English Art Collection (page 9)

A plan of Fort Montgomery & Fort Clinton, 1774-1779 (hand coloured etching in various
985889 A plan of Fort Montgomery & Fort Clinton, 1774-1779 (hand coloured etching in various watercolour tints) by English School

Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)
985823 Holy Thursday, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Holy Thursday. Plate 8 from Songs of Innocence)

Chapter heading depicting two peacocks in a garden with a fountain, c
985763 Chapter heading depicting two peacocks in a garden with a fountain, c.1893/4 (black ink, graphite) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Kensington Palace, 1819 (colour aquatint engraving)
985733 Kensington Palace, 1819 (colour aquatint engraving) by Westall, William (1781-1850) (after); 40.7x31.8 cm; Private Collection; (add.info.: Kensington Palace)

The Kings Library, Buckingham House, 1818 (colour aquatint engraving)
985732 The Kings Library, Buckingham House, 1818 (colour aquatint engraving) by Stephanoff, Francis Phillip (1790-1860) (after); 40.7x31.8 cm; Private Collection; (add.info.: The Kings Library)

An Early Victorian, (oil on canvas)
1199556 An Early Victorian, (oil on canvas) by Logsdail, William (1859-1944); 176.5x85 cm; Private Collection; Photo eChristies Images; English, out of copyright

Ship Ahoy (oil on canvas)
1199524 Ship Ahoy (oil on canvas) by Rossi, Alexander M. (1840-1916) (attr.to); 76.2x53.3 cm; Private Collection; (add.info.: Rossi, Alexander M)

The Bridge at St Ives 1903 (pencil, pen and black ink, and w / c on paper)
1199522 The Bridge at St Ives 1903 (pencil, pen and black ink, and w/c on paper) by Garden, William Fraser (1856-1921); 28x39.4 cm; Private Collection; (add.info)

A Shady Corner, (oil on canvas)
1199499 A Shady Corner, (oil on canvas) by Clausen, George (1852-1944); 62.2x51.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Gathering Firewood, 1881 (pencil and w / c on paper)
1199498 Gathering Firewood, 1881 (pencil and w/c on paper) by Clausen, George (1852-1944); 42.5x31.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Gibraltar, 1886 (oil on canvas)
1199496 Gibraltar, 1886 (oil on canvas) by Long, Edwin Longsden (1829-91); 104.2x81.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Maternity, 1917 (oil on canvas)
1199490 Maternity, 1917 (oil on canvas) by Leighton, Edmund Blair (1853-1922); 131.8x118.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Sketch for The Outcast, 1851 (oil on canvas)
1199489 Sketch for The Outcast, 1851 (oil on canvas) by Redgrave, Richard (1804-88); 25.4x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Far Away Thoughts, 1911 (oil on canvas)
1199482 Far Away Thoughts, 1911 (oil on canvas) by Godward, John William (1861-1922); 100.3x100.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

In St Mark s, (oil on canvas)
1199480 In St Mark s, (oil on canvas) by Leighton, Frederic (1830-96); 106.7x68.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)
1199478 Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 21x14 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)
1199468 Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash) by Landseer, Charles (1799-1879); 49x32 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Train of the First Class of Carriages with the Mail & A Train of the Second Class for
1198424 A Train of the First Class of Carriages with the Mail & A Train of the Second Class for Outside Passengers, 1831 (colour aquatint, partly hand-coloured) by Shaw

1925, Wembley, 1924 (colour lithograph)
1198190 1925, Wembley, 1924 (colour lithograph) by Nevinson, Christopher Richard Wynne (1889-1946); 100x64 cm; Private Collection; Photo eChristies Images; English, out of copyright

Motion Study, c. 1872-1885 (collotype plate)
1197676 Motion Study, c.1872-1885 (collotype plate) by Muybridge, Eadweard (1830-1904); 12.7x50.8 (approx.) cm; Private Collection; Photo eChristies Images; English, out of copyright

The Song of the Georgian Maiden, (pencil, w / c, gouache and bodycolour on paper)
1197495 The Song of the Georgian Maiden, (pencil, w/c, gouache and bodycolour on paper) by Warren, Henry (1794-1879); 107.6x79.8 cm; Private Collection; Photo eChristies Images; British

