oil painting on canvas)
6283578 Profile of a woman (oil painting on canvas) by Boldini, Giovanni (1842-1931); 35x27 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Portrait of an oriental woman
6200616 Portrait of an oriental woman by Caffi, Ippolito (1809-66); Private Collection; (add.info.: Ippolito Caffi: " Ritratto di donna orientale: Fatima di Smirne", olio su tela)

Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding, 1852 (oil on canvas)
6200596 Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding, 1852 (oil on canvas) by Sala

Justice, 1792 (plaster)
6343142 Justice, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Giustizia, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Feeding the Hungry, detail, 1795 (plaster)
6342968 Feeding the Hungry, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Feeding the Hungry, 1795 (plaster)
6342967 Feeding the Hungry, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Plate decorated by a womans bust, 18th century (majolica)
6300048 Plate decorated by a womans bust, 18th century (majolica) by Italian School, (18th century); Museo Regionale della Ceramica, Deruta, Perugia, Umbria, Italy; (add.info.: School of Laterza)

Woman holding a handkerchief (oil painting on canvas)
6283375 Woman holding a handkerchief (oil painting on canvas) by Muzzioli, Giovanni (1854-94); 122x90 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Jesus healing Simons mother in law from fever, Byzantine mosaic, Episodes from the life of Christ
6166238 Jesus healing Simons mother in law from fever, Byzantine mosaic, Episodes from the life of Christ, XII-XIII centuries (mosaic) by Byzantine

Wooden and gilded pastiglia reliquary box (mixed media)
6166398 Wooden and gilded pastiglia reliquary box (mixed media) by French School, (13th century); Diocesan Museum, Duomo Monreale, Sicily

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366110 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Sepulchre of Michelangelo Buonarroti with three sculptures: personifications of Painting, Sculpture and Architecture
6366100 Sepulchre of Michelangelo Buonarroti with three sculptures: personifications of Painting, Sculpture and Architecture by Lorenzi, Battista (1527-94) & Cioli

A Walk in Villa Borghese (oil on panel)
6336373 A Walk in Villa Borghese (oil on panel) by Muzzioli, Giovanni (1854-94); 21.5x33.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Giovanni Muzzioli)

Portrait of a young noble woman (oil painting on canvas)
6283501 Portrait of a young noble woman (oil painting on canvas) by Goldoni, Giuseppe (1856-1911); 56.5x44.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

The Sleep of Innocence, 1841 (oil on canvas)
6200617 The Sleep of Innocence, 1841 (oil on canvas) by Schiavoni, Natale (1777-1858); Private Collection; (add.info.: Natale Schiavoni: " Il sonno dell innocenza", olio su tela)

Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)
6200606 Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas) by Hayez, Francesco (1791-1882); Museo Civico, Lodi

Bust of Woman, Lucia of the Betrothed, 1852 (oil on canvas)
6200591 Bust of Woman, Lucia of the Betrothed, 1852 (oil on canvas) by Molteni, Giuseppe (1800-67); Salford Museum and Art Gallery, Lancashire

Faith in God, 1835 (marble)
6200524 Faith in God, 1835 (marble) by Bartolini, Lorenzo (1777-1850); Museo Poldi Pezzoli, Milan, Italy; (add.info.: Lorenzo Bartolini: " Fiducia in Dio", scultura in marmo)

Hope, 1792 (plaster)
6343140 Hope, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Speranza, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Flora, detail, 1838-40 (marble)
6343005 Flora, detail, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

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Meet Donna, a multifaceted name that encompasses various aspects of art, culture, and nature. From music covers to iconic landmarks, this caption takes you on a journey through different interpretations of Donna. Starting with the enchanting world of music, Donna captivates audiences with her rendition of "That's Amore, " transporting listeners to the romantic streets of Italy. Speaking of which, in Naples lies the magnificent Palace of Donn Anna, an architectural masterpiece that echoes the grandeur associated with our protagonist. But let's not forget about other forms of art. In literature and theater, Donna shines as the bald prima donna in 20C adaptations like "Romeo et Juliet" or "Romeo and Juliette. " Her portrayal adds depth and emotion to these timeless stories. Nature also embraces its own version of Donna. On the beaches of Lincolnshire in the UK lies Donna Nook where grey seals like Halichoerus grypus bask under the sun. An adult male yawning lazily captures both their beauty and nonchalant demeanor. Shifting gears once again, we encounter British female impersonator Bert Errol whose sheet music showcases his talent for capturing feminine grace. This juxtaposition continues as we stumble upon an artistic representation from 1875-1885 featuring a young nude woman named Donna—a celebration of natural beauty intertwined with history. Donna Di Sora from Abrusso emerges as another embodiment; her allure is undeniable as she graces us with her presence amidst picturesque landscapes. And lastly but certainly not least is Dearborn Portrait Advertisement—where sophistication meets elegance through stunning visuals that embody everything beautiful about being a woman named Donna.