English Art Collection (page 6)

Great Eared Owl, 1841 (hand-coloured engraving)
986303 Great Eared Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); 67x54 cm; Private Collection; (add.info.: Great Eared Owl. From Illustrations of British Ornithology)

A Mad Bull, 1806 (1824) (aquatint)
986259 A Mad Bull, 1806 (1824) (aquatint) by Dodd, Robert (1748-1815); 42x55.5 cm; Private Collection; (add.info.: A Mad Bull. From Authentic Memoirs of the Late George Morland)

Snowy Owl, 1832-1837 (hand-coloured lithograph)
986236 Snowy Owl, 1832-1837 (hand-coloured lithograph) by Lear, Edward (1812-88); 53x36 cm; Private Collection; (add.info.: Snowy Owl. From The Birds of Europe, by John Gould (1804-1881)

Plate from Plan of the Cities of London and Westminster the Borough of Southwark
986183 Plate from Plan of the Cities of London and Westminster the Borough of Southwark, and Parts Adjoining, c.1792-1799 (engraving) by Horwood

Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph)
986076 Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Upupa Epops (Hoopoe). From The Birds of Great Britain

Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph)
986066 Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info.: Arfak Astrapia (Astrapia Nigra)

Superb Bird of Paradise (Lophorina Superba), 1875-1888 (hand-coloured lithograph)
986065 Superb Bird of Paradise (Lophorina Superba), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info)

Superb Bird of Paradise (Lophorhina Superba), 1875-1888 (hand-coloured lithograph)
986063 Superb Bird of Paradise (Lophorhina Superba), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart

986059

Tawny Owl, 1841 (hand-coloured engraving)
986007 Tawny Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); Private Collection; (add.info.: Tawny Owl. Plate XXV from Illustrations of British Ornithology)

BKS111192192 01
Long-billed Cockatoo (Licmetis nasicus). From The Birds of Australia. John Gould (1804-1881). Hand-coloured lithograph. Published in 1840-1869. 54.5 x 36cm

Windsor Castle from the Deer Park, c. 1827-1829 (hand-coloured aquatint)
985992 Windsor Castle from the Deer Park, c.1827-1829 (hand-coloured aquatint) by Daniell, William (1769-1837); 30x50 cm; Private Collection; (add.info.: Windsor Castle from the Deer Park)

Epidendrum Vitellinum, c. 1837-41 (hand-coloured lithograph)
985978 Epidendrum Vitellinum, c.1837-41 (hand-coloured lithograph) by Drake, Miss (fl.1885-92) (after); 55x37 cm; Private Collection; (add.info.: Epidendrum Vitellinum)

Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph)
985895 Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph) by Hart, William (1823-94); 55.2x37.3 cm; Private Collection; (add.info.: Paradisea Augustae Victoriae)

The Parrot of Paradise, 1771 (hand-coloured engraving)
985814 The Parrot of Paradise, 1771 (hand-coloured engraving) by Catesby, Mark (1679-1749) (after); 51.7x37 cm; Private Collection; (add.info.: The Parrot of Paradise)

Eights Racing at Putney, (oil on canvas)
651245 Eights Racing at Putney, (oil on canvas) by Gueldry, Ferdinand Joseph (1858-1945); 38x54 cm; Private Collection; (add.info.: Eights Racing at Putney. Ferdinand Joseph Gueldry (1858-1945)

Portrait of Miss Frances Warren, kneeling full-length in a wooded park
990204 Portrait of Miss Frances Warren, kneeling full-length in a wooded park, wearing a blue dress and holding a lamb, (oil on canvas) by Wright of Derby

Portrait of General James Stuart standing three-quarter length
990061 Portrait of General James Stuart standing three-quarter length, wearing a red uniform with gold frogging, (oil on canvas) by Lawrence

Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving
985796 Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving) by Cattermole, George (1800-68) (after); 33.7x27.9 (folio) cm; Private Collection; (add.info)

Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper)
985764 Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper) by Donovan, Edward (1768-1837) (after); 24.9x15.5 cm; Private Collection; (add.info.: Two Primates on a Tree)

Seleucides Nigricans, (Shaw), c. 1891-1898 (coloured lithograph)
985735 Seleucides Nigricans, (Shaw), c.1891-1898 (coloured lithograph) by Hart, William (1823-94); 54.1x35.4 cm; Private Collection; (add.info.: Seleucides Nigricans, (Shaw)

