Elizabethan Collection (page 17)

Portrait of Edward Courtenay (c. 1526-56) Last Earl of Devonshire from
STC146718 Portrait of Edward Courtenay (c.1526-56) Last Earl of Devonshire from Memoirs of the Court of Queen Elizabeth, published in 1825 (w/c and gouache on paper) by Essex

Portrait of John Dudley (1502?-53) Duke of Northumberland from
STC146715 Portrait of John Dudley (1502?-53) Duke of Northumberland from Memoirs of the Court of Queen Elizabeth, published in 1825 (w/c and gouache on paper) by Essex

Portrait of Sir Thomas Smythe (c. 1558-1625) from Memoirs of the Court of Queen
STC146194 Portrait of Sir Thomas Smythe (c.1558-1625) from Memoirs of the Court of Queen Elizabeth, published in 1825 (w/c and gouache on paper) by Essex

Portrait of a Man with a Sword (oil on panel)
RAF145704 Portrait of a Man with a Sword (oil on panel) by English School, (16th century); Private Collection; Photo eRafael Valls Gallery, London, UK; English, out of copyright

Carved fireplace in the drawing room, depicting Elizabeth I being greeted by the Earl of
MFI123671 Carved fireplace in the drawing room, depicting Elizabeth I being greeted by the Earl of Hereford in 1591, 16th century (photo) by English School, (16th century); Elvetham Hall, Elvetham

Portrait of Sarah and Elizabeth Poulett of Hinton St. George, Somerset, c
RPH135890 Portrait of Sarah and Elizabeth Poulett of Hinton St. George, Somerset, c.1600 (oil on canvas) by English School, (17th century); Private Collection; eRichard Philp, London; English

The Royal Palace of Hampton Court, from Survey of London
STC137600 The Royal Palace of Hampton Court, from Survey of London engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving) by Knyff

Portrait of James Douglas (c. 1516-81) 4th Earl of Morton from
STC146729 Portrait of James Douglas (c.1516-81) 4th Earl of Morton from Memoirs of the court of Queen Elizabeth after the portrait attr

Portrait of Lettice Knollys (c. 1541-1634) Daughter of Sir Francis Knollys from
STC146166 Portrait of Lettice Knollys (c.1541-1634) Daughter of Sir Francis Knollys from Memoirs of the Court of Queen Elizabeth, published in 1825 (w/c and gouache on paper) by Essex

The House of William Shakespeare (1564-1616) in Stratford-upon-Avon
CHT179960 The House of William Shakespeare (1564-1616) in Stratford-upon-Avon (pen & ink and wash on paper) by Hugo, Victor (1802-85); Musee de Victor Hugo, Hauteville House

View of the gateway (photo)
BAL13457 View of the gateway (photo) by English School, (16th century); Hoghton Tower, Lancashire, UK; English, out of copyright

Unknown Lady, formerly called Lucy Harrington, Countess of Bedford, c
FIT58811 Unknown Lady, formerly called Lucy Harrington, Countess of Bedford, c.1605 (bodycolour & w/c on card) (for sketch see 88888) by Oliver, Isaac (c.1565-1617); Fitzwilliam Museum

Helena and Hermia - female friendship in Shakespeare
Helena and Hermia sit sewing together, created both one flower, Both on one sampler, sitting on one cushion - an example of female friendship in Shakespeare (A Midsummer Nights Dream). Date: 1841

Hill Hall, near Epping, Essex, an Elizabethan mansion. Date: circa 1845

Thomas Coryate (Coryat), English traveller and author
Thomas Coryate (Coryat, c1577-1617), English traveller and author. Date: early 17th century

Portrait miniature of Lady Katherine Seymour, nee Grey (c
BEL96899 Portrait miniature of Lady Katherine Seymour, nee Grey (c.1538-68) Countess of Hertford, holding her infant son and wearing her husbands miniature, c.1562 by Teerlink, Lievine (b.1510-20)

View inside Penshurst Castle, Tonbridge, Kent, by this time accessible via the new railway from London to Dover. From left to right can be seen the Elizabeth Gallery, Barrack Room, Prison

Earl of Leicesters Bell, Penshurst Castle, Tonbridge, Kent. Date: 1843

Longleat, Wiltshire, the Seat of the Marquis of Bath, after a sketch by Frederick
STC88462 Longleat, Wiltshire, the Seat of the Marquis of Bath, after a sketch by Frederick MacKenzie, engraved by Robert Havell (1769-1832) 1816 (engraving) by Fielding, A.V

The Armada Jewel, also known as the Heneage Jewel, painted by Nicholas Hilliard, with a profile portrait of Queen Elizabeth I. circa 1595

Sir John Ashburnham (1571-1620) 1593 (oil on panel)
SGS106175 Sir John Ashburnham (1571-1620) 1593 (oil on panel) by Custodis, Hieronymus (fl.1589-93); 78.7x59.7 cm; The Berger Collection at the Denver Art Museum

Queen Elizabeth I knighting Sir John Young on the steps of his property, The Great House
SAV329232 Queen Elizabeth I knighting Sir John Young on the steps of his property, The Great House, Bristol, 1910-20 (oil on canvas) by Board, Ernest (1877-1934); 33x18 cm; Bristol Savages, Bristol

The English Repelling the Spaniards at San Juan de Ulua
IL323201 The English Repelling the Spaniards at San Juan de Ulua, illustration from British Battles on Land and Sea, published by Cassell, London, c.1915 (litho) by Hodgson, E.S

