Donna Collection (page 4)

The Sleep of Innocence, detail, 1841 (oil on canvas)
6200618 The Sleep of Innocence, detail, 1841 (oil on canvas) by Schiavoni, Natale (1777-1858); Private Collection; (add.info.: Natale Schiavoni: " Il sonno dell innocenza", olio su tela)

Nude of Woman (Resting Model), 1850-60 (oil on canvas)
6200609 Nude of Woman (Resting Model), 1850-60 (oil on canvas) by Hayez, Francesco (1791-1882); Private Collection; (add.info.: Francesco Hayez: " Nudo di donna (Modella in riposo)"

Portrait of Baroness Henriette von Pereira - Armstein with her daughter Flora, 1833 (oil on canvas)
6200607 Portrait of Baroness Henriette von Pereira - Armstein with her daughter Flora, 1833 (oil on canvas) by Amerling, Friedrich von (1803-87); Belvedere, Vienna

Portrait of Antonietta Tarsis Basilico, 1851 (oil on canvas)
6200604 Portrait of Antonietta Tarsis Basilico, 1851 (oil on canvas) by Hayez, Francesco (1791-1882); Private Collection; (add.info.: Francesco Hayez)

Portrait of Luisa D Azeglio Blondel Maumary, 1841 (oil on canvas)
6200600 Portrait of Luisa D Azeglio Blondel Maumary, 1841 (oil on canvas) by Molteni, Giuseppe (1800-67) & Azeglio, Massimo Taparelli d (1798-1866); Private Collection; (add.info.: Giuseppe Molteni)

The castle guardians daughter, 1844 (oil on canvas)
6200589 The castle guardians daughter, 1844 (oil on canvas) by Molteni, Giuseppe (1800-67); Private Collection; (add.info.: Giuseppe Molteni: " La figlia del guardiano del castello")

Faith in God, 1835 (marble)
6200525 Faith in God, 1835 (marble) by Bartolini, Lorenzo (1777-1850); Museo Poldi Pezzoli, Milan, Italy; (add.info.: Lorenzo Bartolini: " Fiducia in Dio", scultura in marmo)

Jesus healing the hunchbacked woman from her hump, Byzantine mosaic, Episodes from the life of Christ
6166240 Jesus healing the hunchbacked woman from her hump, Byzantine mosaic, Episodes from the life of Christ, XII-XIII centuries (mosaic) by Byzantine

Healing of the Canaanite woman, Byzantine mosaic, XII-XIII centuries in the Southern nave (mosaic)
6166416 Healing of the Canaanite woman, Byzantine mosaic, XII-XIII centuries in the Southern nave (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale

Wooden and gilded pastiglia reliquary box (mixed media)
6166401 Wooden and gilded pastiglia reliquary box (mixed media) by French School, (13th century); Diocesan Museum, Duomo Monreale, Sicily

Wooden and gilded pastiglia reliquary box (mixed media)
6166399 Wooden and gilded pastiglia reliquary box (mixed media) by French School, (13th century); Diocesan Museum, Duomo Monreale, Sicily

Plate decorated by a beautiful womans bust, with a motif, first half of the 16th century (majolica)
6299020 Plate decorated by a beautiful womans bust, with a motif, first half of the 16th century (majolica) by Italian School, (16th century); Museo Regionale della Ceramica, Deruta, Perugia, Umbria

Damned to hell, detail of a shapely woman raised against her will by a blue demon with a horn in his forehead
6262766 Damned to hell, detail of a shapely woman raised against her will by a blue demon with a horn in his forehead, 1500-02 (fresco) by Signorelli

Chorus of the Chaste Virgin, 1500-04 (fresco)
6262750 Chorus of the Chaste Virgin, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Chorus of the Chaste Virgins, 1500-04 (fresco)
6262749 Chorus of the Chaste Virgins, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Romeos last kiss to Juliet, 1858 (oil on canvas)
6200629 Romeos last kiss to Juliet, 1858 (oil on canvas) by Hayez, Francesco (1791-1882); Villa Carlotta, Tremezzina, Como

Hebe, 1800-05 (marble)
6343034 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble)
6343021 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Musei Civici Del Castello Visconteo

Princess Leopoldina Esterhazy while painting, 1805-18 (marble)
6343011 Princess Leopoldina Esterhazy while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info.: La Principessa Leopoldina Esterhazy nell atto di dipingere)

Flora, 1838-40 (marble)
6343004 Flora, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo.); Ghigo Roli

Young Dancer, before 1845 (marble)
6343002 Young Dancer, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)

Dancing Terpsichore (Dancer), 1820 (marble)
6342997 Dancing Terpsichore (Dancer), 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Marie Louise of Hapsburg as Concordia, 1810 (plaster)
6342996 Marie Louise of Hapsburg as Concordia, 1810 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Maria Luigia d Austra in veste di Concordia)

Model of the Monument to Vittorio Alfieri, 1806 (plaster)
6342995 Model of the Monument to Vittorio Alfieri, 1806 (plaster) by Canova, Antonio (1757-1822); Accademia di Belle Arti, Carrara, Tuscny, Italy; (add.info.: Above a high oval base)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, rear part, 1820-22 (Carrara marble)
6342987 The Graces and Cupid, rear part, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, detail of the rear part, 1812-17 (marble)
6342979 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, 1812-17, detail of the rear part (marble)
6342978 The three Graces, 1812-17, detail of the rear part (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366103 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366074 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Katharine Merry & Donna Fraser 400 Metres, Sydney Olympics Sydney Olympic Games Olympic Stadium, Sydney, Sydney, Australia 22 September 2000 Date: 22 September 2000