Mr. Hobbs, said Cedric, an Earl is sitting on this box now
985724 Mr. Hobbs, said Cedric, an Earl is sitting on this box now!, illustration for Little Lord Fauntleroy by Frances Hodgson Burnett, 1886 (black, grey, tan and white washes) by Birch

Primula Sinensis, 1821-1826 (hand-coloured engraving)
985707 Primula Sinensis, 1821-1826 (hand-coloured engraving) by Hooker, William (1779-1832); 41.8x28 cm; Private Collection; (add.info.: Primula Sinensis)

Sobralia Macrantha, c. 1837-43 (hand-coloured litho)
985683 Sobralia Macrantha, c.1837-43 (hand-coloured litho) by Drake, Sarah Ann (1803-57) (after); 72.9x53.1 (folio) cm; Private Collection; (add.info)

The Lover, (painted enamelled earthenware, hammered copper frame)
985572 The Lover, (painted enamelled earthenware, hammered copper frame) by Marks, Henry Stacey (1829-98) (after); 44.6x72.8 cm; Private Collection; (add.info.: The Lover)

A Motion Study of a Hand, c. 1872-1885 (collotype plate)
991518 A Motion Study of a Hand, c.1872-1885 (collotype plate) by Muybridge, Eadweard (1830-1904); Private Collection; (add.info.: A Motion Study of a Hand)

Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas)
990393 Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas) by Home, Robert (1752-1834); 76.2x63.5 cm; Private Collection; (add.info.: Portrait of a Lady as the Cumaean Sibyl)

Memphis, by the Nile, 1882 (oil on canvas)
659925 Memphis, by the Nile, 1882 (oil on canvas) by Goodall, Frederick (1822-1904); 114.6x304.8 cm; Private Collection; (add.info.: Memphis, by the Nile. Frederick Goodall (1822-1904)

John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour)
659829 John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); 31.8x47.2 cm; Private Collection; (add.info.: John Knoxs House, Edinburgh)

The London to York Stagecoaches, (oil on canvas)
659827 The London to York Stagecoaches, (oil on canvas) by Wright, George (1860-1942); 40.6x61 cm; Private Collection; (add.info.: The London to York Stagecoaches. George Wright (1860-1942)

Lancaster, 1852 (pencil, watercolour and gum arabic)
659821 Lancaster, 1852 (pencil, watercolour and gum arabic) by Fripp, George Arthur (1813-96); 46.4x69.3 cm; Private Collection; (add.info.: Lancaster. George Arthur Fripp (1813-1896)

Donations Thankfully Received, 1862 (oil on board)
659789 Donations Thankfully Received, 1862 (oil on board) by Claxton, Marshall (1811-81); 30.5x25.4 cm; Private Collection; (add.info.: Donations Thankfully Received. Marshall Claxton (1812-1881)

The Young School Mistress and Her Assistant (pencil & w / c on paper)
659755 The Young School Mistress and Her Assistant (pencil & w/c on paper) by Jones, Harry E. (fl.c.1882-1916); 28x31.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

The Deserter, 1884 (pencil and watercolour with scratching out)
659730 The Deserter, 1884 (pencil and watercolour with scratching out) by Gregory, Charles (1810-96); 71.1x107 cm; Private Collection; (add.info.: The Deserter. Charles Gregory (1849-1920)

Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas)
659915 Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas) by Hicks, George Elgar (1824-1914); 208.3x120 cm; Private Collection; (add.info.: Lady Edith Amelia Ward)

On the Sands, Morecombe, (oil on canvas)
659775 On the Sands, Morecombe, (oil on canvas) by Woodhouse, William (1857-1935); 71.1x91.5 cm; Private Collection; (add.info.: On the Sands, Morecombe. William Woodhouse (1857-1939). Oil on canvas

A Study for - The Birth of Love, (red chalk)
659766 A Study for - The Birth of Love, (red chalk) by Solomon, Solomon Joseph (1860-1927); 45.5x26.3 cm; Private Collection; (add.info.: A Study for - The Birth of Love)

Superposed Forms, (oil on gesso prepared board)
657549 Superposed Forms, (oil on gesso prepared board) by Dismorr, Jessica Stewart (1885-1939); 46x61 cm; Private Collection; (add.info.: Superposed Forms. Jessica Dismorr (1885-1939)