Drakes Drum, illustration from Drakes Drum and Other Songs of the Sea
IL250652 Drakes Drum, illustration from Drakes Drum and Other Songs of the Sea by Henry Newbolt (1862-1938) (colour litho) by McCormick, Arthur David (1860-1943); Private Collection; English

The Site of Shakespeares theatre, detail of Civitas Londinum
CHT248286 The Site of Shakespeares theatre, detail of Civitas Londinum, map of London, 1560 (woodblock print) by Agas, Ralph (c.1540-1621); Private Collection; eArchives Charmet; English

The launching of English fireships on the Spanish fleet off Calais with Queen Elizabeth I
RAF227086 The launching of English fireships on the Spanish fleet off Calais with Queen Elizabeth I (1533-1603) on horseback on shore, on the night of 7th August 1588

Bust of William Shakespeare, 1760 (marble)
BIR189239 Bust of William Shakespeare, 1760 (marble) by Rysbrack (Rijsbrack), John Michael (1684-1770); height:58.5 cm; Birmingham Museums and Art Gallery; (add.info)

A set of trenchers and their box, mid-16th century
AMQ182787 A set of trenchers and their box, mid-16th century by English School, (16th century); Ashmolean Museum, University of Oxford

A stomacher, 16th century (wool, linen and cord)
AMQ182786 A stomacher, 16th century (wool, linen and cord) by English School, (16th century); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A Christening Party, 1629 (oil on panel)
LST257053 A Christening Party, 1629 (oil on panel) by Flemish School, (17th century); 56.2x86.7 cm; Private Collection; (add.info)

Copy of a carving by Charles Bailly, from the wall of the Beauchamp Tower
STC347574 Copy of a carving by Charles Bailly, from the wall of the Beauchamp Tower, Tower of London, 1571 (engraving) by English School

Copy of a carving by Arthur Poole on the wall of his prison cell in the Tower
STC347573 Copy of a carving by Arthur Poole on the wall of his prison cell in the Tower, 1568 (engraving) by English School

Diagram to illustrate the behaviour of a magnet at different positions around the north
539354 Diagram to illustrate the behaviour of a magnet at different positions around the north pole of the Earth (A). From William Gilbert De Magnete, London, 1600 by Gilbert

Kent weald house (engraving)
HJA321590 Kent weald house (engraving) by English School, (19th century); Private Collection; English, out of copyright

View of the Long Gallery, late 16th-early 17th century (photo)
BCC18012 View of the Long Gallery, late 16th-early 17th century (photo) by English School; Haddon Hall, Bakewell, Derbyshire, UK; English, out of copyright

Elizabethan (colour litho)
736617 Elizabethan (colour litho) by English School, (19th century); Private Collection; (add.info.: Elizabethan. Illustration for The Grammar of Ornament by Owen Jones (Day and Son)

Portrait of Francis Bacon, Viscount of St Albans, illustration from
745941 Portrait of Francis Bacon, Viscount of St Albans, illustration from Heads of Illustrious Persons of Great Britain, pub

Portrait of Charles Howard, Earl of Nottingham, illustration from
745935 Portrait of Charles Howard, Earl of Nottingham, illustration from Heads of Illustrious Persons of Great Britain, pub

Frances Knyvett, Countess of Rutland (oil on canvas)
465972 Frances Knyvett, Countess of Rutland (oil on canvas) by Gheeraerts, Marcus, the Younger (c.1561-1635); Belvoir Castle, Leicestershire

Edward Manners, 3rd Earl of Rutland, c. 1675 (oil on canvas)
465968 Edward Manners, 3rd Earl of Rutland, c.1675 (oil on canvas) by Eyden, Jeremias van der (d.1697); Belvoir Castle, Leicestershire, UK; (add.info.: Edward Manners, 3rd Earl of Rutland)

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"Exploring the Glorious Elizabethan Era: From Queen Elizabeth I to Shakespearean Theatre" Step back in time to the magnificent reign of Queen Elizabeth I, as depicted in George Gower's iconic portrait from 1588. Her regal presence and power are captured flawlessly, showcasing her influence over England and Ireland. In another stunning portrayal by Nicholas Hilliard, we witness "The Ermine Portrait" of Queen Elizabeth I in 1585. This masterpiece immortalizes her elegance and grace, symbolized by the ermine fur draped around her shoulders. Experience the vibrant atmosphere of an Elizabethan London with its bustling streets and lively theaters like The Globe. Performances filled with drama, comedy, and romance transported audiences into a world crafted by brilliant playwrights such as William Shakespeare. Even scientific discoveries thrived during this era. Dr. William Gilbert demonstrates his groundbreaking experiments on electricity to none other than Queen Elizabeth I herself. Their curiosity for knowledge pushed boundaries and paved the way for future advancements. Meet Bess of Hardwick, also known as Countess of Shrewsbury - a remarkable woman who left an indelible mark on history through her influential role at court and impressive architectural achievements like Wollaton Hall in Nottingham. Travel across Norfolk with Saxton's Map from 1574; it offers a glimpse into the intricate details of towns, villages, rivers, forests that shaped daily life during this period. Relive one of England's most significant naval battles - when the Golden Lion fiercely attacked Santa Ana during the Spanish Armada conflict. The bravery displayed by English forces underlines their determination to protect their homeland against foreign invasions. Witness both tragedy and resilience through images depicting The Great Fire of London in 1666. Despite widespread destruction caused by flames engulfing buildings throughout the cityscape, Londoners united to rebuild their beloved capital stronger than ever before.