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A Mad Bull, 1806 (1824) (aquatint)

A Mad Bull, 1806 (1824) (aquatint)


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A Mad Bull, 1806 (1824) (aquatint)

986259 A Mad Bull, 1806 (1824) (aquatint) by Dodd, Robert (1748-1815); 42x55.5 cm; Private Collection; (add.info.: A Mad Bull. From Authentic Memoirs of the Late George Morland... by Francis William Blagdon (1778-1819). Painted by Robert Dodd (1748-1815). Aquatint. Published in London, 1806 (watermarked 1824). 42 x 55.5cm.); Photo eChristies Images; English, out of copyright

Media ID 23686710

© Christie's Images / Bridgeman Images

1800s 1806 Active Afraid Aquatint Bull Chaos Disorder Dodd Early 19th Century Early Nineteenth Century English Art English Artist Equine Etching Hooved Mammal Large Group Madness Moving Negative Concept Petrified Physical Activity Prints Residence Two Animals Artist British British Artist Fear Robert Dodd


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Cattle > Related Images

> Animals > Farm > Horses > Paint Horse

> Animals > Farm > Related Images

> Animals > Mammals > Bovidae > Cattle

> Arts > Artists > D > Robert Dodd

> Arts > Artists > D > William Day

> Arts > Artists > H > Robert Home

> Arts > Artists > M > George Morland

> Fine Art Finder > Artists > Maria Sibylla Graff Merian

> Fine Art Finder > Artists > Robert Dodd

> Fine Art Finder > Temp Classification


EDITORS COMMENTS
A Mad Bull, 1806 (1824) captures the chaotic scene of a raging bull in the early nineteenth century. Painted by Robert Dodd and published in London, this aquatint print showcases the artist's skill in depicting movement and action. The image depicts a large group of people gathered outside a building, witnessing the terrifying spectacle of a mad bull on the loose. The women are shown petrified with fear while men attempt to control or escape from the rampaging animal. The horse-mounted equestrian adds to the sense of chaos as they try to bring order to the situation. Dodd's attention to detail is evident in his portrayal of both human and animal subjects. The bull is depicted with great power and intensity, its hooves pounding against the ground as it runs wild. Meanwhile, expressions of terror and panic can be seen on every face present. This print not only serves as an artistic representation but also provides historical context through its connection with George Morland's memoirs by Francis William Blagdon. It offers us a glimpse into life during this time period when encounters with untamed animals were not uncommon. Overall, A Mad Bull, 1806 (1824) stands as a testament to Dodd's talent for capturing dramatic moments and invites viewers to reflect on themes such as fear, disorder, and human vulnerability.

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