Conversation at Cagnes, c. 1931 (oil on gessoboard)
657465 Conversation at Cagnes, c. 1931 (oil on gessoboard) by Dismorr, Jessica Stewart (1885-1939); Private Collection; (add.info.: Conversation at Cagnes. Jessica Dismorr (1885-1939)

London Twilight from the Adelphi, (oil on canvas)
657317 London Twilight from the Adelphi, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 44.5x59 cm; Private Collection; (add.info.: London Twilight from the Adelphi)

A Village Procession, France, c. 1923 (oil on canvas)
657009 A Village Procession, France, c.1923 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76 cm; Private Collection; (add.info.: A Village Procession, France)

Idle Moments, (watercolour)
656964 Idle Moments, (watercolour) by Forbes, Elizabeth Adela Stanhope (1859-1912); Private Collection; (add.info.: Idle Moments. Elizabeth Adela Stanhope Forbes (1859-1912). Watercolour

First World War 1918, 1918 (oil on canvas)
656948 First World War 1918, 1918 (oil on canvas) by Hughes-Stanton, Herbert (1870-1937); 147.5x198 cm; Private Collection; (add.info.: First World War 1918. Sir Herbert Hughes-Stanton (1870-1937)

A Liverpool to Manchester Race with a Hunt Beyond, 1880 (oil on canvas)
659135 A Liverpool to Manchester Race with a Hunt Beyond, 1880 (oil on canvas) by Maggs, J.C. (1819-96); 51.4x94 cm; Private Collection; (add.info.: A Liverpool to Manchester Race with a Hunt Beyond)

Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table
658952 Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table, wearing a grey and white dress, 1891 (oil on canvas) by Millais

A Day Trip, Ramsgate, 1854 (oil on canvas)
658878 A Day Trip, Ramsgate, 1854 (oil on canvas) by Parrott, William (1813-69); 45.8x77.5 cm; Private Collection; (add.info.: A Day Trip, Ramsgate. William Parrott (1813-1869). Oil on canvas

Portrait of a Girl seated on a Rug, (oil on canvas)
658608 Portrait of a Girl seated on a Rug, (oil on canvas) by Leighton, Frederic (1830-96); Private Collection; (add.info.: Portrait of a Girl seated on a Rug. Frederic, Lord Leighton (1830-1896)

Water Pets: Goldfish, 1874 (oil on canvas)
658336 Water Pets: Goldfish, 1874 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 65.7x142.2 cm; Private Collection; (add.info.: Water Pets: Goldfish. Sir Lawrence Alma-Tadema (1836-1912)

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English art encompasses a rich and diverse range of styles, subjects, and mediums. From the picturesque landscapes of The Weald of Kent to the vibrant advertising posters of Southern Railway, English artists have captured the essence of their surroundings with skill and creativity. One such example is the Southern Railway poster advertising Ramsgate in 1939. This colourful lithograph transports viewers to a seaside paradise, enticing them with promises of sun-soaked beaches and refreshing ocean breezes. John William Waterhouse, a renowned English painter, masterfully depicted scenes that evoke emotion and beauty. In his painting "Children on the Beach, St. Ives, " he captures the innocence and joy of childhood against a backdrop of crashing waves and golden sand. Another captivating artwork is "A Lady Walking in a Garden. " This full-length portrait showcases elegance as she delicately holds her small child's hand amidst lush greenery. The artist's attention to detail brings this tranquil scene to life. Moving away from portraiture, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom" portrays an exquisite oil-on-canvas depiction of horses. The artist's meticulous brushstrokes capture every muscle and sinew as these magnificent creatures are presented for admiration. In contrast to traditional paintings, Laurel Tree stands out as an intricately hand-coloured etching from 1731-1743. Its delicate details showcase nature's splendor while highlighting England's love for botanical illustrations. Maps also play an important role in English art history; A Map of the Union South Africa from 1931 demonstrates both artistic skill and geographical accuracy through its vivid colour lithography. Teatime offers a glimpse into everyday life through pencil sketches heightened with watercolour on cardstock - showcasing how even mundane moments can be transformed into works worthy of appreciation. At Aphrodite’s Cradle (The Ever-New Horizon) invites viewers into an ethereal world where myth meets reality.