English Art Collection (page 8)

Age and Youth, (pencil, pen and brown ink and watercolour)
651922 Age and Youth, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 12.3x19.9 cm; Private Collection; (add.info.: Age and Youth. Thomas Rowlandson (1756-1827)

Hastings: Fish Market on the Sands, Early Morning, 1822
651901 Hastings: Fish Market on the Sands, Early Morning, 1822 (pencil and watercolour heightened with bodycolour) by Turner

Portrait of Edward Currie Holding a Cricket Bat, 1830 (pencil and watercolour)
651894 Portrait of Edward Currie Holding a Cricket Bat, 1830 (pencil and watercolour) by Buck, Adam (1759-1833); 28.3x22 cm; Private Collection; (add.info)

A Fishermans Wife - Fifeshire Interior, (watercolour heightened with white)
651892 A Fishermans Wife - Fifeshire Interior, (watercolour heightened with white) by Blacklock, William Kay (1872-1922); 22.2x29.9 cm; Private Collection; (add.info)

Portrait of William Bellingham Budworth and his Sister Emma Mary, Small Full Length
651880 Portrait of William Bellingham Budworth and his Sister Emma Mary, Small Full Length, on a Balcony, 1795 (coloured chalks and watercolour) by Buck

By the Duck Pond, (pencil, watercolour and bodycolour)
651867 By the Duck Pond, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 23.5x34.4 cm; Private Collection; (add.info.: By the Duck Pond. Myles Birket Foster (1825-1899)

A New Form of Prayer, (pencil, pen and watercolour)
651846 A New Form of Prayer, (pencil, pen and watercolour) by Rowlandson, Thomas (1756-1827); 32.4x25.4 cm; Private Collection; (add.info.: A New Form of Prayer. Thomas Rowlandson (b)

Portrait of Mrs W. S. Fry and her Four Children: Emma, Willy, Julie and Georgina
651830 Portrait of Mrs W.S. Fry and her Four Children: Emma, Willy, Julie and Georgina, Seated in an Interior, 1840 (pencil, coloured chalks and watercolour) by Linnell

Writing the Will, 1786 (pen and grey ink and watercolour)
651829 Writing the Will, 1786 (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23x32 cm; Private Collection; (add.info.: Writing the Will. Thomas Rowlandson (1756-1827)

A Little Stage Fairy (oil on canvas)
828490 A Little Stage Fairy (oil on canvas) by Patten, Alfred Fowler (1829-88); 76.2x50.8 cm; Private Collection; (add.info.: A Little Stage Fairy. Alfred Fowler Patten (1829-1888). Oil on canvas

Hope, (watercolour with bodycolour)
828485 Hope, (watercolour with bodycolour) by Burne-Jones, Edward Coley (1833-98); 167.5x91.5 cm; Private Collection; (add.info.: Hope. Edward Burne-Jones (1833-1898). Watercolour with bodycolour

May Day Garlands, (pencil and watercolour heightened with bodycolour)
828482 May Day Garlands, (pencil and watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 34.6x71.4 cm; Private Collection; (add.info.: May Day Garlands)

The Harvesters, 1865 (bodycolour)
828475 The Harvesters, 1865 (bodycolour) by Warren, Edmund George (1834-1909); 25.5x36. cm; Private Collection; (add.info.: The Harvesters. Edmund George Warren (1834-1909). Bodycolour

Our Lady of the Water Gate, (oil on canvas)
828473 Our Lady of the Water Gate, (oil on canvas) by Stanhope, John Roddam Spencer (1829-1908); 106.7x59.7 cm; Private Collection; (add.info.: Our Lady of the Water Gate)

A highly important pianoforte designed by Sir Lawrence Alma-Tadema
828428 A highly important pianoforte designed by Sir Lawrence Alma-Tadema, action by Steinway New York. Built in 1887. 1887 () by Alma-Tadema

St Marks Square, Venice, (pencil and watercolour)
828408 St Marks Square, Venice, (pencil and watercolour) by Tyndale, Walter Frederick Roofe (1856-1943); 33.7x51.4 cm; Private Collection; (add.info.: St Marks Square, Venice)

A View of Moorea, 1787 (handcoloured aquatint)
828319 A View of Moorea, 1787 (handcoloured aquatint) by Cleveley, John the Younger (1747-86); 43.2x60.9 cm; Private Collection; (add.info.: A View of Moorea. John Cleveley the Younger (1747-86)