Saltash Bridge, c. 1930 (pencil and oil on card)
1197091 Saltash Bridge, c. 1930 (pencil and oil on card) by Wallis, Alfred (1855-1942); (30.5x42.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

European Roller; Coracias Garrula, 1862-1873 (hand-finished colour lithograph)
1195424 European Roller; Coracias Garrula, 1862-1873 (hand-finished colour lithograph) by Gould, John (1804-81) (after); Private Collection; Photo eChristies Images; English, out of copyright

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Hunting Kuttauss or Civet Cat, (pencil and w / c)
1196938 Hunting Kuttauss or Civet Cat, (pencil and w/c) by Howitt, Samuel (1756-1822); 29.3x43.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Minton Art Pottery Studio charger, painted with a nude staring out to sea
1194922 A Minton Art Pottery Studio charger, painted with a nude staring out to sea, 19th century (ceramic) by Coleman, William Stephen (1829-1904); 49 (diam)

A Minton earthenware large tazza, depicting Leda and the Swan, (earthenware)
1194904 A Minton earthenware large tazza, depicting Leda and the Swan, (earthenware) by Coleman, William Stephen (1829-1904); 34 cm; Private Collection; Photo eChristies Images; English

Homage to Pugin, a stained glass window design, c. 1850 (ink and wash)
1194890 Homage to Pugin, a stained glass window design, c.1850 (ink and wash) by Powell, John Hardman (1827-95); 120x120 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w / c)
1196894 A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 37.4x53.6 cm; Private Collection; Photo eChristies Images; English

The Kotwali Gate, Gaur, Bengal, (pencil and w / c)
1196890 The Kotwali Gate, Gaur, Bengal, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 53.4x55.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of a Woman, Half Length, 1905 (oil on canvas)
657745 Portrait of a Woman, Half Length, 1905 (oil on canvas) by Blacklock, William Kay (1872-1922); Private Collection; (add.info.: Portrait of a Woman, Half Length)

The Midday Meal, (oil on canvas)
657720 The Midday Meal, (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); Private Collection; (add.info.: The Midday Meal. Stanhope Alexander Forbes (1857-1947). Oil on canvas

The Afternoon Walk, 1880 (oil on canvas)
657717 The Afternoon Walk, 1880 (oil on canvas) by Fortescue, William Banks (c.1855-1924); Private Collection; (add.info.: The Afternoon Walk. William Banks Fortescue (ca.1855-1924). Oil on canvas

Mrs Ody, (oil and crayon on card)
657401 Mrs Ody, (oil and crayon on card) by Dismorr, Jessica Stewart (1885-1939); Private Collection; (add.info.: Mrs Ody. Jessica Dismorr (1885-1939). Oil and crayon on card

Mantelpiece, France, (oil on canvas)
657244 Mantelpiece, France, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 60x44.5 cm; Private Collection; (add.info.: Mantelpiece, France)

Rogation Day, Cornwall, (oil on canvas)
657213 Rogation Day, Cornwall, (oil on canvas) by Titcomb, William Holt Yates (1858-1930); Private Collection; (add.info.: Rogation Day, Cornwall. William Holt Yates Titcomb (1858-1930)

From a Venetian Window, 1934 (oil on canvas)
657125 From a Venetian Window, 1934 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 65x78 cm; Private Collection; (add.info.: From a Venetian Window)

A Baccante, 1885 (oil on canvas)
652991 A Baccante, 1885 (oil on canvas) by Rae, Henrietta (1859-1928); 127x63.5 cm; Private Collection; (add.info.: A Baccante. Henrietta Rae (1859-1928). Oil on canvas. Signed and dated 1885

Portrait of King George II When Prince of Wales, Full Length, Wearing State Robes
652172 Portrait of King George II When Prince of Wales, Full Length, Wearing State Robes and the Collar of the Order of the Garter, Holding His Sword in His Left Hand