Donna Fraser European Cup, Madrid 1996 04 June 1996 Date: 04 June 1996

Lekythos in style Gnathian, Female figure seated on a diphros, She is holding a mirror
LRI741015 Lekythos in style Gnathian, Female figure seated on a diphros, She is holding a mirror, from Taranto district Lupoli, Italy by Greek School

Bell-shaped neck-amphora with red figures showing the birth of Helen
LRI741082 Bell-shaped neck-amphora with red figures showing the birth of Helen, by Greek School, (4th century BC); 72.7 cm; Museo Archeologico Nazionale di Paestum, Capaccio, Salerno, Campania

Sitting deity statue, from Garaguso
LRI741075 Sitting deity statue, from Garaguso by Greek School, (5th century BC); 42x51x36 cm; Museo Archeologico Provinciale, Potenza, Italy; Luisa Ricciarini; Greek, out of copyright

Handle of a mirror in the shape of a young girl in a peplos, from Locri Epizefiri
LRI741064 Handle of a mirror in the shape of a young girl in a peplos, from Locri Epizefiri, sanctuary of Persephone in the Mannella district by Greek School, (5th century BC); 17.2

Sten Sture by the Deathbed of King Charles VIII of Sweden (oil on wood)
FIA5407248 Sten Sture by the Deathbed of King Charles VIII of Sweden (oil on wood) by Hillestrom, Pehr (1732-1816); 42x51.5 cm; Private Collection; (add.info)

May Belfort (nee May Egan) (Poster) - Oeuvre de Henri de Toulouse Lautrec
5455624 May Belfort (nee May Egan) (Poster) - Oeuvre de Henri de Toulouse Lautrec (Toulouse-Lautrec) (1864-1901) - 1895 - Colour lithograph - 80x62 - Museu Nacional d Art de Catalunya

Polyptych of the life of Beata Umilta - Detrempe on wood, 1316
LRI4573002 Polyptych of the life of Beata Umilta - Detrempe on wood, 1316 by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

The Persian Sibyl. Detail of The eternal father surrounds prophets and sibyls (fresco
LRI4609770 The Persian Sibyl. Detail of The eternal father surrounds prophets and sibyls (fresco, 1498-1500) by Perugino, Pietro (c.1445-1523); Collegio del Cambio, Perugia

Portrait of the painter and his model (oil on canvas, 20th century)
LRI4609557 Portrait of the painter and his model (oil on canvas, 20th century) by Pascin, Jules (1885-1930); Private Collection; (add.info)

The miracle of the child falls from his cradle: the three women talking at the bottom of
LRI4608576 The miracle of the child falls from his cradle: the three women talking at the bottom of the scene. Part of the triptych History of Hermit of St

Family tree of empress Maria Theresa of Habsburg (1717-1780
LRI557909 Family tree of empress Maria Theresa of Habsburg (1717-1780) with husband Francis I with childs : Maria Elizabeth, Joseph II, Maria Amalia, Leopold II

"How to dance the Alemanna"Double page of "Le Gratie d Amore"
LRI557850 " How to dance the Alemanna" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

Carolyne Carvalho (1827-1895) french soprano performing Margherita in "Faust"
LRI557704 Carolyne Carvalho (1827-1895) french soprano performing Margherita in " Faust" by Charles Gounod (1818-1893) by French School

Costumes of Marie Galli (Carmen) and miss Ducasse (Frasquita) acting in "Carmen"
LRI557634 Costumes of Marie Galli (Carmen) and miss Ducasse (Frasquita) acting in " Carmen" of Georges Bizet by French School, (19th century); Private Collection; Luisa Ricciarini; French

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Meet Donna, a multifaceted name that encompasses various aspects of art, culture, and nature. From music covers to iconic landmarks, this caption takes you on a journey through different interpretations of Donna. Starting with the enchanting world of music, Donna captivates audiences with her rendition of "That's Amore, " transporting listeners to the romantic streets of Italy. Speaking of which, in Naples lies the magnificent Palace of Donn Anna, an architectural masterpiece that echoes the grandeur associated with our protagonist. But let's not forget about other forms of art. In literature and theater, Donna shines as the bald prima donna in 20C adaptations like "Romeo et Juliet" or "Romeo and Juliette. " Her portrayal adds depth and emotion to these timeless stories. Nature also embraces its own version of Donna. On the beaches of Lincolnshire in the UK lies Donna Nook where grey seals like Halichoerus grypus bask under the sun. An adult male yawning lazily captures both their beauty and nonchalant demeanor. Shifting gears once again, we encounter British female impersonator Bert Errol whose sheet music showcases his talent for capturing feminine grace. This juxtaposition continues as we stumble upon an artistic representation from 1875-1885 featuring a young nude woman named Donna—a celebration of natural beauty intertwined with history. Donna Di Sora from Abrusso emerges as another embodiment; her allure is undeniable as she graces us with her presence amidst picturesque landscapes. And lastly but certainly not least is Dearborn Portrait Advertisement—where sophistication meets elegance through stunning visuals that embody everything beautiful about being a woman named Donna.