A View of Huaheine, 1787 (handcoloured aquatint)
828318 A View of Huaheine, 1787 (handcoloured aquatint) by Cleveley, John the Younger (1747-86); 43.2x60.9 cm; Private Collection; (add.info.: A View of Huaheine. John Cleveley the Younger (1747-86)

A View of Owhyhee in the Sandwich Island in the south Seas (The Death of Cook)
828317 A View of Owhyhee in the Sandwich Island in the south Seas (The Death of Cook), 1779 (handcoloured aquatint) by Cleveley, John the Younger (1747-86); 43.2x60.9

A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum
827420 A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum arabic on) by Lynch, Albert (1851-1912); 31.8x63.5 cm; Private Collection; (add.info)

Afternoon Pastimes, (oil on canvas)
827363 Afternoon Pastimes, (oil on canvas) by King, Edward R. (active 1883-1924); 50.8x76.2 cm; Private Collection; (add.info.: Afternoon Pastimes. Edward R. King (active 1883-1924). Oil on canvas

The Panel of the Mabinogian, No. 10, (watercolour, gouache
827356 The Panel of the Mabinogian, No. 10, (watercolour, gouache and gold paint on silk laid down on paper) by Sheringham

The Saffron Cake, 1920 (oil on canvas)
827254 The Saffron Cake, 1920 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 76.2x101.6 cm; Private Collection; (add.info.: The Saffron Cake. Stanhope Alexander Forbes (1857-1947)

Lost in the Storm, (oil on canvas)
827107 Lost in the Storm, (oil on canvas) by Ansdell, Richard (1815-85); 82x130.2 cm; Private Collection; (add.info.: Lost in the Storm. Richard Ansdell (1815-1885). Oil on canvas

Canadian Pacific to Canada & USA, 1933 (lithograph in colours)
1766915 Canadian Pacific to Canada & USA, 1933 (lithograph in colours) by Shoesmith, Kenneth (1890-1939); Private Collection; (add.info.: Canadian Pacific to Canada & USA)

A Derby dry-edge Chinoiserie group emblematic of hearing from a set of the senses, c
1766875 A Derby dry-edge Chinoiserie group emblematic of hearing from a set of the senses, c.1750-52 (china) by PlanchA©

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

A Hindu Woman carrying a Waterpot (pencil and watercolour)
1766413 A Hindu Woman carrying a Waterpot (pencil and watercolour) by Daniell, William (1769-1837); 13.7x9.5 cm; Private Collection; (add.info.: A Hindu Woman carrying a Waterpot)

A Family Group, the Father Seated, the Mother and Daughter Standing, in an Interior
1765065 A Family Group, the Father Seated, the Mother and Daughter Standing, in an Interior, 18th century (oil on canvas) by Wheatley

Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)
1765056 Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas) by Beechey, William (1753-1839); 142.3x112.4 cm; Private Collection; (add.info.: Portrait of Ernest)

A Group Portrait of John Perceval, 1st Earl of Egmont (1683-1748
1765054 A Group Portrait of John Perceval, 1st Earl of Egmont (1683-1748) and his Wife Catherine (oil on canvas) by Alberry, J

St. Joan of Arc (pencil and pastel on buff paper)
1765047 St. Joan of Arc (pencil and pastel on buff paper) by Richmond, William Blake (1842-1921); 71.3x56 cm; Private Collection; (add.info.: St. Joan of Arc. Sir William Blake Richmond (1842-1921)

Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying
1765036 Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying, he gave each a large piece of gingerbread (pen, black ink and watercolour) by Rackham

The Pantiles, Tunbridge Wells (watercolour and bodycolour)
1765026 The Pantiles, Tunbridge Wells (watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); Private Collection; (add.info.: The Pantiles, Tunbridge Wells. Louise Rayner (1832-1924)

The Breedwell Family, 1807 (pen, ink and watercolour)
1765022 The Breedwell Family, 1807 (pen, ink and watercolour) by Rowlandson, Thomas (1756-1827); 9, 8x17, 7 cm; Private Collection; (add.info.: The Breedwell Family. Thomas Rowlandson (1756-1827)

A Young Golden Eagle, 1841 (hand-coloured engraved plate)
986457 A Young Golden Eagle, 1841 (hand-coloured engraved plate) by Selby, Prideaux John (1788-1867); 65x51 cm; Private Collection; (add.info.: A Young Golden Eagle)