Portrait of Erasmus Darwin, Half Length, in a Buff Coat and White Shirt, (oil on canvas)
652153 Portrait of Erasmus Darwin, Half Length, in a Buff Coat and White Shirt, (oil on canvas) by Wright of Derby, Joseph (1734-97); 73.6x61 cm; Private Collection; (add.info)

A Scene from As You Like It : Rosalind, Celia and Jacques in The Forest of Arden
828480 A Scene from As You Like It : Rosalind, Celia and Jacques in The Forest of Arden, 1864 (pencil and watercolour heightened with bodycolour and gum arabic) by Buckley

Seaside Gossips, (watercolour)
828431 Seaside Gossips, (watercolour) by Smetham, James (1821-89); 26x35.2 cm; Private Collection; (add.info.: Seaside Gossips. James Smetham (1821-1889). Watercolour

A highly important pianoforte designed by Sir Lawrence Alma-Tadema
828424 A highly important pianoforte designed by Sir Lawrence Alma-Tadema, action by Steinway New York. Built in 1887. 1887 () by Alma-Tadema

A Venetian al Fresco, 1885 (oil on canvas)
828404 A Venetian al Fresco, 1885 (oil on canvas) by Logsdail, William (1859-1944); 103.8x167.7 cm; Private Collection; (add.info.: A Venetian al Fresco. William Logsdail (1859-1944). Oil on canvas

The Deer Pass, c. 1852 (oil on canvas)
828395 The Deer Pass, c.1852 (oil on canvas) by Landseer, Edwin (1802-73); 88.1x213.4 cm; Private Collection; (add.info.: The Deer Pass. Sir Edwin Henry Landseer (1802-1873). Oil on canvas

Lytham Sandhills, 1864 (oil on canvas)
828393 Lytham Sandhills, 1864 (oil on canvas) by Ansdell, Richard (1815-85); 91.8x183.5 cm; Private Collection; (add.info.: Lytham Sandhills. Richard Ansdell (1815-1885). Oil on canvas. Dated 1864

Watergate Street, Chester, Looking West, (pencil and watercolour)
828389 Watergate Street, Chester, Looking West, (pencil and watercolour) by Rayner, Louise Ingram (1832-1924); 42.6x54. cm; Private Collection; (add.info.: Watergate Street, Chester, Looking West)

A View of Matavai Bay, Tahiti, 1787 (handcoloured aquatint)
828316 A View of Matavai Bay, Tahiti, 1787 (handcoloured aquatint) by Cleveley, John the Younger (1747-86); 43.2x60.9 cm; Private Collection; (add.info.: A View of Huaheine)

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English art encompasses a rich and diverse range of styles, subjects, and mediums. From the picturesque landscapes of The Weald of Kent to the vibrant advertising posters of Southern Railway, English artists have captured the essence of their surroundings with skill and creativity. One such example is the Southern Railway poster advertising Ramsgate in 1939. This colourful lithograph transports viewers to a seaside paradise, enticing them with promises of sun-soaked beaches and refreshing ocean breezes. John William Waterhouse, a renowned English painter, masterfully depicted scenes that evoke emotion and beauty. In his painting "Children on the Beach, St. Ives, " he captures the innocence and joy of childhood against a backdrop of crashing waves and golden sand. Another captivating artwork is "A Lady Walking in a Garden. " This full-length portrait showcases elegance as she delicately holds her small child's hand amidst lush greenery. The artist's attention to detail brings this tranquil scene to life. Moving away from portraiture, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom" portrays an exquisite oil-on-canvas depiction of horses. The artist's meticulous brushstrokes capture every muscle and sinew as these magnificent creatures are presented for admiration. In contrast to traditional paintings, Laurel Tree stands out as an intricately hand-coloured etching from 1731-1743. Its delicate details showcase nature's splendor while highlighting England's love for botanical illustrations. Maps also play an important role in English art history; A Map of the Union South Africa from 1931 demonstrates both artistic skill and geographical accuracy through its vivid colour lithography. Teatime offers a glimpse into everyday life through pencil sketches heightened with watercolour on cardstock - showcasing how even mundane moments can be transformed into works worthy of appreciation. At Aphrodite’s Cradle (The Ever-New Horizon) invites viewers into an ethereal world where myth meets reality.