Painted Stork (Tantalus Leucocephalus), 1862-1873 (hand-coloured lithograph)
986238 Painted Stork (Tantalus Leucocephalus), 1862-1873 (hand-coloured lithograph) by Gould, John (1804-81); 54x36.5 cm; Private Collection; (add.info.: Painted Stork (Tantalus Leucocephalus)

A Parrot, 1731-1738 (hand-coloured engraving)
986232 A Parrot, 1731-1738 (hand-coloured engraving) by Albin, Eleazar (fl.1713-59); 27.7x22.6 cm; Private Collection; (add.info.: A Parrot. From A Natural History of Birds)

Grey-Headed Flying Fox (Pteropus Poliocephalus), 1845-1863 (hand-coloured lithograph)
986061 Grey-Headed Flying Fox (Pteropus Poliocephalus), 1845-1863 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Grey-Headed Flying Fox (Pteropus Poliocephalus)

Gloucester(shire), 1579 (hand-coloured engraving)
985997 Gloucester(shire), 1579 (hand-coloured engraving) by Saxton, Christopher (c.1542-c.1610); 41.5x55 cm; Private Collection; (add.info.: Gloucester(shire); Glocestriae

An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph)
985991 An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph) by Mansion, L. and Eschauzier, St

Horned Frog (Ceratophrys cornuta), 1790 (hand coloured engraving)
985969 Horned Frog (Ceratophrys cornuta), 1790 (hand coloured engraving) by Nodder, Frederick Polydor (1773-1801); Private Collection; (add.info.: Horned Frog (Ceratophrys cornuta)

View of the Grand Procession of the Sacred Camel through the Streets of Cairo on their
985945 View of the Grand Procession of the Sacred Camel through the Streets of Cairo on their Pilgrimage to Mecca & Medina, 1822 (hand-coloured aquatint engraving) by Willyams

A plan of Fort Montgomery & Fort Clinton, 1774-1779 (hand coloured etching in various
985889 A plan of Fort Montgomery & Fort Clinton, 1774-1779 (hand coloured etching in various watercolour tints) by English School

Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)
985823 Holy Thursday, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Holy Thursday. Plate 8 from Songs of Innocence)

Chapter heading depicting two peacocks in a garden with a fountain, c
985763 Chapter heading depicting two peacocks in a garden with a fountain, c.1893/4 (black ink, graphite) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Kensington Palace, 1819 (colour aquatint engraving)
985733 Kensington Palace, 1819 (colour aquatint engraving) by Westall, William (1781-1850) (after); 40.7x31.8 cm; Private Collection; (add.info.: Kensington Palace)

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English art encompasses a rich and diverse range of styles, subjects, and mediums. From the picturesque landscapes of The Weald of Kent to the vibrant advertising posters of Southern Railway, English artists have captured the essence of their surroundings with skill and creativity. One such example is the Southern Railway poster advertising Ramsgate in 1939. This colourful lithograph transports viewers to a seaside paradise, enticing them with promises of sun-soaked beaches and refreshing ocean breezes. John William Waterhouse, a renowned English painter, masterfully depicted scenes that evoke emotion and beauty. In his painting "Children on the Beach, St. Ives, " he captures the innocence and joy of childhood against a backdrop of crashing waves and golden sand. Another captivating artwork is "A Lady Walking in a Garden. " This full-length portrait showcases elegance as she delicately holds her small child's hand amidst lush greenery. The artist's attention to detail brings this tranquil scene to life. Moving away from portraiture, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom" portrays an exquisite oil-on-canvas depiction of horses. The artist's meticulous brushstrokes capture every muscle and sinew as these magnificent creatures are presented for admiration. In contrast to traditional paintings, Laurel Tree stands out as an intricately hand-coloured etching from 1731-1743. Its delicate details showcase nature's splendor while highlighting England's love for botanical illustrations. Maps also play an important role in English art history; A Map of the Union South Africa from 1931 demonstrates both artistic skill and geographical accuracy through its vivid colour lithography. Teatime offers a glimpse into everyday life through pencil sketches heightened with watercolour on cardstock - showcasing how even mundane moments can be transformed into works worthy of appreciation. At Aphrodite’s Cradle (The Ever-New Horizon) invites viewers into an ethereal world where myth meets reality.